A Performing Edition and Study of the Masque of Flowers
Author: John Orian Robison
Publisher:
Published: 1972
Total Pages: 314
ISBN-13:
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Author: John Orian Robison
Publisher:
Published: 1972
Total Pages: 314
ISBN-13:
DOWNLOAD EBOOKAuthor: William John Lawrence
Publisher:
Published: 1912
Total Pages: 328
ISBN-13:
DOWNLOAD EBOOKAuthor: Thomas Campion
Publisher: London : Scolar Press
Published: 1614
Total Pages: 100
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DOWNLOAD EBOOKAuthor: Scott Wilkes Whitaker
Publisher:
Published: 1982
Total Pages: 54
ISBN-13:
DOWNLOAD EBOOKAuthor: Heather Hunter-Crawley
Publisher: Routledge
Published: 2019-01-10
Total Pages: 210
ISBN-13: 1315519836
DOWNLOAD EBOOKThis volume responds to calls in visual and material cultural studies to move beyond the visual and to explore the multi-sensory impact of the image, across a wide range of cultural and historical contexts. What does it mean to practise art history after the material and sensory turns? What is an image, if not a purely visual phenomenon, and how does it prompt non-visual sensory experiences? The multi-sensoriality of the image was a less challenging concept before the ocularcentric modern age, and so this volume brings together a global array of scholars from multiple disciplines to ask these questions of imagery in premodern or non-western contexts, ranging from Minoan palace frescoes, to Roman statues, early church sermons, tombs of Byzantine saints, museum displays of Islamic artefacts of scent, medieval depictions of the voice, and Stuart court masques. Each chapter presents a means of appreciating images beyond the visual, demonstrating the new information and understanding that consequently can be gleaned from their material. As a collection, these chapters offer the student and scholar of art history and visual culture an array of exciting new approaches that can be applied to appreciate the multi-sensoriality of images in any context, as well as prompts for reflection on future directions in the study of imagery. The Multi-Sensory Image thus illustrates that it is not only possible to explore the non-visual impact of images, but imperative.
Author: Iain Fenlon
Publisher: Cambridge University Press
Published: 1999-03-04
Total Pages: 350
ISBN-13: 9780521622424
DOWNLOAD EBOOKEarly Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seventeen include: Tropis semper variantibus: Compositional strategies in the offertories of Old Roman chant; Music, identity and the Inquisition in fifteenth-century Spain; Musical aspects of Old Testament canticles in their biblical setting.
Author:
Publisher:
Published: 1926
Total Pages: 330
ISBN-13:
DOWNLOAD EBOOKAuthor: Francis Bacon
Publisher:
Published: 1869
Total Pages: 456
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DOWNLOAD EBOOKAuthor: Kevin Curran
Publisher: Routledge
Published: 2016-05-06
Total Pages: 231
ISBN-13: 1317100239
DOWNLOAD EBOOKMarriage, Performance, and Politics at the Jacobean Court constitutes the first full-length study of Jacobean nuptial performance, a hitherto unexplored branch of early modern theater consisting of masques and entertainments performed for high-profile weddings. Scripted by such writers as Ben Jonson, Thomas Campion, George Chapman, and Francis Beaumont, these entertainments were mounted for some of the most significant political events of James's English reign. Here Kevin Curran analyzes all six of the elite weddings celebrated at the Jacobean court, reading the masques and entertainments that headlined these events alongside contemporaneously produced panegyrics, festival books, sermons, parliamentary speeches, and other sources. The study shows how, collectively, wedding entertainments turned the idea of union into a politically versatile category of national representation and offered new ways of imagining a specifically Jacobean form of national identity by doing so.