Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.
THE STORY: The play takes place at Carl Jung's home on a lake in Switzerland. It is Sunday afternoon, and Sigmund Freud, joining his protégé for lunch, finds him in conflict with his long-suffering wife, Emma, because of Jung's infatuation with a l
THE STORY: The action of the play takes place in the butler's pantry of Fay Leland's lavish seafront estate on Long Island. Parker, the flamboyant son of Fay's friend and neighbor, Craig (whose wife ran off with Fay's husband), has inveigled a job
THE STORIES: BITE THE HAND. The place is the back porch of an old house in a small town in South Dakota, the time the summer of 1947. Reba (in her forties) and April (in her twenties) are two women who, forced to fend for themselves when the local
THE STORY: The place is the country estate of the Islayevs, a wealth Russian family, the time the middle of the nineteenth century. It is summer, and the lives of the family and their entourage reflect the bored indolence so characteristic of the a
THE STORY: As Newsday comments: When we first come upon Zoe, there is a strange ambiance about her. She watches while a coffin is brought in by two comic and appealing young cockney assistants to Scrivens, the most dignified and comforting of und
This new edition of Southern Writers assumes its distinguished predecessor's place as the essential reference on literary artists of the American South. Broadly expanded and thoroughly revised, it boasts 604 entries-nearly double the earlier edition's-written by 264 scholars. For every figure major and minor, from the venerable and canonical to the fresh and innovative, a biographical sketch and chronological list of published works provide comprehensive, concise, up-to-date information. Here in one convenient source are the South's novelists and short story writers, poets and dramatists, memoirists and essayists, journalists, scholars, and biographers from the colonial period to the twenty-first century. What constitutes a "southern writer" is always a matter for debate. Editors Joseph M. Flora and Amber Vogel have used a generous definition that turns on having a significant connection to the region, in either a personal or literary sense. New to this volume are younger writers who have emerged in the quarter century since the dictionary's original publication, as well as older talents previously unknown or unacknowledged. For almost every writer found in the previous edition, a new biography has been commissioned. Drawn from the very best minds on southern literature and covering the full spectrum of its practitioners, Southern Writers is an indispensable reference book for anyone intrigued by the subject.
Literary histories, of course, do not have a reason for being unless there exists the literature itself. This volume, perhaps more than others of its kind, is an expression of appreciation for the talented and dedicated literary artists who ignored the odds, avoided temptations to write for popularity or prestige, and chose to write honestly about the American West, believing that experiences long knowns to be of historical importance are also experiences that need and deserve a literature of importance.
THE STORIES: TEA PARTY. As The New Yorker describes: TEA PARTY is about a middle-aged self-made business man named Sisson who engages a young secretary, marries a beautiful young second wife, and takes his new brother-in-law into his business--all