Feminist Views on the English Stage
Feminist Views on the English Stage

Author: Elaine Aston

Publisher: Cambridge University Press

Published: 2003-11-24

Total Pages: 250

ISBN-13: 1139441531

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Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker.

Thinking Through Place on the Early Modern English Stage
Thinking Through Place on the Early Modern English Stage

Author: Andrew Bozio

Publisher:

Published: 2020

Total Pages: 226

ISBN-13: 0198846568

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The way that characters in early modern theatrical performance think through their surroundings is important in our understanding of perception, memory, and other forms of embodied affective thought. This book explores this concept in dramatic works by Marlowe, Shakespeare, Beaumont, and Jonson.

Gaming the Stage
Gaming the Stage

Author: Gina Bloom

Publisher: University of Michigan Press

Published: 2018-07-10

Total Pages: 305

ISBN-13: 0472053817

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Illuminates the fascinating, intertwined histories of games and the Early Modern theater

Magic on the Early English Stage
Magic on the Early English Stage

Author: Philip Butterworth

Publisher: Cambridge University Press

Published: 2005-10-06

Total Pages: 332

ISBN-13: 9780521825139

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An original investigation into conjuring tricks and stage magic on the medieval stage.

Medieval and Early Modern England on the Contemporary Stage
Medieval and Early Modern England on the Contemporary Stage

Author: Marianne Drugeon

Publisher: Cambridge Scholars Publishing

Published: 2021-09-20

Total Pages: 170

ISBN-13: 1527574997

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This volume explores the multiple connections between contemporary British theatre and the medieval and early modern periods. Involving both French and British scholars, as well as playwrights, adapters and stage directors, its scope is political, as it assesses the power of adaptations and history plays to offer a new perspective not only on the past and present, but also on the future. Along the way, burning contemporary social and political issues are explored, such as the place and role of women and ethnic minorities in today’s post-Brexit Britain. The volume builds into a dialogue between the ghosts of the past and their contemporary spectators. Starting with a focus on contemporary adaptations of Shakespeare’s plays, then concentrating on contemporary history plays set in the distant past, and ending with the contributions of famous playwrights sharing their experience, the book will be of interest to practitioners, as well as students and researchers in drama and performance studies.