Elisabeth Frink (1930-93) was a leading British sculptor and printmaker whose work is distinguished by her commitment to naturalistic forms and themes. This new edition of the catalogue raisonné of her sculpture documents her complete sculptural output in a single volume for the first time, and includes new texts by a range of critics and writers.
This is an open access book. 2022 International Conference on Science Education and Art Appreciation (SEAA 2022) was held on June 24–26, 2022 in Chengdu, China. It aims to encourage exchange of information on research frontiers in different fields, connect the most advanced academic resources in China and abroad, turn research results into industrial solutions, bring together talents, technologies and capital to boost development. The purpose of the conference is to provide an international platform for experts, scholars, engineers and technicians, and technical R&D personnel engaged in related fields such as "Science Education" and "Art Appreciation" , to share scientific research results, broaden research ideas, collide with new ideas, and strengthen academic research, and to explore the key challenges and research directions faced by the development of this field, and promote the industrialization cooperation of academic achievements. Experts, scholars, business people and other relevant personnel from universities and research institutions at home and abroad are cordially invited to attend and exchange.
"Published on the occasion of the exhibition Wayne Thiebaud: 1958/1968, organized and presented by the Jan Shrem and Maria Manetti Shrem Museum of Art, January 16/May 14, 2018."--Copyright page.
This bestselling introduction to art therapy brings theory to life through case material and examples of real artwork produced during therapy sessions. Practising art therapist Dave Edwards explains key theoretical ideas - such as symbolism, play, transference and interpretation - and shows how these relate to practice. As well as providing useful information on training, employment and the role of the HPC, the book offers extra practical guidance on: - assessing clients - establishing and maintaining boundaries - ending therapy - private practice. Now even more practical and accessible, this fully updated Second Edition includes a glossary, chapter summaries and other learning features. Case studies from a variety of settings shillustrate the application of art therapy in real-life scenarios. This book offers an excellent foundation on which to build future knowledge and skills and should be on the shelf of every art therapy trainee and new practitioner. David Edwards is an experienced HCPC registered art therapist who lives and works in Sheffield, UK.
Historians and students of American avant-garde cinema often overlook the films of the 1920s through the early 1940s, considering them mere derivatives of their European counterparts. In fact, the American films possess an eclecticism, innovation, and naivete all their own. Marshaling his broad cinematic and cultural knowledge, editor Jan-Christopher Horak has compiled in Lovers of Cinema a ground-breaking group of articles on this neglected film period. With one exception, all are original to this volume, and many are the first to treat comprehensively such early filmmakers as Mary Ellen Bute, Theodore Huff, and Douglass Crockwell.
In this seasonal treasure, Newbery Medalist Susan Cooper’s beloved poem heralds the winter solstice, illuminated by Caldecott Honoree Carson Ellis’s strikingly resonant illustrations. So the shortest day came, and the year died . . . As the sun set on the shortest day of the year, early people would gather to prepare for the long night ahead. They built fires and lit candles. They played music, bringing their own light to the darkness, while wondering if the sun would ever rise again. Written for a theatrical production that has become a ritual in itself, Susan Cooper’s poem "The Shortest Day" captures the magic behind the returning of the light, the yearning for traditions that connect us with generations that have gone before — and the hope for peace that we carry into the future. Richly illustrated by Carson Ellis with a universality that spans the centuries, this beautiful book evokes the joy and community found in the ongoing mystery of life when we celebrate light, thankfulness, and festivity at a time of rebirth. Welcome Yule!
Late in his career, Claude Monet returned to London to paint the fog that had entranced him years before. The resulting sequence of pictures represents some of the fascination that French painters felt for Britain. Similarly, many British collectors and young painters embraced and were influenced by the work of the French Impressionists. This book describes the activities of the French Impressionist painters on their visits to Britain, considers the dissemination of Impressionist painting through British dealers and collectors, explores the response of artists from Britain and Ireland to the Impressionist movement, and sets all of these against the backdrop of late Victorian and Edwardian Britain. McConkey and Robins describe the work of Monet, Pissarro, Sisley, and other Impressionists working in London, showing how this art influenced the community of young British painters disenchanted with British art schools and art exhibiting standards. The authors investigate the role played by two innovative painters who were American expatriates, James McNeill Whistler and John Singer Sargent. And they explain how such artists as William Orpen, George Clausen, Stanhope Forbes, Henry La Thangue, Walter Sickert, and Philip Wilson Steer sought out new and radical approaches to picture making, formed new secessionist art societies, and articulated new concepts of the role of art, rejecting historical pageants and fashionable aestheticism and focusing on modern rural and urban conditions. The book is the catalogue of an exhibition that will be at the Barbican Art Gallery in London from January to March 1995, and then move to Dublin.