A new translation of Fo's play which aims to be faithful to the clear-sighted insanity of the original. The author's other plays include "Mistero Buffo", "Trumpets and Raspberries" and "Archangels Don't Play Pinball".
A Study Guide for Dario Fo's "Accidental Death of an Anarchist," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
An extraordinary coming-of-age memoir by the Nobel-Prize-winning playwright My First Seven Years is Dario Fo's fantastic, enchanting memoir of his youth spent in Northern Italy on the shores of Lago Maggiore. As a child, Fo grew up in a picturesque village teeming with glass-blowers, smugglers and storytellers. Of his teenage years, Fo recounts the struggles of the Fascists and Partisans, the years of World War II, and his own tragicomic experience trying to desert the Fascist army. In a series of colorful vignettes, Fo draws us into a remarkable early life filled with characters and anecdotes that would become the inspiration for his own creative genius.
“Flawless… A work of singular distinction, one for which the word ‘remarkable’ is an understatement. Arbery is a greatly talented writer who has given us a drama as exciting and challenging—nay, daring—as any new play I’ve ever reviewed.” —Terry Teachout, Wall Street Journal Finalist for the 2020 Pulitzer Prize for Drama Night. Wyoming. Four young conservatives have gathered to toast the newly inducted president of their tiny Catholic college. Their reunion spirals into spiritual chaos and clashing generational politics, becoming less a celebration than a vicious fight to be understood. On a dark night, in the middle of America, Will Arbery’s haunting play speaks to the heart of a country at war with itself.
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Kenyan-born novelist and playwright Ngugi wa Thiong’o and his collaborator, Micere Githae Mugo, have built a powerful and challenging play out of the circumstances surrounding the 1956 trial of Dedan Kimathi, the celebrated Kenyan hero who led the Mau Mau rebellion against the British colonial regime in Kenya and was eventually hanged. A highly controversial character, Kimathi’s life has been subject to intense propaganda by both the British government, who saw him as a vicious terrorist, and Kenyan nationalists, who viewed him as a man of great courage and commitment. Writing in the 1970s, the playwrights’ response to colonialist writings about the Mau Mau movement in The Trial of Dedan Kimathi is to sing the praises of the deeds of this hero of the resistance who refused to surrender to British imperialism. It is not a reproduction of the farcical “trial” at Nyeri. Rather, according to the preface, it is “an imaginative recreation and interpretation of the collective will of the Kenyan peasants and workers in their refusal to break under sixty years of colonial torture and ruthless oppression by the British ruling classes and their continued determination to resist exploitation,oppression and new forms of enslavement.”
Carlo Ginzburg draws on his work on witchcraft trials in the 16th and 17th centuries to dissect the weaknesses of the state's case in the 20th-century show trial of Italian communists, Sofri, Bompressi and Pietrostefani.
Over the past 20 years European theatre underwent fundamental changes in terms of aesthetic focus, institutional structure and in its position in society. The impetus for these changes was provided by a new generation in the independent theatre scene. This book brings together studies on the state of independent theatre in different European countries, focusing on the fields of dance and performance, children and youth theatre, theatre and migration and post-migrant theatre. Additionally, it includes essays on experimental musical theatre and different cultural policies for independent theatre scenes in a range of European countries.
Tommy is twenty-nine, lives and loves in London, and has a morbid fear of the c word (commitment), the b word (boyfriend), and the f word (forgetting to call his drug dealer before the weekend). But when he begins to feel the urge to become a father, and the pressure from his boyfriend to make a real commitment to their relationship, Tommy starts to wonder if his chosen lifestyle can ever make him happy. Faced with the choice of maintaining his hedonistic, drugged-out, and admittedly fabulous existence or chucking it all in favor of a far more sensitive, fulfilling, and—let's face it—slightly more staid lifestyle, Tommy finds himself in a true quandary. Through a series of adventures and misadventures that lead him from London nightspots to New York bedrooms and back, our boy Tommy manages to answer some of life's most pressing questions—even those he never thought to ask.