Life of Thomas Gainsborough
Author: George Williams Fulcher
Publisher:
Published: 1856
Total Pages: 266
ISBN-13:
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Author: George Williams Fulcher
Publisher:
Published: 1856
Total Pages: 266
ISBN-13:
DOWNLOAD EBOOKAuthor: Sir Walter Armstrong
Publisher:
Published: 1904
Total Pages: 424
ISBN-13:
DOWNLOAD EBOOKAuthor: George Williams Fulcher
Publisher:
Published: 1856
Total Pages: 266
ISBN-13:
DOWNLOAD EBOOKAuthor: John Hayes
Publisher:
Published: 1982
Total Pages: 328
ISBN-13:
DOWNLOAD EBOOKAuthor: Thomas Gainsborough
Publisher:
Published: 1901
Total Pages: 66
ISBN-13:
DOWNLOAD EBOOKAuthor: Thomas Gainsborough
Publisher:
Published: 1914
Total Pages: 54
ISBN-13:
DOWNLOAD EBOOKAuthor: William Thomas Whitley
Publisher:
Published: 1915
Total Pages: 498
ISBN-13:
DOWNLOAD EBOOKAuthor: Reginald McGinnis
Publisher: Routledge
Published: 2013-10-17
Total Pages: 293
ISBN-13: 1135024618
DOWNLOAD EBOOKAre legal concepts of intellectual property and copyright related to artistic notions of invention and originality? Do literary and legal scholars have anything to learn from each other, or should the legal debate be viewed as separate from questions of aesthetics? Bridging what are usually perceived as two distinct areas of inquiry, this interdisciplinary volume begins with a reflection on the "origins" of literary and legal questions in the Enlightenment to consider their ramifications in the post-Enlightenment and contemporary world. Tying in to the growing scholarly interest in connections between law and literature, on the one hand, and to the contemporary interrogation of "originality" and "authorship," on the other hand, the present volume furthers research in the field by providing a dense study of the legal and historical context to re-examine our current assumptions about supposed earlier Enlightenment and Romantic ideals of individual authorship and originality.
Author: Susan Owens
Publisher: Yale University Press
Published: 2024-09-10
Total Pages: 257
ISBN-13: 0300277601
DOWNLOAD EBOOKDrawing is at the heart of human creativity. The most democratic form of art-making, it requires nothing more than a plain surface and a stub of pencil, a piece of chalk or an inky brush. Our prehistoric ancestors drew with natural pigments on the walls of caves, and every subsequent culture has practised drawing – whether on papyrus, parchment or paper. Artists throughout history have used drawing as part of the creative process. While painting and sculpture have been shaped heavily by money and influence, drawing has always offered extraordinary creative latitude. Here we see the artist at his or her most unguarded. Susan Owens offers a glimpse over artists’ shoulders – from Michelangelo, Rembrandt and Hokusai to Van Gogh, Käthe Kollwitz and Yayoi Kusama – as they work, think and innovate, as they scrutinise the world around them or escape into their imaginations. The Story of Drawing loops around the established history of art, sometimes staying close, at other times diving into exhilarating and altogether less familiar territory.
Author: William Thomas Lowndes
Publisher:
Published: 1834
Total Pages: 492
ISBN-13:
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