Murphy sees three of the six books (Proverbs, Job, and Ecclesiastes) as being technically 'wisdom literature.' The others are either love poems or historical narrative that fit well within the context of the subject presented here. In this volume previous form-critical work is carefully evaluated, and the result is a thorough-going form-critical treatment of this part of the Old Testament. The work is enhanced by bibliographies for each Old Testament book and a glossary of general terms.
Part one of a three part set of monographs on the coherence of Rabbinic Judaism in its literature: In the Rabbinic literature of late antiquity disputes and alternative interpretations of a common datum form a medium of expressing coherence. The print edition is available as a set of two volumes (9789004142312).
Narrative and Document in the Rabbinic Canon, Volume I is a study of the inclusion of biographical narratives about sages in components of the unfolding canon of Rabbinic Judaism in the formative age. These documents are of the first six centuries C.E. and are exclusive of the two Talmuds. A sage is defined here as a man who embodies the Rabbinic system. A sage-story, then, is an anecdote about the life and deeds of a Rabbinic sage. In general, a biographical narrative is the record of things done on a concrete and specific past-tense occasion by named individuals. The stories are not told as part of a sustained biographical account of those individuals' lives, birth to death. In this way, one is able to correlate the unfolding of the sage-story in the Rabbinic canonical sequence with the unfolding of the authorized biography in the counterpart-Christian one. The documentary hypothesis yields the correlation between the advent of the Christian authorized biography and the advent of the sage-story in the later documents of the Rabbinic canon. The sage-stories of the Mishnah, Tosefta, Tannaite Halakhic Midrash-compilations, and Rabbah-Midrash collections are subject to examination. The Yerushalmi and the Bavli come next, in volume II. Here, we ask what is to be learned from a documentary reading of the sage-stories as they unfolded in the canonical setting. Book jacket.
Anne Finch (nee Kingsmill), Countess of Winchilsea (1661-1720), was one of the first female English poets to be published. She was well educated as her family believed in good education for girls as well as for boys. Today, some consider her to be Englandas best female poet prior to the nineteenth century. While Finch also authored fables and plays, today she is best known for her poetry: lyric poetry, odes, love poetry and prose poetry. Later literary critics recognized the diversity of her poetic output as well as its personal and intimate style. Her works include: Miscellany Poems: On Several Occasions (1713) and Aristomenes; or, The Royal Shepherd (1713).
The canonical documents of Rabbinic Judaism impose upon most of their components fixed patterns of rhetoric, recurrent logic of coherent discourse, and a well-defined topic or program, for example, a commentary on a biblical book or on a legal topic. But some few compositions and composites of the Rabbinic canon of late antiquity diverge from the formal norms of the compilations in which they occur. In these pages, Neusner assembles anomalous compositions that occur in the Mishnah, Tosefta, four Tannaite Midrashim, and Genesis Rabbah, and he further tests the uniformity of the forms that govern in a familiar chapter of the Bavli. Neusner's surveys show for the documents probed here that some small segment of the composites and compositions of the surveyed documents does not conform to the indicative rules of rhetoric, topic, and logic. Consequently, we face the challenge of constructing models of lost documents of the Rabbinic canon, conforming to the models governing anomalous compositions. These follow other topical and rhetorical norms and therefore belong in other, different types of documents from those in which they now are located. These anomalous writings in topic, logic, or rhetoric (or all three) in theory reveal indicative characteristics other than the ones defining the compositions and composites of the documents in which they are now located.
