The Critical Reception of Beethoven's Compositions by His German Contemporaries

The Critical Reception of Beethoven's Compositions by His German Contemporaries

Author: Wayne M. Senner

Publisher: U of Nebraska Press

Published: 1999-05-25

Total Pages: 296

ISBN-13: 9780803212503

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Compiled here are reviews, reports, notes, and essays found in German-language periodicals published between 1783 and 1830. The documents are translated into English with copious notes and annotations, an introductory essay, and indexes of names, subjects, and works. This volume contains a general section and documents on specific opus numbers up to opus 54, with musical examples redrawn from the original publications. ø The collection brings to light contemporary perceptions of Beethoven?s music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven?s music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, present a wide spectrum of insights into the perceptions that Beethoven?s contemporaries had of his monumental music.


The Harvard Concise Dictionary of Music and Musicians

The Harvard Concise Dictionary of Music and Musicians

Author: Don Michael Randel

Publisher: Harvard University Press

Published: 2002-10-30

Total Pages: 790

ISBN-13: 0674255720

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This new compact guide to the history and performance of music is both authoritative and a pleasure to use. With entries drawn and condensed from the widely acclaimed The New Harvard Dictionary of Music and its companion The Harvard Biographical Dictionary of Music, it is a dependable reference for home and classroom and for professional and amateur musicians. This concise dictionary offers definitions of musical terms; succinct characterizations of the various forms of musical composition; entries that identify individual operas, oratorios, symphonic poems, and other works; illustrated descriptions of instruments; and capsule summaries of the lives and careers of composers, performers, and theorists. Like its distinguished parent volumes, The Harvard Concise Dictionary of Music and Musicians provides information on all periods in music history, with particularly comprehensive coverage of the twentieth century. Clearly written and based on vast expertise, The Harvard Concise Dictionary of Music and Musicians is an invaluable handbook for everyone who cares about music.


Reading Musical Interpretation

Reading Musical Interpretation

Author: Julian Hellaby

Publisher: Ashgate Publishing, Ltd.

Published: 2009

Total Pages: 224

ISBN-13: 9780754666677

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Performance studies in the Western art music tradition have often been dominated by the relationship of theoretical score-analysis to performance. This book presents a structured approach to analyzing the interpretation of a musical work from the perspective of a musically informed listener.


Mozart's Music of Friends

Mozart's Music of Friends

Author: Edward Klorman

Publisher: Cambridge University Press

Published: 2016-04-21

Total Pages: 359

ISBN-13: 1107093651

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This study analyzes chamber music from Mozart's time within its highly social salon-performance context.


Schubert's Late Music

Schubert's Late Music

Author: Lorraine Byrne Bodley

Publisher: Cambridge University Press

Published: 2016-04-07

Total Pages: 489

ISBN-13: 1316453758

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Schubert's late music has proved pivotal for the development of diverse fields of musical scholarship, from biography and music history to the theory of harmony. This collection addresses current issues in Schubert studies including compositional technique, the topical issue of 'late' style, tonal strategy and form in the composer's instrumental music, and musical readings of the 'postmodern' Schubert. Offering fresh approaches to Schubert's instrumental and vocal works and their reception, this book argues that the music that the composer produced from 1822–8 is central to a paradigm shift in the history of music during the nineteenth century. The contributors provide a timely reassessment of Schubert's legacy, assembling a portrait of the composer that is very different from the sentimental Schubert permeating nineteenth-century culture and the postmodern Schubert of more recent literature.


Beethoven's Theatrical Quartets

Beethoven's Theatrical Quartets

Author: Nancy November

Publisher: Cambridge University Press

Published: 2013

Total Pages: 297

ISBN-13: 1107035457

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The first detailed contextual study of Beethoven's middle-period quartets, encompassing reception history, early performance practices, aesthetic contexts and theatrical impetus.


The Cambridge Companion to Michael Tippett

The Cambridge Companion to Michael Tippett

Author: Kenneth Gloag

Publisher: Cambridge University Press

Published: 2013-01-17

Total Pages: 335

ISBN-13: 1107021979

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This Companion provides a wide ranging and accessible study of one of the most individual composers of the twentieth century. A team of international scholars shed new light on Tippett's major works and draw attention to those that have not yet received the attention they deserve.


Beethoven's Hair

Beethoven's Hair

Author: Russell Martin

Publisher: Crown

Published: 2002-01-08

Total Pages: 290

ISBN-13: 0767910818

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The basis for the movie of the same name, an astonishing tale of one lock of hair and its amazing travels--from nineteenth-century Vienna to twenty-first-century America. When Ludwig van Beethoven lay dying in 1827, a young musician named Ferdinand Hiller came to pay his respects to the great composer, snipping a lock of Beethoven's hair as a keepsake--as was custom at the time--in the process. For a century, the lock of hair was a treasured Hiller family relic, until it somehow found its way to the town of Gilleleje, in Nazi-occupied Denmark. There, it was given to a local doctor, Kay Fremming, who was deeply involved in the effort to help save hundreds of hunted and frightened Jews. After Fremming's death, his daughter assumed ownership of the lock, and eventually consigned it for sale at Sotheby's, where two American Beethoven enthusiasts, Ira Brilliant and Che Guevara, purchased it in 1994. Subsequently, they and others instituted a series of complex forensic tests in the hope of finding the probable causes of the composer's chronically bad health, his deafness, and the final demise that Ferdinand Hiller had witnessed all those years ago. The results, revealed for the first time here, are the most compelling explanation yet offered for why one of the foremost musicians the world has ever known was forced to spend much of his life in silence. In Beethoven's Hair, Russell Martin has created a rich historical treasure hunt, a tale of false leads, amazing breakthroughs, and incredible revelations. This unique and fascinating book is a moving testament to the power of music, the lure of relics, the heroism of the Resistance movement, and the brilliance of molecular science.


Music as Cultural Practice, 1800-1900

Music as Cultural Practice, 1800-1900

Author: Lawrence Kramer

Publisher: Univ of California Press

Published: 1993-11-24

Total Pages: 243

ISBN-13: 0520084438

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In Music as Cultural Practice, Lawrence Kramer adapts the resources of contemporary literary theory to forge a genuinely new discourse about music. Rethinking fundamental questions of meaning and expression, he demonstrates how European music of the nineteenth century collaborates on equal terms with textual and sociocultural practices in the constitution of self and society. In Kramer's analysis, compositional processes usually understood in formal or emotive terms reappear as active forces in the work of cultural formation. Thus Beethoven's last piano sonata, Op. 111, forms both a realization and a critique of Romantic utopianism; Liszt's Faust Symphony takes bourgeois gender ideology into a troubled embrace; Wagner's Tristan und Isolde articulates a basic change in the cultural construction of sexuality. Through such readings, Kramer works toward the larger conclusion that nineteenth-century European music is concerned as much to challenge as to exemplify an ideology of organic unity and subjective wholeness. Anyone interested in music, literary criticism, or nineteenth-century culture will find this book pertinent and provocative.