Presents a comprehensive A-to-Z reference to the empire that once encompassed large parts of the modern-day Middle East, North Africa, and southeastern Europe.
This is the first systematic scholarly study of the Ottoman experience of plague during the Black Death pandemic and the centuries that followed. Using a wealth of archival and narrative sources, including medical treatises, hagiographies, and travelers' accounts, as well as recent scientific research, Nükhet Varlik demonstrates how plague interacted with the environmental, social, and political structures of the Ottoman Empire from the late medieval through the early modern era. The book argues that the empire's growth transformed the epidemiological patterns of plague by bringing diverse ecological zones into interaction and by intensifying the mobilities of exchange among both human and non-human agents. Varlik maintains that persistent plagues elicited new forms of cultural imagination and expression, as well as a new body of knowledge about the disease. In turn, this new consciousness sharpened the Ottoman administrative response to the plague, while contributing to the makings of an early modern state.
This book comprises a collection of articles and essays published in a variety of journals during the past decades, which seek to identify and analyze the main factors in Turkish politics. Political parties, military interventions, international relations and cultural developments are given wide coverage alongside studies on literature.
The prophet Muhammad and the early Islamic community radically redefined the concept of time that they had inherited from earlier religions' beliefs and practices. This new temporal system, based on a lunar calendar and era, was complex and required sophistication and accuracy. From the ninth to the sixteenth centuries, it was the Muslim astronomers of the Ottoman, Safavid and Mughal empires who were responsible for the major advances in mathematics, astronomy and astrology. This fascinating study compares the Islamic concept of time, and its historical and cultural significance, across these three great empires. Each empire, while mindful of earlier models, created a new temporal system, fashioning a new solar calendar and era and a new round of rituals and ceremonies from the cultural resources at hand. This book contributes to our understanding of the Muslim temporal system and our appreciation of the influence of Islamic science on the Western world.
Long notorious as one of the most turbulent areas of the world, Lebanon nevertheless experienced an interlude of peace between its civil war of 1860 and the beginning of the French Mandate in 1920. Engin Akarli examines the sociopolitical changes resulting from the negotiations and shifting alliances characteristic of these crucial years. Using previously unexamined documents in Ottoman archives, Akarli challenges the prevailing view that attributes modernization in government to Western initiative while blaming stagnation on reactionary local forces. Instead, he argues, indigenous Lebanese experience in self-rule as well as reconciliation among different religious groups after 1860 laid the foundation for secular democracy. European intervention in Lebanese politics, however, hampered efforts to develop a correspondingly secular notion of Lebanese nationality. As ethnic and religious strife increases throughout much of eastern Europe and the Middle East, the Lebanese example has obvious relevance for our own time.
This early work on Suleiman the Magnificent is both expensive and hard to find in its first edition. It details the life of a sixteenth century Sultan and is a fascinating work thoroughly recommended anyone interested in the history of the Ottoman Empire. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Winner of the 2003 Ohio Academy of History Outstanding Publication Award This revisionist study reevaluates the origins and foundation myths of the Faqaris and Qasimis, two rival factions that divided Egyptian society during the seventeenth and eighteenth centuries, when Egypt was the largest province in the Ottoman Empire. In answer to the enduring mystery surrounding the factions' origins, Jane Hathaway places their emergence within the generalized crisis that the Ottoman Empire—like much of the rest of the world—suffered during the early modern period, while uncovering a symbiosis between Ottoman Egypt and Yemen that was critical to their formation. In addition, she scrutinizes the factions' foundation myths, deconstructing their tropes and symbols to reveal their connections to much older popular narratives. Drawing on parallels from a wide array of cultures, she demonstrates with striking originality how rituals such as storytelling and public processions, as well as identifying colors and emblems, could serve to reinforce factional identity.
This classic text is the first integrated survey of the phenomenon of siege warfare during its most creative period. Duffy demonstrates the implications of the fortress for questions of military organization, strategy, geography, law, architectural values, town life and symbolism and imagination. The book is well illustrated, and will be a valuable companion for enthusiasts of military and architectural history, as well as the general medievalist.
Students and scholars of the Italian Renaissance easily fall under the spell of its achievements: its self-confident humanism, its groundbreaking scientific innovations, its ravishing artistic production. Yet many of the developments in Italian ceramics and glass were made possible by Italy's proximity to the Islamic world. The Arts of Fire underscores how central the Islamic influence was on this luxury art of the Italian Renaissance. Published to coincide with an exhibition at the Getty Museum on view from May 4 to August 5, 2004, The Arts of Fire demonstrates how many of the techniques of glass and ceramic production and ornamentation were first developed in the Islamic East between the eighth and twelfth centuries. These techniques - enamel and gilding on glass and tin-glaze and lustre on ceramics - produced brilliant and colourful decoration that was a source of awe and admiration, transforming these crafts, for the first time, into works of art and true luxury commodities. Essays by Catherine Hess, George Saliba, and Linda Komaroff demonstrate early modern Europe's debts to the Islamic world and help us better understand the interrelationships of cultures over time.