In the rugged terrain of Northern Kenya, virtually isolated from civilization, lives one of the last surviving warrior peoples of Africa. Renowned for their extraordinary physical beauty and grace as much as for their independence and pride, the Samburu are semi-nomadic pastoralists whose lives and intricate social system, with its age-sets, cattle-wealth, circumcision and marriage rituals, have been shaped over time by the fierce climate, by inter-tribal rivalry and by the never-ending search for grazing and water.
The only thoroughly documented Amazons in world history are the women warriors of Dahomey, an eighteenth- and nineteenth-century Western African kingdom. Once dubbed a 'small black Sparta,' residents of Dahomey shared with the Spartans an intense militarism and sense of collectivism. Updated with a new preface by the author, Amazons of Black Sparta is the product of meticulous archival research and Alpern's gift for narrative. It will stand as the most comprehensive and accessible account of the woman warriors of Dahomey.
For anyone interested in primitive cultures and field photography as high art, this stunning volume by Gianni Giansanti, the renowned author of Vanishing Africa, provides an exceedingly intimate and sympathetic portrait of indigenous peoples in their most purposeful aspect. Trekking ever deeper into the mysterious heart of undocumentedand endangeredaboriginal Africa, the birthplace of humanity, Giansanti captures the extraordinary masks, plumage, and adornment used by warriors in the remotest regions to invoke martial magic. Each photo is a masterpiece of abstract art that demonstrates how the natives use their bodies as canvases, painting their scarified flesh with pigments made from powdered volcanic rock and adorning themselves with flowers, leaves, grasses, shells, and animal horns. Giansanti employs virtuoso techniques of chiaroscuro, stark contrasts of texture and color, and jarring juxtapositions of the primordial and the modern to produce a rare and surreal glimpse into an eerily exotic and timeless way of life.
This biography of the first foreign-born samurai and his journey from Africa to Japan is “a readable, compassionate account of an extraordinary life” (The Washington Post). When Yasuke arrived in Japan in the late 1500s, he had already traveled much of the known world. Kidnapped as a child, he had ended up a servant and bodyguard to the head of the Jesuits in Asia, with whom he traversed India and China learning multiple languages as he went. His arrival in Kyoto, however, literally caused a riot. Most Japanese people had never seen an African man before, and many of them saw him as the embodiment of the black-skinned Buddha. Among those who were drawn to his presence was Lord Nobunaga, head of the most powerful clan in Japan, who made Yasuke a samurai in his court. Soon, he was learning the traditions of Japan’s martial arts and ascending the upper echelons of Japanese society. In the four hundred years since, Yasuke has been known in Japan largely as a legendary, perhaps mythical figure. Now African Samurai presents the never-before-told biography of this unique figure of the sixteenth century, one whose travels between countries and cultures offers a new perspective on race in world history and a vivid portrait of life in medieval Japan. “Fast-paced, action-packed writing. . . . A new and important biography and an incredibly moving study of medieval Japan and solid perspective on its unification. Highly recommended.” —Library Journal (starred review) “Eminently readable. . . . a worthwhile and entertaining work.” —Publishers Weekly “A unique story of a unique man, and yet someone with whom we can all identify.” —Jack Weatherford, New York Times–bestselling author of Genghis Khan
"Provides a graphic account of several of the key campaigns fought between European powers and the native peoples of tropical and sub-tropical Africa in the late nineteenth and early twentieth century. [The author] describes in ... detail the organization and training of African warriors, their weapons, their fighting methods and traditions, and their tactics"--Jacket.
One of history’s most multifaceted rulers but little known in the West, Queen Njinga rivaled Elizabeth I and Catherine the Great in political cunning and military prowess. Today, she is revered in Angola as a heroine and honored in folk religions. Her complex legacy forms a crucial part of the collective memory of the Afro-Atlantic world.
South African history will never be the same again ... Shunning the predictable, Max du Preez has put on his investigative journalist’s cap and examined our past from a fresh perspective. The result is a collection of extraordinary and mostly unknown stories, all meticulously researched and written in an engaging and lively style. Instead of regurgitating the story of Jan van Riebeeck’s arrival at the Cape, he tells the tales of a Portuguese viscount killed on a Cape beach in 1510, of the Khoikhoi chief who was kidnapped and taken to England in 1610, and of the saucy goings-on between slave women and their European settler lovers. There’s the story of King Moshoeshoe’s remarkable conduct when cannibals ate his beloved grandfather, and Shaka’s sexuality is explored via his relationship with his mother and the woman who loved him without ever touching him. Sidestepping the old clichés about the Anglo-Boer War, Du Preez recounts the story of an Afrikaner broedertwis - General Christiaan de Wet and his brother Piet, who joined the British forces and fought his own people. The reader is taken through every stage of our history, up to the story of apartheid South Africa’s nuclear bombs, and the secret dealings and intrigue during the negotiations leading up to the 1994 elections. This is South African history as you’ve never seen it before: a colourful mosaic of our rich heritage.
This books aims to develop curriculum approaches and material appropriate to black students that can enhance their personal development, self-esteem, competence, and understanding of society, while it helps young whites develop a greater understanding of the contributions made by black people to history and social development. The context is that of the English school system. Images from art are used as stimuli, and the social and historical realities relating to images are linked to produce departure points for further study and research. Section 1 focuses on "White History and the Distortion of Black History." In section 2, the topic is "African Reactions to Slavery and Colonisation," while section 3 concentrates on "Religion and the Role of Black People." Section 4 considers"The Centuries of Struggle." A concluding chapter explores "Reconstructing the Black Image in the History National Curriculum."
In this compact, powerful new study Thembisa Waetjen explores how gender structured the mobilization of Zulu nationalism in South Africa as antiapartheid efforts gained force during the 1980s. Undercutting assumptions of male power and nationalism as monolithic, Workers and Warriors demonstrates the ways that masculinities may be plural, conflict-ridden, and crucial not only to the formation of loyalty but also to why some nationalisms fail.
