Author: Myrta Lockett Avary

Publisher: BIG BYTE BOOKS

Published: 1997-01-01

Total Pages: 213

ISBN-13:

She and her biographer were both real-life Scarlett O'Haras. Born to privilege and wealth in antebellum Virginia, she married at seventeen and then was plunged into the events of the American Civil War. Myrta Lockett Avary was her biographer and though Avary does not give up her friend's identity, the story captured the imagination of the world when first published in 1903. Avary also wrote "Dixie After the War," which may have been the inspiration for Margaret Mitchell's "Gone With the Wind." She was also the original editor of "A Diary from Dixie as written by Mary Boykin Chestnut," featured very prominently in Ken Burns' documentary, The Civil War. A write for major periodicals during her day, Myrta Avary was a successful and well-known writer. We're fortunate that she chronicled the world that was left behind in the wake of the Civil War. "The narrative is one that both interests and charms. The beginning of the end of the long and desperate struggle is unusually well told, and now the survivors lived during the last days of the fading Confederacy forms a vivid picture of those distressful times.”—Baltimore Herald. “The style of the narrative is attractively informal and chatty. Its pathos is that of simplicity. It throws upon a cruel period of our national career a side-light, bringing out tender and softening interests too little visible in the pages of formal history.”—New York World. “This is a tale that will appeal to every Southern man and woman, and can not fail to be of interest to every reader. It is-as fresh and vivacious, even in dealing with dark days, as the young soul that underwent the hardships of a most cruel war."—Louisville Courier-Journal. “Taken at this time, when the years have buried all resentment, dulled all sorrows, and brought new generations to the scenes, a work of this kind can not fail of value just as it can not fail in interest. Official history moves with two great strides to permit of the smaller, more intimate events; fiction lacks the realistic, powerful appeal of actuality; such works as this must be depended upon to fill in the unoccupied interstices, to show us just what were the lives of those who were in this conflict or who lived in the midst of it without being able actively to participate in it. And of this type 'A Virginia Girl in the Civil War ' is a truly admirable example.”—Philadelphia Record.