The proliferation of poets engaged in haiku continues, both in popular culture and in a more serious literary vein. A New Resonance 2 features 18 poets whose work is just becoming known on an international level of haiku, and gives each poet sufficient space to permit his or her voice to emerge. The first volume of the series, issued two years ago, won a Haiku Society of America Merit Book award for best anthology.
A New Resonance is a biennial anthology of emerging new voices in English-language haiku. This is the 11th such volume, and features 17 poets from around the world who have begun to make a name for themselves in the genre. The New Resonance community now numbers 187 poets from the past 20 years, many of whom have gone on to become leading poets, critics and teachers of haiku in English in many cultures around the globe.
What is artistic resonance and how can it be linked to one's life and one's art? This latest book of essays from legendary theatre director Anne Bogart, considers the creation of resonance in the artistic endeavour, with a focus on the performing arts. The word 'resonance' comes from the Latin meaning to 're-sound' or 'sound together'. From music to physics, resonance is a common thread that evokes a response and, in general, is understood as a quality that makes something personally meaningful and valuable. For Bogart, curiosity is a key personal quality to be nurtured throughout life and that very same curiosity, as an artist, thinker and human being. Creating pathways between performance theory, art history, neuroscience, music, architecture and the visual arts, and consistently forging new thought-paths, the writing draws upon Anne Bogart's own life and artistic journeys to illuminate potent philosophical ideas. Woven with personal anecdotes, stories and reflections, this is a book that will be of interest to any theatre artist and anyone who reflects on the power of the arts, of theatre-making and what it means to be engaged in the artistic process.
Semiannual, with semiannual and annual indexes. References to all scientific and technical literature coming from DOE, its laboratories, energy centers, and contractors. Includes all works deriving from DOE, other related government-sponsored information, and foreign nonnuclear information. Arranged under 39 categories, e.g., Biomedical sciences, basic studies; Biomedical sciences, applied studies; Health and safety; and Fusion energy. Entry gives bibliographical information and abstract. Corporate, author, subject, report number indexes.
This book is the first of its kind devoted to the key role played by light and electromagnetic radiation in the universe. Readers are introduced to philosophical hypotheses such as the economy, symmetry and the universality of natural laws, and are then guided to practical consequences such as the rules of geometrical optics and even Einstein's well-known but mysterious relationship, E = mc2. Most chapters feature a pen picture of the life and character of a relevant scientific figure. These ‘Historical Interludes’ include, among others, Galileo's conflicts with the Inquisition, Fourier's taunting of the guillotine, Neils Bohr and World War II, and the unique character of Richard Feynman.The second edition has been revised and made more accessible to the general reader. Whenever possible, the mathematical material of the first edition has been replaced by appropriate text to give a verbal account of the mystery of the phenomenon of light and how its understanding has developed from pre-historic to present times. The emphasis is on reading for interest and enjoyment; formulae or equations which underpin and reinforce the argument are presented in a form which does not interfere with the flow of the text.The book will be of interest to students and teachers, as well as general readers interested in physics.
Recent discoveries in physics, cosmology, and biochemistry have captured the public imagination and made the Design Argument - the theory that God created the world according to a specific plan - the object of renewed scientific and philosophical interest. This accessible but serious introduction to the design problem brings together new perspectives from prominent scientists and philosophers including Paul Davies, Richard Swinburne, Sir Martin Rees, Michael Behe, Elliot Sober and Peter van Inwagen. It probes the relationship between modern science and religious belief, considering their points of conflict and their many points of similarity. Is the real God of creationism the 'master clockmaker' who sets the world's mechanism on a perfectly enduring course, or a miraculous presence who continually intervenes in and alters the world we know? Are science and faith, or evolution and creation, really in conflict at all? Expanding the parameters of a lively and urgent debate, God and Design considers how perennial questions of origin continue to fascinate and disturb us.
Shortlisted, 2021 Memory Studies Association First Book Award The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. Arguing that narrative theory has been founded on an exclusion of sound, the book poses a missing counterpart to modernism’s question “who speaks?” in the hidden acoustical questions “who hears?” and “who listens?” For Napolin, the experience of reading is undergirded by the sonic. The book captures and enhances literature’s ambient sounds, sounds that are clues to heterogeneous experiences secreted within the acoustical unconscious of texts. The book invents an oblique ear, a subtle and lyrical prose style attuned to picking up sounds no longer hearable. “Resonance” opens upon a new genealogy of modernism, tracking from Joseph Conrad to his interlocutors—Sigmund Freud, Frantz Fanon, W. E. B. Du Bois, William Faulkner, and Chantal Akerman—the racialized, gendered, and colonial implications of acoustical figures that “drift” through and are transformed by narrative worlds in writing, film, and music. A major synthesis of resources gleaned from across the theoretical humanities, the book argues for “resonance” as the traversal of acoustical figures across the spaces of colonial and technological modernity, figures registering and transmitting transformations of “voice” and “sound” across languages, culture, and modalities of hearing. We have not yet sufficiently attended to relays between sound, narrative, and the unconscious that are crucial to the ideological entailments and figural strategies of transnational, transatlantic, and transpacific modernism. The breadth of the book’s engagements will make it of interest not only to students and scholars of modernist fiction and sound studies, but to anyone interested in contemporary critical theory.
This book is a Festschrift in honour of Professor Kazuko Motizuki on the occasion of her retirement from Osaka University. She has been active in a variety of branches of solid state physics and, in particular, has made an important contribution to the theory of magnetism. The book reviews recent advances in magnetism of transition metal compounds, both for itinerant electron systems and localized spin systems. For the former systems, band calculational methods, correlation effects, and theoretical aspects of photoemission spectroscopy are reviewed generally, and then recent progress in the theoretical and experimental understanding of magnetic properties of various kinds of intermetallic compounds and intercalation compounds of transition-metal dichalcogenides are reviewed in detail. For the latter systems, attention is focused on quantum effects, frustration and competing interaction in low-dimensional systems. Main subjects treated in the book are Haldane gap-systems, singlet-ground-state systems, triangular spin systems, and quantum spin chains with competing interactions.
MEMS and Nanotechnology, Volume 6: Proceedings of the 2012 Annual Conference on Experimental and Applied Mechanics represents one of seven volumes of technical papers presented at the Society for Experimental Mechanics SEM 12th International Congress & Exposition on Experimental and Applied Mechanics, held at Costa Mesa, California, June 11-14, 2012. The full set of proceedings also includes volumes on Dynamic Behavior of Materials, Challenges in Mechanics of Time-Dependent Materials and Processes in Conventional and Multifunctional Materials, Imaging Methods for Novel Materials and Challenging Applications, Experimental and Applied Mechanics, Mechanics of Biological Systems and Materials and, Composite Materials and Joining Technologies for Composites.
