Latin American Adventures in Literary Journalismexplores the central role of narrative journalism in the formation of national identities in Latin America, and the concomitant role the genre had in the consolidation of the idea of Latin America as a supra-national entity. This work discusses the impact that the form had in the creation of an original Latin American literature during six historical moments. Beginning in the 1840s and ending in the 1970s, Calvi connects the evolution of literary journalism with the consolidation of Latin America’s literary sphere, the professional practice of journalism, the development of the modern mass media, and the establishment of nation-states in the region.
Adventures in Journalism is an autobiography about Philip Gibbs's life and career. Sir Philip Armand Hamilton Gibbs was an English journalist and prolific author of books who served as one of five official British reporters during the First World War.
In this witty, candid memoir, Ben Bradlee, the most important, glamorous, and famous newspaperman of modern times, traces his path from Harvard to the battles of the Pacific war to the pinnacle of success as the editor of The Washington Post--during the Watergate scandal and every other important event of the last three decades. of photos.
The Daring Spectacle is award-winning San Francisco Chronicle/SFGate columnist and culture critic Mark Morford’s hilarious modern record of sex and media, politics and pop culture, love and lust, as told in ninety-two delectable parts—not including all the delicious photos and terrifying hate mail. Since its inception in SFGate.com nearly 10 years ago, Morford’s hyperliterate, often controversial, smartly unhinged “Notes & Errata” column has achieved an avid cultlike status, and is regularly one of the most read and emailed works on the entire site. The book contains nearly 100 columns, 50 pieces of nicely shocking hate mail, with fresh commentary added to every column, along with photos, snippets, banned work, and various journalistic sacrilege that all points to one undeniable fact: There's simply no other opinion columnist quite like Morford in American media today. Please undress accordingly.
Finding the News tells Peter Copeland’s fast-paced story of becoming a distinguished journalist. Starting in Chicago as a night police reporter, Copeland went on to work as a war correspondent in Latin America, the Middle East, and Africa before covering national politics in Washington, DC, where he rose to be bureau chief of the E. W. Scripps Company. The lessons he learned about accuracy and fairness during his long career are especially relevant today, given widespread concerns about the performance of the media, potential bias, and the proliferation of so-called “fake news.” He offers an honest and revealing narrative, told with surprising humor, about how he learned the craft of news reporting. Copeland’s story begins in 1980, when a colleague hastily declared him a full-fledged reporter after barely four days of training. He went on to learn the business the old-fashioned way: by chasing the news in thirty countries and across five continents. As a young person entering journalism and reporting during some of recent history’s most fraught military situations— including Operation Desert Storm and the US invasions of Panama and Somalia—Copeland discovered the craft was his calling. Looking back on his career, Copeland asserts his most important lessons were not about reporting, writing, or the latest technologies, but about the core values that underlie quality journalism: accuracy, fairness, and speed. Replete with behind-the-scenes stories about learning the trade, Copeland’s inspiring account builds into a heartfelt defense of journalism “done the right way” and serves as a call to action for today’s reporters. The values he learned as a cub reporter are needed now more than ever, he argues, as the integrity and motives of even seasoned journalists are called into question by political partisans. Copeland admits that those critics are not entirely wrong but contends that exciting new technologies, combined with a return to old-school news values, could usher in a golden age of journalism.
