What life was like for ordinary French and English people, embroiled in a devastating century-long conflict that changed their world The Hundred Years War (1337-1453) dominated life in England and France for well over a century. It became the defining feature of existence for generations. This sweeping book is the first to tell the human story of the longest military conflict in history. Historian David Green focuses on the ways the war affected different groups, among them knights, clerics, women, peasants, soldiers, peacemakers, and kings. He also explores how the long war altered governance in England and France and reshaped peoples' perceptions of themselves and of their national character. Using the events of the war as a narrative thread, Green illuminates the realities of battle and the conditions of those compelled to live in occupied territory; the roles played by clergy and their shifting loyalties to king and pope; and the influence of the war on developing notions of government, literacy, and education. Peopled with vivid and well-known characters--Henry V, Joan of Arc, Philippe the Good of Burgundy, Edward the Black Prince, John the Blind of Bohemia, and many others--as well as a host of ordinary individuals who were drawn into the struggle, this absorbing book reveals for the first time not only the Hundred Years War's impact on warfare, institutions, and nations, but also its true human cost.
A remarkable and very important unpublished chronicle written by two soldiers, covering in detail the English campaigns in France from 1415 to 1429. It lists many individuals who served in the war, and was written specifically for Sir John Fastolf, the English commander.This previously unpublished chronicle from the mid-fifteenth century covers the English wars in France from 1415 to 1429. It is highly unusual in that it was written by two soldiers, Peter Basset and Christopher Hanson. William Worcester, secretary to the English commander Sir John Fastolf, also had a hand in it, and it was specifically written for Sir John. The content is unusual, as it includes many lists of individuals serving in the war, and records their presence at battles, naming more than 700 in all. Over half these individuals are French or Scottish, so it would seem that the authors had a particularly detailed knowledge of French military participation. The narrative is important for the English campaigns in Maine in the 1420s in which Fastolf was heavily involved and which otherwise receive little attention in chronicles written on either side of the Channel. The progress of the war is well mapped, with around 230 place names mentioned.The chronicle was extensively used in the sixteenth century by several heralds and by Edward Hall. As a result, it had an influence on Shakespeare. The death of the earl of Salisbury at Orleans in ''Henry VI Part I'' Follows the chronicle closely. The ''Mirror for Magistrates'' Salisbury narrative is also derived from the chronicle. Another point of interest is that the chronicle is by a scribe who can be identified, and proves to be the only known fifteenth-century account of the war written in England in French, which adds an important linguistic dimension to its study.ch Fastolf was heavily involved and which otherwise receive little attention in chronicles written on either side of the Channel. The progress of the war is well mapped, with around 230 place names mentioned.The chronicle was extensively used in the sixteenth century by several heralds and by Edward Hall. As a result, it had an influence on Shakespeare. The death of the earl of Salisbury at Orleans in ''Henry VI Part I'' Follows the chronicle closely. The ''Mirror for Magistrates'' Salisbury narrative is also derived from the chronicle. Another point of interest is that the chronicle is by a scribe who can be identified, and proves to be the only known fifteenth-century account of the war written in England in French, which adds an important linguistic dimension to its study.ch Fastolf was heavily involved and which otherwise receive little attention in chronicles written on either side of the Channel. The progress of the war is well mapped, with around 230 place names mentioned.The chronicle was extensively used in the sixteenth century by several heralds and by Edward Hall. As a result, it had an influence on Shakespeare. The death of the earl of Salisbury at Orleans in ''Henry VI Part I'' Follows the chronicle closely. The ''Mirror for Magistrates'' Salisbury narrative is also derived from the chronicle. Another point of interest is that the chronicle is by a scribe who can be identified, and proves to be the only known fifteenth-century account of the war written in England in French, which adds an important linguistic dimension to its study.ch Fastolf was heavily involved and which otherwise receive little attention in chronicles written on either side of the Channel. The progress of the war is well mapped, with around 230 place names mentioned.The chronicle was extensively used in the sixteenth century by several heralds and by Edward Hall. As a result, it had an influence on Shakespeare. The death of the earl of Salisbury at Orleans in ''Henry VI Part I'' Follows the chronicle closely. The ''Mirror for Magistrates'' Salisbury narrative is also derived from the chronicle. Another point of interest is that the chronicle is by a scribe who can be identified, and proves to be the only known fifteenth-century account of the war written in England in French, which adds an important linguistic dimension to its study. in the sixteenth century by several heralds and by Edward Hall. As a result, it had an influence on Shakespeare. The death of the earl of Salisbury at Orleans in ''Henry VI Part I'' Follows the chronicle closely. The ''Mirror for Magistrates'' Salisbury narrative is also derived from the chronicle. Another point of interest is that the chronicle is by a scribe who can be identified, and proves to be the only known fifteenth-century account of the war written in England in French, which adds an important linguistic dimension to its study.
A previously unpublished English chronicle of the Hundred Years War covering the period 1415 to 1429, written for the English commander Sir John Fastolf.
A landmark history of one hundred years of war waged against the Palestinians from the foremost US historian of the Middle East, told through pivotal events and family history In 1899, Yusuf Diya al-Khalidi, mayor of Jerusalem, alarmed by the Zionist call to create a Jewish national home in Palestine, wrote a letter aimed at Theodore Herzl: the country had an indigenous people who would not easily accept their own displacement. He warned of the perils ahead, ending his note, “in the name of God, let Palestine be left alone.” Thus Rashid Khalidi, al-Khalidi’s great-great-nephew, begins this sweeping history, the first general account of the conflict told from an explicitly Palestinian perspective. Drawing on a wealth of untapped archival materials and the reports of generations of family members—mayors, judges, scholars, diplomats, and journalists—The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory. Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel, but backed by Britain and the United States, the great powers of the age. He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel’s 1982 invasion of Lebanon to the endless and futile peace process. Original, authoritative, and important, The Hundred Years' War on Palestine is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces arrayed against the Palestinians, it offers an illuminating new view of a conflict that continues to this day.
An illustrated overview of the Hundred Years War, the longest-running and the most significant conflict in western Europe in the later Middle Ages. There can be no doubt that military conflict between France and England dominated European history in the 14th and 15th centuries. The Hundred Years War is of considerable interest both because of its duration and the number of theatres in which it was fought. Drawing on the latest research for this new edition, Hundred Years War expert Professor Anne Curry examines how the war can reveal much about the changing nature of warfare: the rise of infantry and the demise of the knight; the impact of increased use of gunpowder and the effect of the war on generations of people. Updated and revised for the new edition, with full-colour maps and 50 new images, this illustrated introduction provides an important reference resource for the academic or student reader as well as those with a general interest in late medieval warfare.
'Sumption is that rare and precious thing: a serious, decent, honest thinker . . . and one of our finest historians.' Dan Jones, Sunday Times 'Gripping and eminently readable . . . a compelling justification for the enduring value of historical narrative.' The Times 'Unsurpassed, and probably unsurpassable.' Daily Telegraph In this final volume of his epic history of the Hundred Years War, Jonathan Sumption tells the story of the collapse of the English dream of conquest, from the opening years of the reign of Henry VI until the loss of all of England's continental dominions except Calais thirty years later. This sudden reversal of fortune was a seminal event in the history of the two principal nation-states of western Europe, ending four centuries of the English dynasty's presence in France and separating two countries whose fortunes had once been closely intertwined, creating a new sense of national identity in both. The legacy of these events would influence their divergent fortunes for centuries to come. Behind the clash of arms stood some of the most remarkable personalities of the age: the Duke of Bedford, the English Regent who ruled much of France; Charles VII of France, who patiently rebuilt his kingdom after the disasters of his early years; the captains populating the pages of Shakespeare - Fastolf, Montagu, Talbot, Dunois and, above all, the extraordinary figure of Joan of Arc who changed the course of the war in a few weeks at the age of seventeen. 'The Hundred Years War ends in England's agonising defeat - but triumph for Jonathan Sumption . . . There is no doubting his achievement. It is, as everyone says, a "monumental" work.' Spectator
`Careful, original and wide-ranging study of many different aspects of late medieval military history.' HISTORY The Hundred Years War embraced warfare in all aspects, from the grand set pieces of Crecy and Agincourt to the pillaged lands of the dispossessed population. What makes this book different from previous studies emphasising the great battles is its use of less familiar evidence, such as administrative records and landscape archaeology, to gain a truer picture of the realities of medieval warfare. From a general review of battle tactics, the book turns to examine (at points enlisting computer analysis) a number of issues: the composition of the English army, the management of affairs in Aquitaine, the response in England at large to the war and the consequent propaganda and hardship, and the impact of warfare on local communities. Close study of surviving artefacts - weapons, fortifications - also allows realistic assessments of military and naval experiences. Contributors: ANDREW AYTON, MATTHEW BENNETT, ANNE CURRY, IAN FRIEL, ROBERT HARDY, MICHAEL HUGHES, MICHAEL JONES, BRIAN KEMP, JOHN KENYON, MARK ORMROD, ROBERT SMITH, MALCOLM VALE.
A comparative study of how the societies of late medieval England and France reacted to the long period of conflict between them from political, military, social and economic perspectives.
Even as a canon, he lived in princely style, with a retinue of two knights and forty squires, and he wrote at the request of John of Hainault, the uncle of queen Philippa. He was thus able to draw directly on the verbal accounts of the Crécy campaign given to him by soldiers from Hainault who had fought on both sides; and his description of warfare in Scotland is the most realistic account of what it was like to be on campaign that survives from this period.
Netflix’s series adaptation of One Hundred Years of Solitude premieres December 11, 2024! One of the twentieth century’s enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world and the ultimate achievement in a Nobel Prize–winning career. The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. Rich and brilliant, it is a chronicle of life, death, and the tragicomedy of humankind. In the beautiful, ridiculous, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America. Love and lust, war and revolution, riches and poverty, youth and senility, the variety of life, the endlessness of death, the search for peace and truth—these universal themes dominate the novel. Alternately reverential and comical, One Hundred Years of Solitude weaves the political, personal, and spiritual to bring a new consciousness to storytelling. Translated into dozens of languages, this stunning work is no less than an account of the history of the human race.
