`A Mirror for Magistrates' in Context

`A Mirror for Magistrates' in Context

Author: Harriet Archer

Publisher: Cambridge University Press

Published: 2016-08-15

Total Pages: 273

ISBN-13: 1107104351

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The first essay collection on A Mirror for Magistrates, the most popular work of English literature in the Shakespearean age.


A Mirror for Magistrates

A Mirror for Magistrates

Author: Scott C. Lucas

Publisher: Cambridge University Press

Published: 2019-09-05

Total Pages: 484

ISBN-13: 1316998029

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Over the six decades it remained in print in Tudor and Stuart England, William Baldwin's collection of tragic verse narratives A Mirror for Magistrates captivated readers and led numerous poets and playwrights to create their own Mirror-inspired works on the fallen figures of England's past. This modernized and annotated edition of Baldwin's collection - the first such edition ever published - provides modern readers with a clear and easily accessible text of the work. It also provides much-needed scholarly elucidations of its contents and glosses of its most difficult lines and unfamiliar words. The volume permits students of early modern literature and history to view Baldwin's work in a new light, allowing them to re-assess its contents and its poems' appeal to several generations of early modern readers and authors, including William Shakespeare, Michael Drayton and Samuel Daniel.


Unperfect Histories

Unperfect Histories

Author: Harriet Archer

Publisher: Oxford University Press

Published: 2017

Total Pages: 216

ISBN-13: 0198806175

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A detailed exploration of a significant work of Tudor literature, The Mirror for Magistrates. The volume shows how the text is more than a moralistic collection of poems and how it is concerned with the transmission of national history, and the ways in which the past can be distorted, misremembered, misinterpreted, or lost.


A Mirror for Magistrates and the de Casibus Tradition

A Mirror for Magistrates and the de Casibus Tradition

Author: Paul Budra

Publisher: University of Toronto Press

Published: 2000-01-01

Total Pages: 148

ISBN-13: 9780802047175

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Situates the often neglected collection of English Renaissance narrative poems A Mirror for Magistrates in the cultural context of its production, locating it not as a primitive form of tragedy, but as the epitome of the de casibus literary tradition.


The Drama of Complaint

The Drama of Complaint

Author: Emily Shortslef

Publisher: Oxford University Press

Published: 2023-05-12

Total Pages: 233

ISBN-13: 0192694774

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The Drama of Complaint: Ethical Provocations in Shakespeare's Tragedy is the first book-length study of complaint in Shakespearean drama. Emily Shortslef makes two main arguments. One is that poetic forms of complaint—expressions of discontent and unhappiness—operate in and across the period's literary and nonliterary discourses as sites of thought about human flourishing, the subject of ethical inquiry. The other is that Shakespearean configurations of these ubiquitous forms in theatrical scenes of complaint model new ways of thinking about ethical subjectivity, or ways of desiring, acting, and living consonant with notions of the good life. The Drama of Complaint develops these interlocking arguments through five chapters that demonstrate the thinking materialized in and through five prolific forms of complaint (existential, judicial, spectral, female, and deathbed). Built around some of the most electrifying scenes in Shakespearean tragedy, each chapter is a case study that identifies and theorizes one of these forms of complaint; delineates a matrix of ethical thought that structures that form; and develops a new reading of a Shakespearean tragedy to which that form of complaint and those ethical questions are integral.


Handbook of English Renaissance Literature

Handbook of English Renaissance Literature

Author: Ingo Berensmeyer

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-10-08

Total Pages: 1003

ISBN-13: 3110436086

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This handbook of English Renaissance literature serves as a reference for both students and scholars, introducing recent debates and developments in early modern studies. Using new theoretical perspectives and methodological tools, the volume offers exemplary close readings of canonical and less well-known texts from all significant genres between c. 1480 and 1660. Its systematic chapters address questions about editing Renaissance texts, the role of translation, theatre and drama, life-writing, science, travel and migration, and women as writers, readers and patrons. The book will be of particular interest to those wishing to expand their knowledge of the early modern period beyond Shakespeare.


Early Modern English Marginalia

Early Modern English Marginalia

Author: Katherine Acheson

Publisher: Routledge

Published: 2018-12-17

Total Pages: 492

ISBN-13: 1351857258

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Marginalia in early modern and medieval texts – printed, handwrit- ten, drawn, scratched, colored, and pasted in – offer a glimpse of how people, as individuals and in groups, interacted with books and manu- scripts over often lengthy periods of time. The chapters in this volume build on earlier scholarship that established marginalia as an intellec- tual method (Grafton and Jardine), as records of reading motivated by cultural, social, theological, and personal inclinations (Brayman [Hackel] and Orgel), and as practices inspired by material affordances particular to the book and the pen (Fleming and Sherman). They further the study of the practices of marginalia as a mode – a set of ways in which material opportunities and practices overlap with intellectual, social, and personal motivations to make meaning in the world. They introduce us to a set of idiosyncratic examples such as the trace marks of objects left in books, deliberately or by accident; cut-and-pasted additions to printed volumes; a marriage depicted through shared book ownership. They reveal to us in case studies the unique value of mar- ginalia as evidence of phenomena as important and diverse as religious change, authorial self-invention, and the history of the literary canon. The chapters of this book go beyond the case study, however, and raise broad historical, cultural, and theoretical questions about the strange, marvelous, metamorphic thing we call the book, and the equally mul- tiplicitous, eccentric, and inscrutable beings who accompany them through history: readers and writers.


The Oxford History of Poetry in English

The Oxford History of Poetry in English

Author: Catherine Bates

Publisher: Oxford University Press

Published: 2022-04-29

Total Pages: 681

ISBN-13: 0198830696

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The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesises existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the volumes. Sixteenth-Century British Poetry features a history of the birth moment of modern 'English' poetry in greater detail than previous studies. It examines the literary transitions, institutional contexts, artistic practices, and literary genres within which poets compose their works. Each chapter combines an orientation to its topic and a contribution to the field. Specifically, the volume introduces a narrative about the advent of modern English poetry from Skelton to Spenser, attending to the events that underwrite the poets' achievements: Humanism; Reformation; monarchism and republicanism; colonization; print and manuscript; theatre; science; and companionate marriage. Featured are metre and form, figuration and allusiveness, and literary career, as well as a wide range of poets, from Wyatt, Surrey, and Isabella Whitney to Ralegh, Drayton, and Mary Herbert. Major works discussed include Sidney's Astrophil and Stella, Spenser's Faerie Queene, Marlowe's Hero and Leander, and Shakespeare's Sonnets.


A Cultural History of Tragedy in the Early Modern Age

A Cultural History of Tragedy in the Early Modern Age

Author: Naomi Conn Liebler

Publisher: Bloomsbury Publishing

Published: 2021-05-20

Total Pages: 224

ISBN-13: 1350155012

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In this volume, 8 lively, original essays by eminent scholars trace the kaleidoscopically shifting dramatic forms, performance contexts, and social implications of tragedy throughout the period and across geographic, political, and social references. They attend not only to the familiar cultural lenses of English and mainstream Continental dramas but also to less familiar European exempla from Croatia and Hungary. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.


Communal Justice in Shakespeare’s England

Communal Justice in Shakespeare’s England

Author: Penelope Geng

Publisher: University of Toronto Press

Published: 2021-04-07

Total Pages: 276

ISBN-13: 1487537441

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The sixteenth century was a turning point for both law and drama. Relentless professionalization of the common law set off a cascade of lawyerly self-fashioning – resulting in blunt attacks on lay judgment. English playwrights, including Shakespeare, resisted the forces of legal professionalization by casting legal expertise as a detriment to moral feeling. They celebrated the ability of individuals, guided by conscience and working alongside members of their community, to restore justice. Playwrights used the participatory nature of drama to deepen public understanding of and respect for communal justice. In plays such as King Lear and Macbeth, lay people accomplish the work of magistracy: conscience structures legal judgment, neighbourly care shapes the coroner’s inquest, and communal emotions give meaning to confession and repentance. An original and deeply sourced study of early modern literature and law, Communal Justice in Shakespeare’s England contributes to a growing body of scholarship devoted to the study of how drama creates and sustains community. Penelope Geng brings together a wealth of imaginative and documentary archives – including plays, sermons, conscience literature, Protestant hagiographies, legal manuals, and medieval and early modern chronicles – proving that literature never simply reacts to legal events but always actively invents legal questions, establishes legal expectations, and shapes legal norms.