A wide range of writers are brought together in this discussion of American literary journalism in the 19th and 20th centuries. 35 essays analyze major writers of the genre or writers known for a major work of the genre, and there are short pieces for 19 additional figures.
A paradigm of actuality -- Searching for the real and actual -- Stirrings and roots: urban sketches and America's flaneur -- The storytellers -- Picturing the present -- Carving out the real -- Experiments in reality -- Documenting time and place.
Taking a thematic approach, this new companion provides an interdisciplinary, cross-cultural, and international study of American literary journalism. From the work of Frederick Douglass and Walt Whitman to that of Joan Didion and Dorothy Parker, literary journalism is a genre that both reveals and shapes American history and identity. This volume not only calls attention to literary journalism as a distinctive genre but also provides a critical foundation for future scholarship. It brings together cutting-edge research from literary journalism scholars, examining historical perspectives; themes, venues, and genres across time; theoretical approaches and disciplinary intersections; and new directions for scholarly inquiry. Provoking reconsideration and inquiry, while providing new historical interpretations, this companion recognizes, interacts with, and honors the tradition and legacies of American literary journalism scholarship. Engaging the work of disciplines such as sociology, anthropology, African American studies, gender studies, visual studies, media studies, and American studies, in addition to journalism and literary studies, this book is perfect for students and scholars of those disciplines.
A wide range of writers are brought together in this discussion of American literary journalism in the 19th and 20th centuries. 35 essays analyze major writers of the genre or writers known for a major work of the genre, and there are short pieces for 19 additional figures.
"Slovenia is acquiring some volume of literary journalism written by Slovene journalists and writers. Author Sonja Merljak Zdovc suggests that more Slovene writers should prefer literary journalism because nonfiction is based on truth, facts, and data and appeals more to readers interested in real world stories. The honest, precise, profound, and sophisticated voice of literary journalism is becoming increasingly good for newspaper circulation, as it reaches not just the mind but also the heart of the reader. Thus the world of Slovene journalism should also take a rapid turn towards the stylized literary journalism seen in the United States. There journalists and writers realize that through literary journalism they could perhaps end a general decline of traditional print media by restoring to readers stories that uncover the universal struggle of the human condition."--BOOK JACKET.
This referential collection of essays is an important guide to the emergence and development of literary journalism through the centuries. The book begins with the defining of genres, literature and journalism, which blur the lines between them. It also gives an insight into the theories of narratology. Some practitioners included in this book are great American writers like, John Hersey, Truman Capote, Norman Mailer and Don DeLillo. These literary journalists bring to life both major as well trivial issues of the society. New journalists coalesce all the fictional techniques with the journalistic methods to present a unique and sophisticated style which requires extensive research and even more careful reporting than done in the typical news articles. The book closes with the concluding thoughts followed by list of works cited.
This wide-ranging collection of critical essays on literary journalism addresses the shifting border between fiction and non-fiction, literature and journalism. Literary Journalism in the Twentieth Century addresses general and historical issues, explores questions of authorial intent and the status of the territory between literature and journalism, and offers a case study of Mary McCarthy’s 1953 piece, "Artists in Uniform," a classic of literary journalism. Sims offers a thought-provoking study of the nature of perception and the truth, as well as issues facing journalism today.
Aiming to provide a history of and contextualize a literary form he calls literary journalism, Hartsock (communication studies, SUNY Cortland) provides evidence of the emergence of a "modern" American literary journalism; discusses reasons for the form's emergence and epistemological consequences; describes antecedents to the form; analyzes how to distinguish it from other nonfiction forms; offers post-fin de siecle evidence of the form up to the 1960s; and offers reasons for its critical marginalization. Intended for graduate students, advanced undergraduates, and journalists. Annotation copyrighted by Book News Inc., Portland, OR
Essays on American literary journalists whose writings appeared from 1945 to 1995. During this period, literary journalists and novelists-turned-journalists produced nonfiction writing of enduring aesthetic, cultural and political significance, reshaping the contours of contemporary American letters. These journalists achieved a notoriety and status in literature, winning major journalism and literary prizes.
This study explores how Spanish American modernista writers incorporated journalistic formalities and industry models through the crónica genre to advance their literary preoccupations. Through a variety of modernista writers, including José Martí, Amado Nervo, Manuel Gutiérrez Nájera and Rubén Darío, Reynolds argues that extra-textual elements – such as temporality, the material formats of the newspaper and book, and editorial influence – animate the modernista movement’s literary ambitions and aesthetic ideology. Thus, instead of being stripped of an esteemed place in the literary sphere due to participation in the market-based newspaper industry, journalism actually brought modernismo closer to the writers’ desired artistic autonomy. Reynolds uncovers an original philosophical and sociological dimension of the literary forms that govern modernista studies, situating literary journalism of the movement within historical, economic and temporal contexts. Furthermore, he demonstrates that journalism of the movement was eventually consecrated in book form, revealing modernista intentionality for their mass-produced, seemingly utilitarian journalistic articles. The Spanish American Crónica Modernista, Temporality, and Material Culture thereby enables a better understanding of how the material textuality of the crónica impacts its interpretation and readership.