Adventures of Captain Simon Suggs
Author: Johnson Jones Hooper
Publisher:
Published: 1846
Total Pages: 252
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Johnson Jones Hooper
Publisher:
Published: 1846
Total Pages: 252
ISBN-13:
DOWNLOAD EBOOKAuthor: Johnson Jones Hooper
Publisher:
Published: 1858
Total Pages: 402
ISBN-13:
DOWNLOAD EBOOKAuthor: Johnson Jones Hooper
Publisher: University of Alabama Press
Published: 1993-10-30
Total Pages: 272
ISBN-13: 0817307060
DOWNLOAD EBOOKA series of sketches written in part to parody some the campaign literature of the era Originally published in 1845, Adventures of Captain Simon Suggs is a series of sketches written in part to parody some the campaign literature of the era. The character, Simon Suggs, with his motto, “it is good to be shifty in a new country,” fully incarnates a backwoods version of the national archetypes now know as the confidence man, the grafter, the professional flim-flam artist supremely skilled in the arts by which a man gets along in the world. This classic volume of good humor is set in the rough-and-tumble world of frontier life and politics.
Author: William Stanley Hoole
Publisher: University of Alabama Press
Published: 2006-03-30
Total Pages: 310
ISBN-13: 0817353623
DOWNLOAD EBOOKAnnotation "When these words were written everybodyhadread or heard of Simon Suggs, the shifty man whose antics had been recorded in many a gusty tale of Alabama frontier life which had drawn laughter and applause from newspaper readers throughout the United States. And everybody, at least in Alabama in the 1850s, knew something about his creator, Johnson Jones Hooper. . . . The immortal Suggs, his alter ego, has kept his name alive and renewed its luster, in a biography that deserves almost unqualified praise. Dr. Hoole'sAlias Simon Suggsis a noteworthy achievement. . . . A milestone in contemporary Alabama scholarship, it will become a standard reference work on the literary and political scene [and] as a distinguished piece of biographical writing, skillfully organized and deftly presented."--AlabamaReview
Author: Johnson Jones Hooper
Publisher:
Published: 1928
Total Pages: 152
ISBN-13:
DOWNLOAD EBOOKAuthor: Steven H. Gale
Publisher: Routledge
Published: 2016-04-14
Total Pages: 578
ISBN-13: 1317362276
DOWNLOAD EBOOKFirst published in 1988, this book contains entries on famous American Humorists. Humor has been present in American literature, from the beginning, and has developed characteristics that reflect the American character, both regional and national. Although American literature was, in the past, treated as inferior to British literature, there has always been a large popular audience for the genre, which this book shows. The figures with entries in this encyclopedia not only amuse in their writing, but also aim to enlighten- setting out to expose the foibles and foolishness of society and the individuals who compose it. It is the manner in which these authors try to accomplish this end that determines whether they appear in the volume. Indeed, the book will demonstrate that the best humor has at its base, a ready understanding of human nature.
Author: Charles L. Crow
Publisher: John Wiley & Sons
Published: 2008-04-15
Total Pages: 624
ISBN-13: 0470999071
DOWNLOAD EBOOKThe Blackwell Companion to American Regional Literature is the most comprehensive resource yet published for study of this popular field. The most inclusive survey yet published of American regional literature. Represents a wide variety of theoretical and historical approaches. Surveys the literature of specific regions from California to New England and from Alaska to Hawaii. Discusses authors and groups who have been important in defining regional American literature.
Author: Richard Slotkin
Publisher: Open Road Media
Published: 2024-01-23
Total Pages: 817
ISBN-13: 1504090357
DOWNLOAD EBOOKNational Book Award Finalist: A study of national myths, lore, and identity that “will interest all those concerned with American cultural history” (American Political Science Review). Winner of the American Historical Association’s Albert J. Beveridge Award for Best Book in American History In Regeneration Through Violence, the first of his trilogy on the mythology of the American West, historian and cultural critic Richard Slotkin demonstrates how the attitudes and traditions that shape American culture evolved from the social and psychological anxieties of European settlers struggling in a strange new world to claim the land and displace Native Americans. Using the popular literature of the seventeenth, eighteenth, and early nineteenth centuries—including captivity narratives, the Daniel Boone tales, and the writings of Hawthorne, Thoreau, and Melville—Slotkin traces the full development of this myth. “Deserves the careful attention of everyone concerned with the history of American culture or literature. ”—Comparative Literature “Slotkin’s large aim is to understand what kind of national myths emerged from the American frontier experience. . . . [He] discusses at length the newcomers’ search for an understanding of their first years in the New World [and] emphasizes the myths that arose from the experiences of whites with Indians and with the land.” —Western American Literature
Author: Katharine A. Burnett
Publisher: LSU Press
Published: 2019-05-15
Total Pages: 311
ISBN-13: 080717162X
DOWNLOAD EBOOKOffering a compelling intervention in studies of antebellum writing, Katharine A. Burnett’s Cavaliers and Economists: Global Capitalism and the Development of Southern Literature, 1820–1860 examines how popular modes of literary production in the South emerged in tandem with the region’s economic modernization. In a series of deeply historicized readings, Burnett positions southern literary form and genre as existing in dialogue with the plantation economy’s evolving position in the transatlantic market before the Civil War. The antebellum southern economy comprised part of a global network of international commerce driven by a version of laissez-faire liberal capitalism that championed unrestricted trade and individual freedom to pursue profit. Yet the economy of the U.S. South consisted of large-scale plantations that used slave labor to cultivate staple crops, including cotton. Each individual plantation functioned as a racially and socially repressive community, a space that seemingly stood apart from the international economic networks that fueled southern capitalism. For writers from the South, fiction became a way to imagine the region as socially and culturally progressive, while still retaining hallmarks of “traditional” southern culture—namely plantation slavery—in the context of a rapidly changing global economy. Burnett excavates an elaborate network of transatlantic literary exchange, operating concurrently with the region’s economic expansion, in which southern writers adopted popular British genres, such as the historical romance and the seduction novel, as models for their own representations of the U.S. South. Each chapter focuses on a different genre, pairing largely under-studied southern texts with well-known British works. Ranging from the humorous sketch to the imperial adventure tale and the social problem novel, Cavaliers and Economists reveals how southern writers like Augusta Jane Evans, Johnson Jones Hooper, Maria McIntosh, William Gilmore Simms, and George Tucker reworked familiar literary forms to reinvent the South through fiction. By considering the intersection of economic history and literary genre, Cavaliers and Economists provides an expansive study of the means by which authors created southern literature in relation to global free market capitalism, showing that, in the process, they renegotiated and rejustified the institution of slavery.
Author: Ken Egan
Publisher: Susquehanna University Press
Published: 1997
Total Pages: 230
ISBN-13: 9781575910048
DOWNLOAD EBOOKAntebellum culture celebrated the home as the site of nurture, affection, and equality; indeed, the middle-class home became the model of American institutions and values. Narratives from the American Renaissance, however, reveal that this was a conflicted, strained ideal. Stories from the culture represent intense social, political, and literary rivalry. Thus, writers such as Cooper, Douglass, Stowe, Melville, and Southworth projected competing visions of "the American family," visions that challenged the claims of other writers. Building upon theories of Poe, Bakhtin, and Bloom, this study carefully traces the intertextual struggles over the nation's meaning.