A Pilgrimage to Nejd
A Pilgrimage to Nejd

Author: Lady Anne Blunt

Publisher: e-artnow

Published: 2020-12-18

Total Pages: 433

ISBN-13:

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A Pilgrimage to Nejd, the Cradle of the Arab Race is an inspiring 2-volume historical and travel account of the journey in the Middle East based on the journals of Lady Anne Blunt edited by her husband and companion Wilfrid, first published in 1881. Nejd, in the imagination of the Bedouins of the North, is a region of romance, the cradle of their race and of their ideas of chivalry. This carefully crafted e-artnow ebook is formatted for your eReader with a functional and detailed table of contents._x000D_ "We spent a week at Damascus, a week not altogether of pleasure, although it was to be our last of civilised life. We had an immense number of things to buy and arrange and think over, before starting on so serious a journey as this, which we knew must be very unlike the pleasure trip of last year. We could not afford to leave anything to chance with the prospect of a three months' wandering, and a thousand miles of desert, where it was impossible to count upon fresh supplies even of the commonest necessaries of life. Jôf, the first station on our road, was four hundred miles off, and then we must cross the Nefûd, with its two hundred miles of sand, before we could get to Nejd. The return journey, too, to the Persian Gulf, would have to be made without coming to anything so European as a Turkish town. Nobody could tell us what supplies were to be had in Nejd, beyond dates and corn. Mr. Palgrave's account of Jebel Shammar was, in fact, the only guide we had to go on, and its accuracy had been so much doubted that we felt obliged to take into consideration the possibility of finding the Nejd towns mere oases, and their cultivation only that of the date."

A Female Poetics of Empire
A Female Poetics of Empire

Author: Julia Kuehn

Publisher: Routledge

Published: 2013-10-30

Total Pages: 266

ISBN-13: 1134663064

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Many well-known male writers produced fictions about colonial spaces and discussed the advantages of realism over romance, and vice versa, in the ‘art of fiction’ debate of the 1880s; but how did female writers contribute to colonial fiction? This volume links fictional, non-fictional and pictorial representations of a colonial otherness with the late nineteenth-century artistic concerns about representational conventions and possibilities. The author explores these texts and images through the postcolonial framework of ‘exoticism’, arguing that the epistemological dilemma of a ‘self’ encountering an ‘other’ results in the interrelated predicament to find poetic modalities – mimetic, realistic and documentary on the one hand; romantic, fantastic and picturesque on the other – that befit an ‘exotic’ representation. Thus women writers did not only participate in the making of colonial fictions but also in the late nineteenth-century artistic debate about the nature of fiction. This book maps the epistemological concerns of exoticism and of difference – self and other, home and away, familiarity and strangeness – onto the representational modes of realism and romance. The author focuses exclusively on female novelists, travel writers and painters of the turn-of-the-century exotic, and especially on neglected authors of academically under-researched genres such as the bestselling novel and the travelogue.