Dynamics in the History of Religions Between Asia and Europe

Dynamics in the History of Religions Between Asia and Europe

Author: Volkhard Krech

Publisher: BRILL

Published: 2011-11-25

Total Pages: 545

ISBN-13: 9004185003

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The conference volume of the Bochumer Kolleg “Dynamics in the History of Religions between Asia and Europe” outlines the thesis that religion is not a homogeneous cultural phenomenon, but a dense network of diachronically and synchronically differing traditions.


The Indiana Companion to Traditional Chinese Literature

The Indiana Companion to Traditional Chinese Literature

Author: William H. Nienhauser

Publisher: Indiana University Press

Published: 1986

Total Pages: 1108

ISBN-13: 9780253329837

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"A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published." --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.


Guanzi

Guanzi

Author:

Publisher: Princeton University Press

Published: 2021-08-31

Total Pages: 592

ISBN-13: 0691215049

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Named for the famous Chinese minister of state, Guan Zhong (d. 645 B.C.), the Guanzi is one of the largest collections of ancient Chinese writings still in existence. With this volume, W. Allyn Rickett completes the first full translation of the Guanzi into English. This represents a truly monumental effort, as the Guanzi is a long and notoriously difficult work. It was compiled in its present form about 26 B.C. by the Han dynasty scholar Liu Xiang and the surviving text consists of some seventy-six anonymous essays dating from the fifth century B.C. to the first century B.C. The forty-two chapters contained in this volume include several which present Daoist theories concerning self-cultivation and the relationship between the body and mind as well as the development of Huang-Lao political and economic thought. The "Dizi zhi" chapter provides one of the oldest discussions of education in China. The "Shui di" chapter refers to the circulation of blood some two thousand years before the discoveries of William Harvey in the West. Other chapters deal with various aspects of statecraft, Yin-Yang and Five Phases thought, folk beliefs, seasonal calendars, and farming. Perhaps the best-known chapters are those that deal with various methods of controlling and stimulating the economy. They constitute one of the world's earliest presentations of a quantity theory of money. Throughout the text, Rickett provides extensive notes. He also supplies an introduction to the volume and a comprehensive index.


Interpretation and Literature in Early Medieval China

Interpretation and Literature in Early Medieval China

Author: Alan K. L. Chan

Publisher: State University of New York Press

Published: 2010-07-01

Total Pages: 297

ISBN-13: 1438432194

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Covering a time of great intellectual ferment and great influence on what was to come, this book explores the literary and hermeneutic world of early medieval China. In addition to profound political changes, the fall of the Han dynasty allowed new currents in aesthetics, literature, interpretation, ethics, and religion to emerge during the Wei-Jin Nanbeichao period. The contributors to this volume present developments in literature and interpretation during this era from a variety of methodological perspectives, frequently highlighting issues hitherto unremarked in Western or even Chinese and Japanese scholarship. These include the rise of new literary and artistic values as the Han declined, changing patterns of patronage that helped reshape literary tastes and genres, and new developments in literary criticism. The religious changes of the period are revealed in the literary self-presentation of spiritual seekers, the influence of Daoism on motifs in poetry, and Buddhist influences on both poetry and historiography. Traditional Chinese literary figures, such as the fox and the ghost, receive fresh analysis about their particular representation during this period.


Language Change in East Asia

Language Change in East Asia

Author: Thomas E. McAuley

Publisher: Psychology Press

Published: 2000

Total Pages: 322

ISBN-13: 9780700713776

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This text adopts a wide focus on the range of East Asian languages, in both their pre-modern and modern forms, with sections on dialect studies, contact linguistics, socio-linguistics and syntax/phonology.


Love and Women in Early Chinese Fiction

Love and Women in Early Chinese Fiction

Author: Daniel Hsieh

Publisher: Chinese University Press

Published: 2008

Total Pages: 352

ISBN-13: 9789629963057

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This book focuses on how women and love are portrayed in chuanqi fiction, a genre of Chinese literature of the Tang dynasty. It argues that the emergence of "love" as a theme in Chinese literature is closely related to the historical background of the Tang dynasty.


ABC Etymological Dictionary of Old Chinese

ABC Etymological Dictionary of Old Chinese

Author: Axel Schuessler

Publisher: University of Hawaii Press

Published: 2006-12-31

Total Pages: 680

ISBN-13: 0824829751

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This is the first genuine etymological dictionary of Old Chinese written in any language. As such, it constitutes a milestone in research on the evolution of the Sinitic language group. Whereas previous studies have emphasized the structure of the Chinese characters, this pathbreaking dictionary places primary emphasis on the sounds and meanings of Sinitic roots. Based on more than three decades of intensive investigation in primary and secondary sources, this completely new dictionary places Old Chinese squarely within the Sino-Tibetan language family (including close consideration of numerous Tiberto-Burman languages), while paying due regard to other language families such as Austroasiatic, Miao-Yao (Hmong-Mien), and Kam-Tai. Designed for use by nonspecialists and specialists alike, the dictionary is highly accessible, being arranged in alphabetical order and possessed of numerous innovative lexicographical features. Each entry offers one or more possible etymologies as well as reconstructed pronunciations and other relevant data. Words that are morphologically related are grouped together into "word families" that attempt to make explicit the derivational or other etymological processes that relate them. The dictionary is preceded by a substantive and significant introduction that outlines the author’s views on the linguistic position of Chinese within Asia and details the phonological and morphological properties, to the degree they are known, of the earliest stages of the Chinese language and its ancestor. This introduction, because it both summarizes and synthesizes earlier work and makes several original contributions, functions as a useful reference work all on its own.


The Poetry of He Zhu (1052-1125)

The Poetry of He Zhu (1052-1125)

Author: Stuart Sargent

Publisher: BRILL

Published: 2007-03-31

Total Pages: 516

ISBN-13: 9047419278

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The Northern Song poet He Zhu is best known for his lyrics (ci) but also produced shi poetry of subtlety, wit, and feeling. This study examines the latter as a response to the options available to a late-eleventh century writer in the pentametrical and heptametrical forms of Ancient Verse, Regulated Verse, and Quatrains. Numerous comparisons are made with Su Shi, Huang Tingjian, Du Fu, and other important writers. In a major advance over previous methodologies, the author uses a clear system of metrical notation to show how sound patterns reveal the poet's artistic and emotional intentions. This innovation and the author's other meticulous explorations of He Zhu's artistry allow us to experience Chinese poetry as never before. From the reader's report: "not just an excellent study of an individual poet but also a model of reading the language of classical Chinese poetry. [..] opens up a world of interpretive territory heretofore seldom explored."