A Thousand and One Afternoons in Chicago
Author: Ben Hecht
Publisher:
Published: 1922
Total Pages: 310
ISBN-13:
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Author: Ben Hecht
Publisher:
Published: 1922
Total Pages: 310
ISBN-13:
DOWNLOAD EBOOKAuthor: Ben Hecht
Publisher: e-artnow
Published: 2020-12-17
Total Pages: 277
ISBN-13:
DOWNLOAD EBOOK1001 Afternoons in Chicago were launched in June, 1921. They were presented to the public as journalism extraordinary; journalism that invaded the realm of literature, where in large part, journalism really dwells. They went out backed by confidence in the genius of Ben Hecht. The sketches themselves reveal Hecht's literary powers and creative delight in them; they ring with the happiness of a spirit at last free to tell what it feels; they teem with thought and impressions long treasured; they are a recital of songs echoing the voices of Ben's own city and performed with a virtuosity granted to him alone. They announced to a Chicago audience which only half understood them, the arrival of a prodigy whose precise significance is still unmeasured.
Author: Ben Hecht
Publisher: Good Press
Published: 2019-11-26
Total Pages: 219
ISBN-13:
DOWNLOAD EBOOK'A Thousand and One Afternoons in Chicago', a timeless collection of sixty-four journalistic pieces by Ben Hecht, is an irresistible caricature of urban American life during the Jazz Age. With pen drawings by Herman Rosse, Hecht takes us on a journey through 1920s Chicago, from the opulence of Michigan Avenue to the darkest corners of society. With captivating characters, famous landmarks, and bars, Hecht's columns capture the absurdity and intensity of Chicago's people and culture.
Author: Ben Hecht
Publisher: Yale University Press
Published: 2020-01-01
Total Pages: 676
ISBN-13: 0300251793
DOWNLOAD EBOOKBen Hecht's critically acclaimed autobiographical memoir, first published in 1954, offers incomparably pungent evocations of Chicago in the 1910s and 1920s, Hollywood in the 1930s, and New York during the Second World War and after. "His manners are not always nice, but then nice manners do not always make interesting autobiographies, and this autobiography has the merit of being intensely interesting."--Saul Bellow, New York Times Named to Time's list of All-Time 100 Nonfiction Books, which deems it "the un-put-downable testament of the era's great multimedia entertainer."
Author: Roberts Ehrgott
Publisher: U of Nebraska Press
Published: 2013-04-01
Total Pages: 511
ISBN-13: 080326478X
DOWNLOAD EBOOKChicago in the Roaring Twenties was a city of immigrants, mobsters, and flappers with one shared passion: the Chicago Cubs. It all began when the chewing-gum tycoon William Wrigley decided to build the world’s greatest ball club in the nation’s Second City. In this Jazz Age center, the maverick Wrigley exploited the revolutionary technology of broadcasting to attract eager throngs of women to his renovated ballpark. Mr. Wrigley’s Ball Club transports us to this heady era of baseball history and introduces the team at its crazy heart—an amalgam of rakes, pranksters, schemers, and choirboys who take center stage in memorable successes, equally memorable disasters, and shadowy intrigue. Readers take front-row seats to meet Grover Cleveland Alexander, Rogers Hornsby, Joe McCarthy, Lewis “Hack” Wilson, Gabby Hartnett. The cast of characters also includes their colorful if less-extolled teammates and the Cubs’ nemesis, Babe Ruth, who terminates the ambitions of Mr. Wrigley’s ball club with one emphatic swing.
Author: Anthony Powell
Publisher: University of Chicago Press
Published: 2014-11-06
Total Pages: 236
ISBN-13: 022618689X
DOWNLOAD EBOOKA social comedy about "a company of giddyheads" and their wanderings in London's Bohemia.
Author: Ben Hecht
Publisher: e-artnow
Published: 2021-05-07
Total Pages: 77
ISBN-13:
DOWNLOAD EBOOKFantazus Mallare is a tortured artist who is slowly descending into madness. In a search for a muse and aided by a dwarf-monster, Goliath, Mallare tries to make sense of the world of reason versus that of insanity. Since its publication in 1924 and being banned in 1928 by the US Government, the book has achieved a cult status that strips the veneer of sanity, religion, lust and art. Musaicum Books presents to you the meticulously edited book with all the original black and white illustrations which earned it both its notoriety and praise. Excerpt: "FantaziusMallare considered himself mad because he was unable to behold in the meaningless gesturings of time, space and evolution a dramatic little pantomime adroitly centered about the routine of his existence. He was a silent looking man with black hair and an aquiline nose. His eyes were lifeless because they paid no homage to the world outside him. When he was thirty-five years old he lived alone high above a busy part of the town. He was a recluse. His black hair that fell in a slant across his forehead and the rigidity of his eyes gave him the appearance of a somnambulist. Twenty-twoHe found life unnecessary and submitted to it without curiosity. His ideas were profoundly simple. The excitement of his neighborhood, his city, his country and his world left him unmoved. He found no diversion in interpreting them. A friend had once asked him what he thought of democracy. This was during a great war being waged in its behalf. Mallare replied: "Democracy is the honeymoon of stupidity."
Author: Adina Hoffman
Publisher: Yale University Press
Published: 2019-02-12
Total Pages: 263
ISBN-13: 0300182406
DOWNLOAD EBOOKA vibrant portrait of one of the most accomplished and prolific American screenwriters, by an award-winning biographer and essayist He was, according to Pauline Kael, “the greatest American screenwriter.” Jean-Luc Godard called him “a genius” who “invented 80 percent of what is used in Hollywood movies today.” Besides tossing off dozens of now-classic scripts—including Scarface, Twentieth Century, and Notorious—Ben Hecht was known in his day as ace reporter, celebrated playwright, taboo-busting novelist, and the most quick-witted of provocateurs. During World War II, he also emerged as an outspoken crusader for the imperiled Jews of Europe, and later he became a fierce propagandist for pre-1948 Palestine’s Jewish terrorist underground. Whatever the outrage he stirred, this self-declared “child of the century” came to embody much that defined America—especially Jewish America—in his time.Hecht's fame has dimmed with the decades, but Adina Hoffman’s vivid portrait brings this charismatic and contradictory figure back to life on the page. Hecht was a renaissance man of dazzling sorts, and Hoffman—critically acclaimed biographer, former film critic, and eloquent commentator on Middle Eastern culture and politics—is uniquely suited to capture him in all his modes.
Author: Ben Hecht
Publisher:
Published: 1931
Total Pages: 296
ISBN-13:
DOWNLOAD EBOOKAuthor: Kinohi Nishikawa
Publisher: University of Chicago Press
Published: 2019-01-11
Total Pages: 312
ISBN-13: 022658707X
DOWNLOAD EBOOKThe uncontested center of the black pulp fiction universe for more than four decades was the Los Angeles publisher Holloway House. From the late 1960s until it closed in 2008, Holloway House specialized in cheap paperbacks with page-turning narratives featuring black protagonists in crime stories, conspiracy thrillers, prison novels, and Westerns. From Iceberg Slim’s Pimp to Donald Goines’s Never Die Alone, the thread that tied all of these books together—and made them distinct from the majority of American pulp—was an unfailing veneration of black masculinity. Zeroing in on Holloway House, Street Players explores how this world of black pulp fiction was produced, received, and recreated over time and across different communities of readers. Kinohi Nishikawa contends that black pulp fiction was built on white readers’ fears of the feminization of society—and the appeal of black masculinity as a way to counter it. In essence, it was the original form of blaxploitation: a strategy of mass-marketing race to suit the reactionary fantasies of a white audience. But while chauvinism and misogyny remained troubling yet constitutive aspects of this literature, from 1973 onward, Holloway House moved away from publishing sleaze for a white audience to publishing solely for black readers. The standard account of this literary phenomenon is based almost entirely on where this literature ended up: in the hands of black, male, working-class readers. When it closed, Holloway House was synonymous with genre fiction written by black authors for black readers—a field of cultural production that Nishikawa terms the black literary underground. But as Street Players demonstrates, this cultural authenticity had to be created, promoted, and in some cases made up, and there is a story of exploitation at the heart of black pulp fiction’s origins that cannot be ignored.