A Rhetoric of the Unreal

A Rhetoric of the Unreal

Author: Christine Brooke-Rose

Publisher: Cambridge University Press

Published: 1981-10-15

Total Pages: 460

ISBN-13: 9780521225618

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This 1981 book is a study of wide range of fiction, from short stories to tales of horror, from fairy-tales and romances to science fiction, to which the rather loose term 'fantastic' has been applied. Cutting across this wide field, Professor Brooke-Rose examines in a clear and precise way the essential differences between these types of narrative against the background of realistic fiction. In doing so, she employs many of the methods of modern literary theory from Russian formalism to structuralism, while at the same time bringing to these approaches a sharp critical intuition and sound common sense of her own. The range of texts considered is broad: from Poe and James to Tolkien; from Flann O'Brien to the American postmodernism. This book should prove a source of stimulation to all teachers and students of modern literary theory and genre, as well as those interested in 'fantastic' literature.


Ordinary Enchantments

Ordinary Enchantments

Author: Wendy B. Faris

Publisher: Vanderbilt University Press

Published: 2004

Total Pages: 340

ISBN-13: 9780826514424

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Ordinary Enchantments investigates magical realism as the most important trend in contemporary international fiction, defines its characteristics and narrative techniques, and proposes a new theory to explain its significance. In the most comprehensive critical treatment of this literary mode to date, Wendy B. Faris discusses a rich array of examples from magical realist novels around the world, including the work not only of Latin American writers like Gabriel Garcia Marquez, but also of authors like Salman Rushdie, Gunter Grass, Toni Morrison, and Ben Okri. Faris argues that by combining realistic representation with fantastic elements so that the marvelous seems to grow organically out of the ordinary, magical realism destabilizes the dominant form of realism based on empirical definitions of reality, gives it visionary power, and thus constitutes what might be called a "remystification" of narrative in the West. Noting the radical narrative heterogeneity of magical realism, the author compares its cultural role to that of traditional shamanic performance, which joins the worlds of daily life and that of the spirits. Because of that capacity to bridge different worlds, magical realism has served as an effective decolonizing agent, providing the ground for marginal voices, submerged traditions, and emergent literatures to develop and create masterpieces. At the same time, this process is not limited to postcolonial situations but constitutes a global trend that replenishes realism from within. In addition to describing what many consider to be the progressive cultural work of magical realism, Faris also confronts the recent accusation that magical realism and its study as a global phenomenon can be seen as a form of commodification and an imposition of cultural homogeneity. And finally, drawing on the narrative innovations and cultural scenarios that magical realism enacts, she extends those principles toward issues of gender and the possibility of a female element within magical realism.


Magical Realism

Magical Realism

Author: Lois Parkinson Zamora

Publisher: Duke University Press

Published: 1995

Total Pages: 598

ISBN-13: 9780822316404

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On magical realism in literature


The Nonnarrated

The Nonnarrated

Author: Wolf Schmid

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2023-08-07

Total Pages: 162

ISBN-13: 3111242633

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Telling a story requires selecting and assembling individual elements of the events one wishes to communicate. The "nonnarrated" are the events (or parts of events) that were deliberately left out of the selection, meaning all that was not chosen to be told in the story, or chosen not to be told. Since the realm of the nonnarrated in any given story is infinitely large, studying the nonnarrated requires focusing on that which is not told but nevertheless belongs to a story. This monograph explores the phenomenon of the nonnarrated in narrative short forms from Cechov to Murakami and in novels by Dostoevskij and Robbe-Grillet.


Henry James and the Ghostly

Henry James and the Ghostly

Author: T. J. Lustig

Publisher: Cambridge University Press

Published: 2011-02-03

Total Pages: 340

ISBN-13: 9780521131599

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The importance of ghosts, and liminal experience in general, in the fiction of Henry James.


Reading with a Passion

Reading with a Passion

Author: Jeffrey Staley

Publisher: A&C Black

Published: 2002-06-01

Total Pages: 302

ISBN-13: 9780826414328

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In this strikingly personal account of recent literary approaches to the Bible, Jeffrey Staley shows how people's life experiences relate to what they read in the Scriptures. He illustrates his argument from theories of autobiography, where recent literary and feminist critiques provide him with tools for reflecting upon his childhood on a Navajo reservation and his family's five generations of contact with the Navajo people in northern Arizona and New Mexico.Using Tony Hillerman's popular detective novels as a lens to refract his own childhood memories, Staley investigates how his cross-cultural childhood and family history have contributed to his understanding of the Fourth Gospel.By combining such diverse materials as popular fiction, medieval passion plays, cultural anthropology, rhetorical studies, and autobiographical reflection, Staley takes his readers on a fascinating spiritual and intellectual journey through the Gospel of John.


Late Modernism and the Avant-Garde British Novel

Late Modernism and the Avant-Garde British Novel

Author: Julia Jordan

Publisher: Oxford University Press

Published: 2020-03-24

Total Pages: 355

ISBN-13: 0192599216

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In the decades following the immediately postwar period in Britain, a loose grouping of experimental writers that included Alan Burns, Christine Brooke-Rose, B. S. Johnson, and Ann Quin worked against the dominance, as they saw it, of the realist novel of the literary mainstream. Late Modernism and the Avant-Garde British Novel reassesses the experimentalism versus realism debates of the period, and finds a body of work engaged with, rather than merely antagonistic towards, the literary culture it sought to renovate. Charting these engagements, it shows how they have significance not just for our understanding of these decades but for the broader movement of the novel through the century. This volume takes some of the claims made about experimental fiction--that it is unreadable, nonlinear, elliptical, errant, plotless--and reimagines these descriptors as historically inscribed tendencies that express the period's investment in the idea of the accidental. These novels are interested in the fleeting and the fugitive, in discontinuity and shock. The experimental novel cultivates an interest in methods of representation that are oblique: attempting to conjure the world at an angle, or in the rear-view mirror; by ellipsis or evasion. These concepts--error, indeterminacy, uncertainty, accident--all bear a relation to that which evades or resists interpretation and meaning. Asking what are the wider political, ethical, and philosophical correlates of this incommensurability, Late Modernism and the Avant-Garde British Novel reads experimental literature in this light, as suffused with anxiety about its adequacy in the light of its status as necessarily imitative and derivative, and therefore redolent of the forms of not-knowing and uncertainty that mark late modernism more generally.


Reshaping Museum Space

Reshaping Museum Space

Author: Suzanne Macleod

Publisher: Taylor & Francis

Published: 2005

Total Pages: 260

ISBN-13: 9780415343459

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Collating the views of international museum professionals, architects, designers and academics, this book highlights the complexity and significance of museum space, studies recent developments in museum architecture and exhibition design.


Who Will Lament Her?

Who Will Lament Her?

Author: Laurel Lanner

Publisher: Bloomsbury Publishing USA

Published: 2006-05-24

Total Pages: 281

ISBN-13: 0567543978

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It is not surprising that non-academic bible readers largely ignore Nahum. Comprising only a few pages, it is easily overlooked in the midst of the twelve Minor Prophets. When a reader does stop in passing, the book appears to be brief, brutish, and uncomfortably violent. Looking more closely, however, readers may observe echoes of other much greater prophets, such as Isaiah and Ezekiel, perhaps even of the Psalms, and conclude that the book is a rather second-rate pastiche of other writings, although some rather brilliant poetry is woven into it. Who Will Lament Her? takes a fresh look at Nahum. It explores further the presence of the feminine in the book of Nahum, the extent to which it is present in the text, how the structure of the text makes the feminine both present and absent, and the possible reasons why this is so. Lanner takes two methodological approaches. The first sets out to show that it is possible that a feminine deity is present in the text of Nahum. The second approach engages three theories of the literary fantastic with the text, taking into consideration the findings of the historical and exegetical work. Using these two approaches hand in hand results in a fresh reading of Nahum.


Writing and Fantasy

Writing and Fantasy

Author: Ceri Sullivan

Publisher: Routledge

Published: 2014-06-11

Total Pages: 310

ISBN-13: 1317883799

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Writing and Fantasy brings together essays which restore a sense of the fantastic as a political response to cultural opportunities and pressures. It moves on from two conventional fields of discussion: the psychoanalytic, where phantasies are produced by the emergence of the consciousness, and the social, where fantasies are the production of nineteenth-century individualism. Chapters run from the classical period to the twentieth century, each focusing on a local reading of how fantasy acts as a strategy to contain or exploit specific historical and cultural moments. A wide variety of sites are investigated including the feminization of the wild west, originary and maternal spaces, highwaywomen, financial credit, and the ideal home. Multiple genres containing fantasy are explored, ranging from ghost stories to feminist utopias. Aids to the reader include an introduction summarising recent discussions of fantasy, illustrations dealing with visual fantasies, and an annotated bibliography. The new research presented here will be of great interest to academics and students in literature, history and cultural studies departments who are working in the field of the historical development of concepts of fantasy, cultural opposition, and the imbrication of politics and modes of representation.