A Thousand Stories for a Little Pianist is the first piano book that allows young pianists to be creative and take part in the learning process. Stories, games, and colors are part of a child's daily life; using them this book brings the music into the children's world, rather than bringing the child into the music lesson. The origins of this method are in the treasures of the Russian school of piano and are specifically based on the teaching approach of Anna Artobolevskaya and Heinrich Neuhaus.
Journey of a Thousand Miles tells the remarkable story of a boy who sacrificed almost everything – family, financial security, childhood and his reputation in China’s insular classical music world – to fulfil his promise as a classical pianist. Lang Lang was born in Shenyang in north-eastern China just after the end of the Cultural Revolution. He began piano lessons at three years old and by age ten had been awarded a place at the Central Conservatory of Music in Beijing. In order to continue his studies he moved thousands of miles from home, living with his exacting father in a cramped, shared apartment, while his mother stayed at home to earn the money to pay his fees. At fifteen he moved to the United States to take up a scholarship at the Curtis Institute in Philadelphia; by nineteen he was selling out Carnegie Hall. His tutor and mentor Daniel Barenboim was perhaps the first to describe him as ‘extraordinarily talented’; today his assessment is shared by millions. Now in adulthood, Lang Lang tours relentlessly, delighting sell-out audiences with his trademark flamboyance and showmanship. Journey of a Thousand Miles is a tale of heartbreak, drama and ultimately triumph. His inspiring story demonstrates the courage and self-sacrifice required to achieve artistic greatness.
A beautifully illustrated, totally engrossing celebration of the piano, and the composers and performers who have made it their own. With honed sensitivity and unquestioned expertise, Stuart Isacoff—pianist, critic, teacher, and author of Temperament: How Music Became a Battleground for the Great Minds of Western Civilization—unfolds the ongoing history and evolution of the piano and all its myriad wonders: how its very sound provides the basis for emotional expression and individual style, and why it has so powerfully entertained generation upon generation of listeners. He illuminates the groundbreaking music of Mozart, Beethoven, Liszt, Schumann, and Debussy. He analyzes the breathtaking techniques of Glenn Gould, Oscar Peterson, Vladimir Ashkenazy, Arthur Rubinstein, and Van Cliburn, and he gives musicians including Alfred Brendel, Murray Perahia, Menahem Pressler, and Vladimir Horowitz the opportunity to discuss their approaches. Isacoff delineates how classical music and jazz influenced each other as the uniquely American art form progressed from ragtime, novelty, stride, boogie, bebop, and beyond, through Scott Joplin, Fats Waller, Duke Ellington, Bill Evans, Thelonious Monk, Chick Corea, Herbie Hancock, Cecil Taylor, and Bill Charlap. A Natural History of the Piano distills a lifetime of research and passion into one brilliant narrative. We witness Mozart unveiling his monumental concertos in Vienna’s coffeehouses, using a special piano with one keyboard for the hands and another for the feet; European virtuoso Henri Herz entertaining rowdy miners during the California gold rush; Beethoven at his piano, conjuring healing angels to console a grieving mother who had lost her child; Liszt fainting in the arms of a page turner to spark an entire hall into hysterics. Here is the instrument in all its complexity and beauty. We learn of the incredible craftsmanship of a modern Steinway, the peculiarity of specialty pianos built for the Victorian household, the continuing innovation in keyboards including electronic ones. And most of all, we hear the music of the masters, from centuries ago and in our own age, brilliantly evoked and as marvelous as its most recent performance. With this wide-ranging volume, Isacoff gives us a must-have for music lovers, pianists, and the armchair musician.
An emotionally charged story about the power of dreams, and how passion can turn to obsession. Beck hates his life. He hates his violent mother. He hates his home. Most of all, he hates the piano that his mother forces him to play hour after hour, day after day. He will never play as she did before illness ended her career and left her bitter and broken. But Beck is too scared to stand up to his mother, and tell her his true passion, which is composing his own music - because the least suggestion of rebellion on his part ends in violence. When Beck meets August, a girl full of life, energy and laughter, love begins to awaken within him and he glimpses a way to escape his painful existence. But dare he reach for it? Thrilling and powerfully written, this is an explosive debut for YA readers which tackles the dark topic of domestic abuse in an ultimately hopeful tale.
Growing up more than a thousand miles apart and worlds away from each other, Johnny and Adrianne seemed to have all that children could ask for. Born into a Great-Gatsby-like party, old-money wealth and privilege defined Johnny's childhood in Ladue, Missouri—the Beverly Hills of St. Louis. Born addicted to heroin in New York City, Adrianne was placed as an infant with loving, middle-class Jewish foster parents on Long Island. However, the demons of their respective biological mothers would eventually tear their fragile young lives apart as told in this compelling tandem narrative. Eventually, destiny would bring Johnny and Adrianne together, but first they had to endure the painful toll that alcohol, drugs, and a negligent court system would take on them. With parts of Adrianne's story ripped from national news headlines, their journeys take them for the depths of despair and near death to their first serendipitous introduction and the moment each knew they were finally safe. Filled with hope, inspiration, and humor, The Painting and the Piano is an unforgettable story of pain, loss, and the undying human quest for happiness.
An alluring exploration of the people and the legendary craftsmanship behind a single Steinway piano Like no other instrument, a grand piano melds engineering feats with the magical sounds of great music: the thunder of a full-throated bass, the bright, delicate trill of the upper treble. Alone among the big piano companies, Steinway still crafts all of its pianos largely by hand, imbuing each one with the promise and burden of its brand. In this captivating narrative, James Barron of The New York Times tells the story of one Steinway piano, from raw lumber to finished instrument. Barron follows that brand-new piano-known by its number, K0862-on its eleven-month journey through the Steinway factory, where time-honored manufacturing methods vie with modern-day industrial efficiency. He looks over the shoulders of men and women-some second- and third-generation employees, some recently arrived immigrants-who transform wood and steel into a concert grand. Together, they carry on the traditions begun more than 150 years ago by the immigrants who founded Steinway & Sons-a family that soared to prominence in the music world and, for a while, in New York City's political and economic life. Barron also explores the art and science of developing a piano's timbre and character before its first performance, when the essential question will be answered: Does K0862 live up to the Steinway legend? From start to finish, Piano will charm and enlighten music lovers.
Piano Lessons is Noah Adams's delightful and moving chronicle of his fifty-second year--a year already filled with long, fast workdays and too little spare time--as he answers at last a lifelong call: to learn to play the piano. The twelve monthly chapters span from January--when after decades of growing affection for keyboard artists and artisans he finally plunges in and buys a piano--through December, when as a surprise Christmas present for his wife he dresses in a tuxedo and, in flickering candlelight, snow falling outside the windows, he attempts their favorite piece of music, a difficult third-year composition he's been struggling with in secret to get to this very moment. Among the up-tempo triumphs and unexpected setbacks, Noah Adams interweaves the rich history and folklore that surround the piano. And along the way, set between the ragtime rhythms and boogie-woogie beats, there are encounters with--and insights from--masters of the keyboard, from Glenn Gould and Leon Fleisher ("I was a bit embarrassed," he writes; "telling Leon Fleisher about my ambitions for piano lessons is like telling Julia Child about plans to make toast in the morning") to Dr. John and Tori Amos. As a storyteller, Noah Adams has perfect pitch. In the foreground here, like a familiar melody, are the challenges of learning a complex new skill as an adult, when enthusiasm meets the necessary repetition of tedious scales at the end of a twelve-hour workday. Lingering in the background, like a subtle bass line, are the quiet concerns of how we spend our time and how our priorities shift as we proceed through life. For Piano Lessons is really an adventure story filled with obstacles to overcome and grand leaps forward, eccentric geniuses and quiet moments of pre-dawn practice, as Noah Adams travels across country and keyboard, pursuing his dream and keeping the rhythm.
The “striking” holocaust memoir that that inspired the Oscar-winning film “conveys with exceptional immediacy . . . the author’s desperate fight for survival” (Kirkus Reviews). On September 23, 1939, Wladyslaw Szpilman played Chopin’s Nocturne in C-sharp minor live on the radio as shells exploded outside—so loudly that he couldn’t hear his piano. It was the last live music broadcast from Warsaw: That day, a German bomb hit the station, and Polish Radio went off the air. Though he lost his entire family, Szpilman survived in hiding. In the end, his life was saved by a German officer who heard him play the same Chopin Nocturne on a piano found among the rubble. Written immediately after the war and suppressed for decades, The Pianist is a stunning testament to human endurance and the redemptive power of fellow feeling. “Szpilman’s memoir of life in the Warsaw ghetto is remarkable not only for the heroism of its protagonists but for the author’s lack of bitterness, even optimism, in recounting the events.” —Library Journal “Employing language that has more in common with the understatement of Primo Levi than with the moral urgency of Elie Wiesel, Szpilman is a remarkably lucid observer and chronicler of how, while his family perished, he survived thanks to a combination of resourcefulness and chance.” —Publishers Weekly “[Szpilman’s] account is hair-raising beyond anything Hollywood could invent . . . an altogether unforgettable book.” —The Daily Telegraph “[Szpilman’s] shock and ensuing numbness become ours, so that acts of ordinary kindness or humanity take on an aura of miracle.” —The Observer
Pianist Madeleine Fortes story is one of obstacles and successes, of extraordinary talent, and of a long and fascinating life of international study and performance. Born in Vichy-controlled French Algeria during World War II, she began learning to play the piano at an early age and was soon performing publicly. She made her debut in Vichy at thirteen while studying with Alfred Cortot and Wilhelm Kempff. As a young woman, she went to boarding school in Algiers and Paris, continuing her musical studies. She married young, and the marriage fell apart not long after the birth of her first son, Yann. As she continued to travel, studying and performing, she struggled to establish herself as a professional artist. She studied with Rosina Lhvinne and Martin Canin in New York, married again, and became a professor of music at Boise State University. Her second marriage brought another son, Olen, and lasted fourteen years. After her second divorce, she moved to Connecticut, where she met Allen Forte, her third husband. They collaborated on several artistic projects and performed all over the world. Praise for Madeleine Fortes Performances and Recordings At a time when national styles have all but dissolved into a generalized international goulash, Fortes gorgeous tone and sensuous line evoke classic French pianism her Maurice Ravel holds its own against interpretations by many of her more celebrated peers, from the chaste simplicity of the Sonatine to the virtuosic Gaspard de la Nuit, in which no prisoners are taken and no notes are dropped. The New Yorker Madeleine Forte is another master of the French School She plays Debussy in a manner that would do her old master Cortot proud, with a clear-eyed vigor, pearlescent tone, and attention to detail that does not belie the emotional content of the music but only makes it more coherent. Fanfare
