A World of Fiction

A World of Fiction

Author: Sybil Marcus

Publisher: Pearson PTR Interactive

Published: 2006

Total Pages: 340

ISBN-13:

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The stories in A World of Fiction , Second Edition, by Sybil Marcus, embrace a variety of themes, literary and linguistic styles, and time frames. Advanced students will sharpen their reading, speaking, vocabulary, and writing skills as they discover the pleasure and reward of reading fiction. This anthology provides complete and unabridged selections by: Woody Allen � Kate Chopin � Nadine Gordimer � James Joyce � D.H. Lawrence � Bernard Malamud � Katherine Mansfield � William Maxwell � Frank O'Connor � Grace Paley � Anne Petry � Budd Schulberg � James Thurber � Anne Tyler � Arturo Vivante � Kurt Vonnegut � Alice Walker � Tobias Wolf � Monica Wood � Virginia Woolf Features Five new stories Updated author biographies "Focus on Language" sections that highlight grammatical structures and vocabulary Exploration of literary elements such as time, setting, action, and motive A wide variety of stimulating discussion and writing topics


A World of Fiction 2

A World of Fiction 2

Author: Sybil Marcus

Publisher: Allyn & Bacon

Published: 2014

Total Pages: 270

ISBN-13: 9780133046175

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Newly expanded for high-intermediate readers, A World of Fiction now features 32 unabridged stories ideal for literary analysis, language practice, and lively cross-cultural discussion. Each chapter in this two-volume anthology is based on a complete short story. The approach to literary exploration calls upon students' diverse language and critical thinking skills. A World of Fiction guides students through understanding the plot, exploring themes, analyzing style, making judgments and cross-cultural connections, and debating the issues that are explored. Students also examine grammar in context, expand their vocabulary skills, and practice writing. A World of Fiction 1 includes 16 shorter stories, explanations and exercises designed for high-intermediate and low-advanced readers. Selections include noteworthy authors such as Raymond Carver, Dorothy Parker, Tim O'Brien, and William Saroyan. For more advanced readers, A World of Fiction 2 features an additional 16 selections by renowned writers including James Joyce, Louise Erdrich, Woody Allen, and Alan Paton. Both books in the series help students sharpen their reading, vocabulary, grammar, and writing skills as they discover the pleasure and reward of reading fiction. Features: Reading selections represent a variety of themes, literary styles, and cultural settings to stimulate student conversation and debate. Extended Vocabulary in Context sections cover idioms, phrasal verbs, and many other areas of vocabulary enrichment. Writing activities include both expository and creative assignments in which students are led to incorporate the language skills featured in the chapter. Expanded Critical Thinking sections encourage students to analyze stories and connect them to their own experience.


A World of Fiction

A World of Fiction

Author: Katherine Bode

Publisher: University of Michigan Press

Published: 2019-04-02

Total Pages: 261

ISBN-13: 0472900838

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During the 19th century, throughout the Anglophone world, most fiction was first published in periodicals. In Australia, newspapers were not only the main source of periodical fiction, but the main source of fiction in general. Because of their importance as fiction publishers, and because they provided Australian readers with access to stories from around the world—from Britain, America and Australia, as well as Austria, Canada, France, Germany, New Zealand, Russia, South Africa, and beyond—Australian newspapers represent an important record of the transnational circulation and reception of fiction in this period. Investigating almost 10,000 works of fiction in the world’s largest collection of mass-digitized historical newspapers (the National Library of Australia’s Trove database), A World of Fiction reconceptualizes how fiction traveled globally, and was received and understood locally, in the 19th century. Katherine Bode’s innovative approach to the new digital collections that are transforming research in the humanities are a model of how digital tools can transform how we understand digital collections and interpret literatures in the past.


A World of Fiction

A World of Fiction

Author: Katherine Bode

Publisher: University of Michigan Press

Published: 2018-07-05

Total Pages: 261

ISBN-13: 0472130854

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Proposes a new basis for data-rich literary history


The Apex Book of World SF: Volume 4

The Apex Book of World SF: Volume 4

Author: Mahvesh Murad

Publisher: Apex Publications

Published: 2015-08-14

Total Pages: 336

ISBN-13:

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Now firmly established as the benchmark anthology series of international speculative fiction, volume 4 of The Apex Book of World SF sees debut editor Mahvesh Murad bring fresh new eyes to her selection of stories. From Spanish steampunk and Italian horror to Nigerian science fiction and subverted Japanese folktales, from love in the time of drones to teenagers at the end of the world, the stories in this volume showcase the best of contemporary speculative fiction, wherever it’s written. Cover art and design by Sarah Anne Langton. "Important to the future of not only international authors, but the entire SF community." —Strange Horizons Featuring: Vajra Chandrasekera (Sri Lanka) — "Pockets Full of Stones" Yukimi Ogawa (Japan) — "In Her Head, In Her Eyes" Zen Cho (Malaysia) — "The Four Generations of Chang E" Shimon Adaf (Israel) — "Like a Coin Entrusted in Faith" (Translated by the author) Celeste Rita Baker (Virgin Islands) — "Single Entry" Nene Ormes (Sweden) — "The Good Matter" (Translated Lisa J Isaksson and Nene Ormes) JY Yang (Singapore) — "Tiger Baby" Isabel Yap (Philippines) — "A Cup of Salt Tears" Usman T Malik (Pakistan) — "The Vaporization Enthalpy of a Peculiar Pakistani Family" Kuzhali Manickavel (India) — "Six Things We Found During the Autopsy" Elana Gomel (Israel) — "The Farm" Haralambi Markov (Bulgaria) — "The Language of Knives" Sabrina Huang (Taiwan) — "Setting Up Home" (Translated by Jeremy Tiang) Sathya Stone (Sri Lanka) — "Jinki and the Paradox" Johann Thorsson (Iceland) — "First, Bite a Finger" Dilman Dila (Uganda) — "How My Father Became a God" Swabir Silayi (Kenya) — "Colour Me Grey" Deepak Unnikrishnan (The Emirates) — "Sarama" Chinelo Onwualu (Nigeria) — "The Gift of Touch" Saad Z. Hossain (Bangaldesh) — "Djinns Live by the Sea" Bernardo Fernández (Mexico) — "The Last Hours of the Final Days" (Translated by the author) Natalia Theodoridou (Greece) — "The Eleven Holy Numbers of the Mechanical Soul" Samuel Marolla (Italy) — "Black Tea" (Translated by Andrew Tanzi) Julie Novakova (Czech Republic) — "The Symphony of Ice and Dust" Thomas Olde Heuvelt (Netherlands) — "The Boy Who Cast No Shadow" (Translated by Laura Vroomen) Sese Yane (Kenya) — "The Corpse" Tang Fei — "Pepe" (Translated by John Chu) Rocío Rincón (Spain) — "The Lady of the Soler Colony" (Translated by James and Marian Womack)


Essentials of the Theory of Fiction

Essentials of the Theory of Fiction

Author: Michael J. Hoffman

Publisher: Duke University Press

Published: 2005-07-06

Total Pages: 521

ISBN-13: 0822386593

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What accounts for the power of stories to both entertain and illuminate? This question has long compelled the attention of storytellers and students of literature alike, and over the past several decades it has opened up broader dialogues about the nature of culture and interpretation. This third edition of the bestselling Essentials of the Theory of Fiction provides a comprehensive view of the theory of fiction from the nineteenth century through modernism and postmodernism to the present. It offers a sample of major theories of fictional technique while emphasizing recent developments in literary criticism. The essays cover a variety of topics, including voice, point of view, narration, sequencing, gender, and race. Ten new selections address issues such as oral memory in African American fiction, temporality, queer theory, magical realism, interactive narratives, and the effect of virtual technologies on literature. For students and generalists alike, Essentials of the Theory of Fiction is an invaluable resource for understanding how fiction works. Contributors. M. M. Bakhtin, John Barth, Roland Barthes, Wayne Booth, John Brenkman, Peter Brooks, Catherine Burgass, Seymour Chatman, J. Yellowlees Douglas, Rachel Blau DuPlessis, Wendy B. Faris, Barbara Foley, E. M. Forster, Joseph Frank, Joanne S. Frye, William H. Gass, Henry Louis Gates Jr., Gérard Genette, Ursula K. Heise, Michael J. Hoffman, Linda Hutcheon, Henry James, Susan S. Lanser, Helen Lock, Georg Lukács, Patrick D. Murphy, Ruth Ronen, Joseph Tabbi, Jon Thiem, Tzvetan Todorov, Virginia Woolf


The Best Science Fiction and Fantasy of the Year

The Best Science Fiction and Fantasy of the Year

Author: Jonathan Strahan

Publisher: Start Publishing LLC

Published: 2013-04-18

Total Pages: 758

ISBN-13: 1597804606

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In print and on-line, science fiction and fantasy is thriving as never before. A multitude of astonishingly creative and gifted writers are boldly exploring the mythic past, the paranormal present, and the promises and perils of myriad alternate worlds and futures. There are almost too many new and intriguing stories published every year for any reader to be able to experience them all. So how to make sure you haven’t missed any future classics? Award-winning editor and anthologist Jonathan Strahan has surveyed the expanding universes of modern sf and fantasy to find the brightest stars in today’s dazzling literary firmament. From the latest masterworks by the acknowledged titans of the field to fresh visions from exciting new talents, this outstanding collection is a comprehensive showcase for the current state of the art in both science fiction and fantasy. Anyone who wants to know where the future of imaginative short fiction is going, and treat themselves to dozens of unforgettable stories, will find this year’s edition of Best Science Fiction and Fantasy to be just what they’re looking for!


The New Orleans of Fiction

The New Orleans of Fiction

Author: James A. Kaser

Publisher: Scarecrow Press

Published: 2014-07-29

Total Pages: 426

ISBN-13: 0810892049

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The importance of New Orleans in American culture has made the city's place in the American imagination a crucial topic for literary scholars and cultural historians. While databases of bibliographical information on New Orleans-centered fiction are available, they are of little use to scholars researching works written before the 1980s. In The New Orleans of Fiction: A Research Guide, James A. Kaser provides detailed synopses for more than 500 works of fiction significantly set in New Orleans and published between 1836 and 1980. The synopses include plot summaries, names of major characters, and an indication of physical settings. An appendix provides bibliographical information for works dating from 1981 well into the 21st century, while a biographical section provides basic information about the authors, some of whom are obscure and would be difficult to find in other sources. Written to assist researchers in locating works of fiction for analysis, the plot summaries highlight ways in which the works touch on major aspects of social history and cultural studies (i.e., class, ethnicity, gender, immigrant experience, and race). The book is also a useful reader advisory tool for librarians and readers who want to identify materials for leisure reading, particularly since genre, juvenile, and young adult fiction—as well as literary fiction—are included.


Genre Worlds

Genre Worlds

Author: Beth Driscoll

Publisher: Page and Screen

Published: 2022-04-29

Total Pages: 272

ISBN-13: 9781625346612

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Works of genre fiction are a source of enjoyment, read during cherished leisure time and in incidental moments of relaxation. This original book takes readers inside three popular genres of fiction, including crime, fantasy, and romance, to reveal how personal tastes, social connections, and industry knowledge shape genre worlds. Attuned to both the pleasure and the profession of producing genre fiction, the authors investigate contemporary developments in the field?the rise of Amazon, self-publishing platforms, transmedia storytelling, and growing global publishing conglomerates?and show how these interact with older practices, from fan conventions to writers? groups. Sitting at the intersection of literary studies, genre studies, fan studies, and studies of the book and publishing cultures, Genre Worlds considers how contemporary genre fiction is produced and circulated on a global scale. Its authors propose an innovative theoretical framework that unfolds genre fiction?s most compelling characteristics: its connected social, industrial, and textual practices. As they demonstrate, genre fiction books are not merely texts; they are also nodes of social and industrial activity involving the production, dissemination, and reception of the texts.