As tenacious aliens transform the war torn Earth into a replica of their own terrifying world, a handful of scientists, soldiers, and citizens prepares to fight back.
A gripping narrative of one of the Civil War’s most consequential engagements. In the spring of 1864, the newly installed Union commander Ulysses S. Grant did something none of his predecessors had done before: He threw his army against the wily, audacious Robert E. Lee and his Army of Northern Virginia over and over again. At Spotsylvania Court House, the two armies shifted from stalemate in the Wilderness to slugfest in the mud. Most commonly known for the horrific twenty-two-hour hand-to-hand combat in the pouring rain at the Bloody Angle, the battle of Spotsylvania Court House actually stretched from May 8 to 21, 1864—fourteen long days of battle and maneuver. Grant, the irresistible force, hammering with his overwhelming numbers and unprecedented power, versus Lee, the immovable object, hunkered down behind the most formidable defensive works yet seen on the continent. Spotsylvania Court House represents a chess match of immeasurable stakes between two master opponents. This clash is detailed in A Season of Slaughter: The Battle of Spotsylvania Court House, May –21, 1864. A Season of Slaughter is part of the new Emerging Civil War Series offering compelling, easy-to-read overviews of some of the Civil War’s most important stories. The masterful storytelling is richly enhanced with hundreds of photos, illustrations, and maps. “[A] wonderful book for anyone interested in learning about the fighting around Spotsylvania Court House or who would like to tour the area. It is well written, easy to read, and well worth the price.” —Civil War News
The Greatest Western Writer Of The 21st Century An epic saga of the O'Briens, father Shamus and his sons Shawn, Patrick, Jacob, and Samuel, homesteaders fighting to survive the untamed Western wilderness. . . A USA Today bestselling author whose novels ring with authenticity and power. . . A thrilling adventure across the border of Mexico--up against an enemy more powerful and deadly than any the O'Briens could ever envision. . . Slaughter Time New Mexico Territory is no stranger to bad men. But south of the border, on the wild Mexican coastline, is another kind of wicked: a murderous Arab with a ship full of stolen women--to be sold as sex slaves in the four corners of the world. Among them is a missing local school teacher Shawn O'Brien has been searching for--a woman with a past she's kept carefully hidden. Now Shawn, along with a half-mad bear hunter and a professional hangman fight their way to the coast for a blood-soaked battle between the slavers and the U.S. Navy. When the action runs aground, O'Brien gets his chance: to face down an Arab sheik who profits from human misery. . .and makes a sport of slaughter. . .
NEW YORK TIMES BESTSELLER “[A] hold-on-to-your-hat, nail-biting story.”—The Washington Post “Slaughter’s best yet, by far.”—Lee Child Will Trent is a brilliant agent with the Georgia Bureau of Investigation. Newly in love, he is beginning to put a difficult past behind him. Then a local college student goes missing, and Will is inexplicably kept off the case by his supervisor and mentor, deputy director Amanda Wagner. Will cannot fathom Amanda’s motivation until the two of them literally collide in an abandoned orphanage they have both been drawn to for different reasons. Decades before, when his father was imprisoned for murder, this was Will’s home. It appears that the case that launched Amanda’s career forty years ago has suddenly come back to life—and it involves the long-held mystery of Will’s birth and parentage. Now these two dauntless investigators will each need to face down demons from the past if they are to prevent an even greater terror from being unleashed. Includes Karin Slaughter’s short story “Snatched” and a preview of the Will Trent novel Unseen “With every page of this story the tension mounts. . . . If you have a hunger for a rich and fulfilling novel then you owe it to yourself to pick up Criminal.”—Huffington Post “A masterpiece of character, atmosphere and riveting suspense, Criminal is the most powerful and moving novel yet from one of the most gifted storytellers at work today.”—Chicago Daily Herald
A beautiful woman, a powerful Mexican rancher, and an exotic new breed of cattle come to John Slaughter's San Bernardino Valley ranch, along with the prospect of making a small fortune. While Slaughter's men are out keeping the peace in Tombstone, an act of betrayal turns up the heat under his own roof, and a killer is stalking Slaughter's wealthy Mexican guest. Indians suddenly savagely attack Slaughter's ranch, but it is only the first shot in a bigger, blazing Arizona bloodbath. The real enemy is coming next: armed to the teeth, driven by vengeance, and deep into a killing spree that only John Slaughter alone can stop.
Born during the infant years of the Texas Republic, C. C. Slaughter (1837–1919) participated in the development of the southwestern cattle industry from its pioneer stages to the modern era. Trail driver, Texas Ranger, banker, philanthropist, and cattleman, he was one of America’s most famous ranchers. David J. Murrah’s biography of Slaughter, now available in paperback, still stands as the definitive account of this well-known figure in Southwest history. A pioneer in West Texas ranching, Slaughter increased his holdings from 1877 to 1905 to include more than half a million acres of land and 40,000 head of cattle. At one time “Slaughter country” stretched from a few miles north of Big Spring, Texas, northwestward two hundred miles to the New Mexico border west of Lubbock. His father, brothers, and sons rode the crest of his popularity, and the Slaughter name became a household word in the Southwest. In 1873—almost ten years before the “beef bonanza” on the open range made many Texas cattlemen rich—C. C. Slaughter was heralded by a Dallas newspaper as the “Cattle King of Texas.” Among the first of the West Texas cattlemen to make extensive use of barbed wire and windmills, Slaughter introduced new and improved cattle breeds to West Texas. In his later years, greatly influenced by Baptist minister George W. Truett of Dallas, Slaughter became a major contributor to the work of the Baptist church in Texas. He substantially supported Baylor University and was a cofounder of the Baptist Education Commission and Dallas’s Baylor Hospital. Slaughter also cofounded the Texas Cattle Raisers’ Association (1877) and the American National Bank of Dallas (1884), which through subsequent mergers became the First National Bank. His banking career made him one of Dallas’s leading citizens, and at times he owned vast holdings of downtown Dallas property.
NEW YORK TIMES BESTSELLER • Features a new introduction on the origins of the Will Trent novels and Triptych’s place in the series “Crime fiction at its finest.”—Michael Connelly From Atlanta’s wealthiest suburbs to its stark inner-city housing projects, a killer has crossed the boundaries of wealth and race. And the people who are chasing him must cross those boundaries, too. Among them is Michael Ormewood, a veteran detective whose marriage is hanging by a thread—and whose arrogance and explosive temper are threatening his career. And Angie Polaski, a beautiful vice cop who was once Michael’ s lover before she became his enemy. But unbeknownst to both of them, another player has entered the game: a loser ex-con who has stumbled upon the killer’s trail in the most coincidental of ways—and who may be the key to breaking the case wide open. In this gritty, gripping firecracker of a novel, the author of the bestselling Grant County, Georgia, series breaks thrilling new ground, weaving together the threads of a complex, multilayered story with the skill of a master craftsman. Packed with body-bending switchbacks, searing psychological suspense and human emotions, Triptych ratchets up the tension one revelation at a time as it races to a shattering and unforgettable climax.
The author relates his experiences working five months undercover at a slaughterhouse, and explores why society encourages this violent labor yet keeps the details of the work hidden.
Lee Child says it’s “stunning… certain to be a book of the year.” Kathy Reichs calls it “extraordinary… a major achievement.” Gillian Flynn says of Karin Slaughter: “I’d follow her anywhere.” Sisters. Strangers. Survivors. More than twenty years ago, Claire and Lydia’s teenaged sister Julia vanished without a trace. The two women have not spoken since, and now their lives could not be more different. Claire is the glamorous trophy wife of an Atlanta millionaire. Lydia, a single mother, dates an ex-con and struggles to make ends meet. But neither has recovered from the horror and heartbreak of their shared loss—a devastating wound that's cruelly ripped open when Claire's husband is killed. The disappearance of a teenage girl and the murder of a middle-aged man, almost a quarter-century apart: what could connect them? Forming a wary truce, the surviving sisters look to the past to find the truth, unearthing the secrets that destroyed their family all those years ago . . . and uncovering the possibility of redemption, and revenge, where they least expect it. Powerful, poignant, and utterly gripping, packed with indelible characters and unforgettable twists, Pretty Girls is a masterful novel from one of the finest writers working today.
Now on Netflix! Starring Toni Collette and Bella Heathcote! Mother. Hero. Liar. Killer. How can you tell when all you have is... PIECES OF HER What if the person you thought you knew best turns out to be someone you never knew at all . . . ? Andrea knows everything about her mother, Laura. She knows she’s spent her whole life in the small beachside town of Belle Isle; she knows she’s never wanted anything more than to live a quiet life as a pillar of the community; she knows she’s never kept a secret in her life. Because we all know our mothers, don’t we? But all that changes when a trip to the mall explodes into violence and Andrea suddenly sees a completely different side to Laura. Because it turns out that before Laura was Laura, she was someone completely different. For nearly thirty years she’s been hiding from her previous identity, lying low in the hope that no one would ever find her. But now she’s been exposed, and nothing will ever be the same again. The police want answers and Laura’s innocence is on the line, but she won’t speak to anyone, including her own daughter. Andrea is on a desperate journey following the breadcrumb trail of her mother’s past. And if she can’t uncover the secrets hidden there, there may be no future for either one of them. . . .