Growing up in New Jersey in the 1970s in an extended Italian-American family, Mary Nolan had always believed that she could count on men to protect her, until she finds her dreams shattered by a philandering husband and two needy young sons, but with the help of a group of ex-nuns, her colorful Mafioso relatives, and fellow frustrated housewives, she turns her life around. A first novel. Reprint. 30,000 first printing.
New York Times Bestseller Audiences have long adored Mary Tyler Moore for her television persona as the quintessential girl-next-door, as well as for her strong performances on screen and stage. But what about the poignant doubts and inner strength that drove this versatile and courageous actress? After All is the candid, moving autobiography of the woman America fell in love with, and the icon she became. “Mesmerizing…Fans will love Moore’s behind-the-scenes reminiscences.” —San Francisco Chronicle Mary Tyler Moore was America's darling: actress, producer, star of the golden age of television. Her work on The Dick Van Dyke Show and The Mary Tyler Moore Show garnered multiple Emmys, followed by critical acclaim for her acting on Broadway and in film. Now, in her witty, candid, heartbreaking autobiography, Mary Tyler Moore tells all about the Dick Van Dyke nobody knows; Elvis, her sly, seductive co-star in Change of Habit; how Carl Reiner taught her to cry while being funny; Robert Redford's confession after casting her in Ordinary People; about then-First Lady Betty Ford's inebriated debut on The Mary Tyler Moore Show, and years later, her phone call that saved Mary's life. After All is the exhilarating and moving story of this extraordinarily successful woman, a complex and creative star who hadn’t developed a legacy without much pain and reflection along the way. Mary spares nothing as she recounts her traumatic childhood, two failed marriages, her own alcoholism, the tragic death of her son, and her third, happy marriage to a cardiologist eighteen years her junior. Offering a firsthand overview of the television industry, and peppered with sharp anecdotes, the result is a remarkable narrative and a rare look at one the most enduring and admired stars of our time. Inspiring, poignant, and brutally frank, After All will touch every reader's heart and soul.
Known as the "American Agatha Christie," author Mary Roberts Rinehart produced a vast array of top-notch mysteries over the course of her career, with occasional incursions into other genres. The After House is a gripping whodunit that revolves around a series of grisly axe murders. Set on board a ship, this murder mystery is sure to leave you on the edge of your seat.
A provocative imagining of the later years of the mother of Jesus finds her living a solitary existence in Ephesus years after her son's crucifixion and struggling with guilt, anger, and feelings that her son is not the son of God and that His sacrifice was not for a worthy cause.
A New Light on John’s Gospel The Gospel according to John has always been recognized as different from the “synoptic” accounts of Matthew, Mark, and Luke. But what explains the difference? In this new translation and verse-byverse commentary, Michael Pakaluk suggests an answer and unlocks a twothousand-year-old mystery. Mary’s Voice in the Gospel according to John reveals the subtle but powerful influence of the Mother of Jesus on the fourth Gospel. In his dying words, Jesus committed his Mother to the care of John, the beloved disciple, who “from that hour . . . took her into his own home.” Pakaluk draws out the implications of that detail, which have been overlooked for centuries. In Mary’s remaining years on earth, what would she and John have talked about? Surely no subject was as close to their hearts as the words and deeds of Jesus. Mary’s unique perspective and intimate knowledge of her Son must have shaped the account of Jesus’ life that John would eventually compose. With the same scholarship, imagination, and fidelity that he applied to Mark’s Gospel in The Memoirs of St. Peter, Pakaluk brings out the voice of Mary in John’s, from the famous prologue about the Incarnation of the Word to the Evangelist’s closing avowal of the reliability of his account. This remarkably fresh translation and commentary will deepen your understanding of the most sublime book of the New Testament.
Written by an L. A. County homicide detective and former atheist, Cold-Case Christianity examines the claims of the New Testament using the skills and strategies of a hard-to-convince criminal investigator. Christianity could be defined as a “cold case”: it makes a claim about an event from the distant past for which there is little forensic evidence. In Cold-Case Christianity, J. Warner Wallace uses his nationally recognized skills as a homicide detective to look at the evidence and eyewitnesses behind Christian beliefs. Including gripping stories from his career and the visual techniques he developed in the courtroom, Wallace uses illustration to examine the powerful evidence that validates the claims of Christianity. A unique apologetic that speaks to readers’ intense interest in detective stories, Cold-Case Christianity inspires readers to have confidence in Christ as it prepares them to articulate the case for Christianity.
Bestselling author Shawn Sarles' most terrifying YA horror yet . . . It starts innocently enough. Four kids - three girls, one boy - are at one of their houses, playing games. One of them has read about "Bloody Mary" and the idea that if you look into a mirror and say her name thirteen times, she will show you the future. Some legends say she'll show you your one true love or a skull to mark your death within five years. Others say that conjuring Bloody Mary will bring her into your world. Both sets of legends are true. The kids go through with the act, saying her name thirteen times. One girl looks in the mirror and sees her longtime crush. One girl looks in the mirror and sees the boy in the group. But she pretends to see something else. One girl looks in the mirror and sees a girl she's never seen before but can't get out of her mind. And the boy . . . he sees a skull. But he pretends to see something else. They try to laugh it off. And mostly they forget about it. Or at least they don't talk about it. Yes, over the next few years, whenever they look into a mirror, it's like there's always another figure standing in the background, getting closer. Just short of five years later, the four of them are no longer friends, having gone on separate paths. The girl whose house it was has always tried to avoid the mirror they used - because she always sensed someone in the background. One morning as she's passing by, she sees much more than her own reflection - it's a scary figure taunting her. She startles and breaks the mirror. When the pieces are put back together (barely), the figure is gone. That day in school, a new girl arrives. Her name is Mary . . . .
Since retiring from the Atlanta Police Department, Callahan Garrity is really cleaning up with her House Mouse housecleaning company -- especially since she added"crime investigation" to the list of services offered. Callahan agrees to locate the missing member of the popular '60s girl group, the VelvetTeens, and she doesn't have to search long. Deloras Carter, the a.w.o.l. singer, is found passed out drunk by a swimming pool near the dead body of the trio's former producer. The smoking gun in Deloras's hand suggests that the VelvetTeens won't be reuniting for a comeback tour anytime in the near future ... unless Callahan and her "Mice" can spotlight -- and survive -- a different killer act.
