Forty years after its original publication, Lineages of the Absolutist State remains an exemplary achievement in comparative history. Picking up from where its companion volume, Passages from Antiquity to Feudalism, left off, Lineages traces the development of Absolutist states in the early modern period from their roots in European feudalism, and assesses their various trajectories. Why didn't Italy develop into an Absolutist state in the same, indigenous way as the other dominant Western countries, namely Spain, France and England? On the other hand, how did Eastern European countries develop into Absolutist states similar to those of the West, when their social conditions diverged so drastically? Reflecting on examples in Islamic and East Asian history, as well as the Ottoman Empire, Anderson concludes by elucidating the particular role of European development within universal history.
Long before the guillotines of the 1789 Revolution brought a grisly political end to the ancien régime, Jay Caplan argues, the culture of absolutism had already perished. In the King's Wake traces the emergence of a post-absolutist culture across a wide range of works and genres: Saint-Simon's memoirs of Louis XIV and the Regency; Voltaire's first tragedy, Oedipe; Watteau's last great painting, L'Enseigne de Gersaint; the plays of Marivaux; and Casanova's History of My Life. While absolutist culture had focused on value directly represented in people (e.g., those of noble blood) and things (e.g., coins made of precious metals), post-absolutist culture instead explored the capacity of signs to stand for something real (e.g., John Law's banknotes or Marivaux's plays in which actions rather than birth signify nobility). Between the image of the Sun King and visions of the godlike Romantic self, Caplan discovers a post-absolutist France wracked by surprisingly modern conflicts over the true sources of value and legitimacy.
Written during a moment in English history when the political and social structures were in flux and open to interpretation, Leviathan played an essential role in the development of the modern world.
Is the judicial execution of the innocent permissible to deter crime? Some advocates of consequentialism would respond yes, while moral absolutists argue that certain kinds of conduct, including this one, are absolutely prohibited, no matter what the consequences. This is the first collection that does justice to absolutism in its richness and subtleties.
The 1648 Treaty of Westphalia marked the emergence of the nation-state as the dominant political entity in Europe. This book traces the development of the nation-state from its infancy as a virtual dynastic possession, through its incarnation as the embodiment of the sovereign popular will. Three sections chronicle the critical epochs of this transformation, beginning with the belief in the "divine right" of monarchical rule and ending with the concept that the people, not their leaders, are the heart of a nation--an enduring political ideal that remains the basis of the modern nation-state.
This controversial study takes the provocative line that the French monarchy was a complete success. James turns the idea of royal ‘absolutism’ on its head by redefining the French monarchy’s success from 1598 - 1661. The Origins of French Absolutism, 1598-1661 maintains that building blocks were not being laid by the so-called architects of absolutism, but that by satisfying long-established, traditional ambitions, cardinal ministers Richelieu and Mazarin undoubtedly made the confident, ambitious reign of the late century possible.
The period of court absolutism and early capitalism extended from the end of the Renaissance to the Enlightenment. A new world view was created, along with a new type of individual possessing new economic orientations to the marketplace and new social attitudes deriving from such concerns. The unified political and religious world of medieval Europe broke into parts: national differentiation and religious options abounded. The autonomy of the nation-state created a need for new attitudes toward religious minorities, even despised ones such as the Jews. The court Jew phenomenon, as Selma Stern details, was inextricably linked to these larger developments, including the emancipation of Jews as a whole. Dr. Stern's work is an effort to reconstruct this unusual group of Jews who became politically and economically influential and through that mechanism were able to enhance Jewish community life as a whole. In his very existence the court Jew necessarily enlarged, beyond its original meaning, the concept of free expression in European societies. As the dominating idea of defending one church and one emperor collapsed under the weight of the new European system of power balances, a new conception of the Jew developed, one of a transforming agent in economic and political positions. With trade no longer condemned as sinful, collecting interest for loans no longer prohibited, and the merchant no longe'r compared to a thief, the Jewish money changer and tradesman came to be viewed in a more favorable light. In this new environment, the claims of Christianity remained supreme, but the rights of religious minorities were considered. At the time of the book's initial appearance, the Saturday Review hailed it as a "picturesque work giving evidence of great writing talent." The reviewer went on to note that "Dr. Stern's work provided exhaustive historical background of European Jewryâfrom 1650 to 1750âthat period during which the modern European genius emerged." Dr. Stern's work relies heavily upon European archives up to 1938, when the advances of Nazism made further work impossible. As a result, what was started in Europe was completed in America.
