A New Edition of the Hymns, Anthems, Tunes, and Ode, used at the Magdalen Chapel, set for the Organ, Pianoforte, voice, German Flute, or Guitar
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Published: 1805
Total Pages: 148
ISBN-13:
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Published: 1805
Total Pages: 148
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Published: 1790
Total Pages: 50
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Published: 1770
Total Pages: 54
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DOWNLOAD EBOOKAuthor: Nicholas Temperley
Publisher: Cambridge University Press
Published: 1979
Total Pages: 496
ISBN-13: 9780521274579
DOWNLOAD EBOOKCompanion volume (v. 2) contains examples of the music, sources and critical notes.
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Published: 1765
Total Pages: 54
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DOWNLOAD EBOOKAuthor: Nicholas Temperley
Publisher: Taylor & Francis
Published: 2023-06-14
Total Pages: 361
ISBN-13: 100094767X
DOWNLOAD EBOOKNicholas Temperley has pioneered the history of popular church music in England, as expounded in his classic 1979 study, The Music of the English Parish Church; his Hymn Tune Index of 1998; and his magisterial articles in The New Grove. This volume brings together fourteen shorter essays from various journals and symposia, both British and American, that are often hard to find and may be less familiar to many scholars and students in the field. Here we have studies of how singing in church strayed from artistic control during its neglect in the 16th and 17th centuries, how the vernacular 'fuging tune' of West Gallery choirs grew up, and how individuals like Playford, Croft, Madan, and Stainer set about raising artistic standards. There are also assessments of the part played by charity in the improvement of church music, the effect of the English organ and the reasons why it never inspired anything resembling the German organ chorale, and the origins of congregational psalm chanting in late Georgian York. Whatever the topic, Temperley takes a fresh approach based on careful research, while refusing to adopt artistic or religious preconceptions.
Author: Maggie Humphreys
Publisher: A&C Black
Published: 1997-01-01
Total Pages: 384
ISBN-13: 0720123305
DOWNLOAD EBOOKA dictionary containing 3500 biographical entries, each representing a composer whose work has been used within the worship of the church in Britain and Ireland.
Author: Leslie Ritchie
Publisher: Routledge
Published: 2017-07-05
Total Pages: 280
ISBN-13: 1351536621
DOWNLOAD EBOOKCombining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.
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Published: 1974
Total Pages: 712
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DOWNLOAD EBOOKAuthor: Edward DANIELL (Publisher.)
Publisher:
Published: 1851
Total Pages: 54
ISBN-13:
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