Of all civilizations of the ancient Mediterranean, it is perhaps the Etruscans who hold the greatest allure. This is fundamentally because, unlike their Greek and Latin neighbours, the Etruscans left no textual sources to posterity. The only direct evidence for studying them and for understanding their culture is the archaeological, and to a much lesser extent, epigraphic record. The Etruscans must therefore be approached as if they were a prehistoric people; and the enormous wealth of Etruscan visual and material culture must speak for them. Yet they offer glimpses, in the record left by Greek and Roman authors, that they were literate and far from primordial: indeed, that their written histories were greatly admired by the Romans themselves. Applying fresh archaeological discoveries and new insights, Corinna Riva engagingly conducts the reader through the birth, growth and demise of this fascinating and enigmatic ancient people, whose nemesis was the growing power of Rome. Exploring the 'discovery' of the Etruscans from the Renaissance onwards, she discusses the mysterious Etruscan language, which long remained wholly indecipherable; the Etruscan landscape; the 6th-century growth of Etruscan cities and Mediterranean trade; religion and ritual; sanctuaries and monumental grave sites; and the fatal incorporation of Etruria into Rome's political orbit.
Of all civilizations of the ancient Mediterranean, it is perhaps the Etruscans who hold the greatest allure. This is fundamentally because, unlike their Greek and Latin neighbours, the Etruscans left no textual sources to posterity. The only direct evidence for studying them and for understanding their culture is the archaeological, and to a much lesser extent, epigraphic record. The Etruscans must therefore be approached as if they were a prehistoric people; and the enormous wealth of Etruscan visual and material culture must speak for them. Yet they offer glimpses, in the record left by Greek and Roman authors, that they were literate and far from primordial: indeed, that their written histories were greatly admired by the Romans themselves. Applying fresh archaeological discoveries and new insights, A Short History of the Etruscans engagingly conducts the reader through the birth, growth and demise of this fascinating and enigmatic ancient people, whose nemesis was the growing power of Rome. Exploring the 'discovery' of the Etruscans from the Renaissance onwards, Corinna Riva discusses the mysterious Etruscan language, which long remained wholly indecipherable; the Etruscan landscape; the 6th-century growth of Etruscan cities and Mediterranean trade. Close attention is also paid to religion and ritual; sanctuaries and monumental grave sites; and the fatal incorporation of Etruria into Rome's political orbit.
"Between c. 900-400 BC the Etruscans were the innovative, powerful, wealthy, and sophisticated elite of Italy. Their archaeological record is both substantial and fascinating, including tomb paintings, sculpture, jewellery, and art."
Accompanying CD-ROM contains ... "all relevant illustrations from the book, arranged in alphabetical order according to mythological character. To increase the usefulness of the [CD-ROM], supplementary images not in the book have been added[.]"--P. xv.
This comprehensive survey of Etruscan civilization, from its origin in the Villanovan Iron Age in the ninth century B.C. to its absorption by Rome in the first century B.C., combines well-known aspects of the Etruscan world with new discoveries and fresh insights into the role of women in Etruscan society. In addition, the Etruscans are contrasted to the Greeks, whom they often emulated, and to the Romans, who at once admired and disdained them. The result is a compelling and complete picture of a people and a culture. This in-depth examination of Etruria examines how differing access to mineral wealth, trade routes, and agricultural land led to distinct regional variations. Heavily illustrated with ancient Etruscan art and cultural objects, the text is organized both chronologically and thematically, interweaving archaeological evidence, analysis of social structure, descriptions of trade and burial customs, and an examination of pottery and works of art.
Italy: A Short History is a concise but comprehensive account of Italian history from the Ice Age to the present day. It is intended for both students of Italian history and culture and the general reader, whether tourist, business-person or traveller, with an interest in Italian affairs. Harry Hearder places the main political developments in Italian history in their economic and social context, and shows how these related to the great moments of artistic and cultural endeavour. Amongst key events, he analyses the growth and decline of the Roman Empire, the remarkable cultural achievements of the Renaissance, Italian unification and the contradictions of the fascist dictatorship of Mussolini. Jonathan Morris brings the work up to the present day with an authoritative but colourful history of the corruption scandals that brought down the post-war Italian political system in the 1990s and the new political forces that have emerged in its place.
Ancient Rome had deep roots in the 'Villanovan' culture that we call today the Etruscans. Their long-lived civilization can be traced to 900–750 BC in north-west Italy. They were a sea-faring people trading with and competing against Greek and Phoenician peoples, including the Carthaginians. They were also a great land-based power, especially in the 'Classical' period, where they expanded their power north into the Po Valley and south to Latium. In the 6th century BC an Etruscan dynasty ruled Rome, and their power extended southwards to the Amalfi coast. In 509 BC the Romans rose up to expel their kings, which began the long 'Etruscan twilight' when their power was squeezed by the Samnites and, most especially, the Romans. Drawing on archaeological evidence including warrior tombs, paintings, sculptures, and fully illustrated throughout, this study examines one of the early rivals to Ancient Rome.
*Includes pictures *Includes a bibliography for further reading "These people of Greek descent were called Etruscans, and it has been discovered that they had advanced so far in civilization, that they afterwards gave many of their customs to the city of Rome when it came to power. A confederacy known as the 'Twelve Cities of Etruria' became famous afterwards, though no one knows exactly which the twelve were." - Arthur Gilman, The Story of Rome from the Earliest Times to the End of the Republic When people think of ancient Italy, the Romans are usually the first and last people that come to mind, but long before Rome was built by Latin speaking people, the culture of Italy was dominated by the Etruscans. Although the Etruscans may not comprise the core of most histories of the ancient Mediterranean, they exerted a profound influence on the region from the 8th-5th centuries BCE that continued to resonate for centuries after as the Romans carried on many of their traditions. Today, much of what is known about the Etruscans comes from the ancient Roman and Greek writers who had a deep respect for them but saw them as exotic and foreign. As the famous Roman philosopher Seneca wrote about the Etruscans, "Whereas we believe lightning to be released as a result of the collision of clouds, they believe that the clouds collide so as to release lightning: for as they attribute all to deity, they are led to believe not that things have a meaning insofar as they occur, but rather that they occur because they must have a meaning." The Etruscans referred to themselves as "Rasenna" in their own language, but the Greeks called them "Tyrrhenians" and the Romans referred to them as "Etrusci", which is where the modern term "Etruscan" is derived (Cornell 1995, 45). As this suggests, reconstructing Etruscan history is based primarily on the Greco-Roman accounts, but other sources are utilized by modern scholars to create a more accurate picture. Unfortunately, despite the fact the Etruscans were a literate people, their own histories have disappeared without a trace. Nevertheless, even with this lack of primary sources, the abundance of classical writings about the Etruscans and modern historical, archaeological, and art historical studies can establish an image of Etruscan history and culture that, although not complete, is enough for scholars to arrive at some important conclusions. An in-depth examination of Etruscan history and culture reveals that the Etruscans developed a culture that was as advanced as that of their Greek contemporaries and was also one that the later Romans were indebted to on many levels. "Rome was a poem pressed into service as a city." In that short line, Anatole Broyard, a 20th century American writer, compactly captures the timeless and enchanting beauty that resides within the Eternal City of Rome. This tourist destination is often one of the highest ranked on bucket lists, for how could one not want to experience its marvelous ruins, mirror-like rivers, and spectacular stretches of aqueducts firsthand? As one sips on fine Italian wine on a terrace overlooking the grand remnants of the Colosseum, one can practically hear the roars of the battling gladiators and the raucous applause of the spectators. And as one strolls through the coarse, yet quaint cobblestone streets, one can almost hear the galloping horses and screeching wheels of chariots in the distance, and even feel the brush of the breeze as they charge past. It is difficult not to fall in love with a city so effortlessly nostalgic it verges on utopian. The ambitious and fearless emperors that built the legendary Roman Empire from scratch, the broad-shouldered and bronzed gladiators with their iconic plume helmets and glinting swords, and elaborate parties attended by toga-wearing Romans fueled by alcohol, violence, orgies, and other godless acts all paint a picture of Roman life.
Now in paperback, a brief introduction to the mysteries of the enigmatic, ancient civilization in the area of modern Italy. The Etruscans were a powerful people, marked by an influential civilization in ancient Italy. But despite their prominence, the Etruscans are often portrayed as mysterious—a strange and unknowable people whose language and culture have largely vanished. Lucy Shipley’s The Etruscans presents a different picture. Shipley writes of a people who traded with Greece and shaped the development of Rome, who inspired Renaissance artists and Romantic firebrands, and whose influence is still felt strongly in the modern world. Covering colonialism and conquest, misogyny and mystique, she weaves Etruscan history with new archaeological evidence to give us a revived picture of the Etruscan people. The book traces trade routes and trains of thought, describing the journey of Etruscan objects from creation to use, loss, rediscovery, and reinvention. From the wrappings of an Egyptian mummy displayed in a fashionable salon to the extra-curricular activities of Bonaparte, from a mass looting craze to a bombed museum in a town marked by massacre, the book is an extraordinary voyage through Etruscan archaeology, which ultimately leads to surprising and intriguing places. In this sharp and groundbreaking book, Shipley gives readers a unique perspective on an enigmatic people, revealing just how much we know about the Etruscans—and just how much still remains undiscovered.
This new collection presents a rich selection of innovative scholarship on the Etruscans, a vibrant, independent people whose distinct civilization flourished in central Italy for most of the first millennium BCE and whose artistic, social and cultural traditions helped shape the ancient Mediterranean, European, and Classical worlds. Includes contributions from an international cast of both established and emerging scholars Offers fresh perspectives on Etruscan art and culture, including analysis of the most up-to-date research and archaeological discoveries Reassesses and evaluates traditional topics like architecture, wall painting, ceramics, and sculpture as well as new ones such as textile archaeology, while also addressing themes that have yet to be thoroughly investigated in the scholarship, such as the obesus etruscus, the function and use of jewelry at different life stages, Greek and Roman topoi about the Etruscans, the Etruscans’ reception of ponderation, and more Counters the claim that the Etruscans were culturally inferior to the Greeks and Romans by emphasizing fields where the Etruscans were either technological or artistic pioneers and by reframing similarities in style and iconography as examples of Etruscan agency and reception rather than as a deficit of local creativity
