With more than 50 inquiry-based and child-centered activities and exercises, A Little Drama will help teachers (including those with no theater experience of their own) develop the body, voice, mind, and heart of young children. Use these activities to help children navigate daily transitions, to calm children when it’s time to quiet, and to develop children’s creativity, sense of self, and social-emotional, physical, and literacy skills (and have a lot of fun along the way).
This early work by Aleister Crowley was originally published in 1898. Born in Royal Leamington Spa, England in 1875, Crowley was raised by Christian fundamentalist parents. He attended Trinity College at Cambridge University, but left before graduating. After leaving the college, he devoted his time to studying the occult, and travelled extensively throughout the world in persuit of its secret knowledge. He went on to become a prolific writer, producing essays, prose and poetry on a wide range of subjects. To this day he remains a highly influential figure, both in occult circles and popular culture. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions.
In the story No More Miss Little Mama Drama, Jayla, the ringleader of the Spring Hill Girls, seems to always cause trouble for those around her. At the beginning of the new school year, she is ready to terrorize any new victim who stands in her way. On the first day of school, in the cafeteria, Miss Allen, the school counselor, observed Jayla and her girls bullying Samantha. Miss Allen has had enough of Jaylas drama and is determined to bring a positive end to it by transferring her to Miss Galens all-girls classroom. Read how Jaylas new experience changes her life and attitude for the better.
Llama Llama holidays. Jingle music. Lights ablaze. How long till that special date? Llama Llama has to wait. If there's one thing Llama Llama doesn't like, it's waiting. He and Mama Llama rush around, shopping for presents, baking cookies, decorating the tree . . . but how long is it until Christmas? Will it ever come? Finally, Llama Llama just can't wait any more! It takes a cuddle from Mama Llama to remind him that "Gifts are nice, but there's another: The true gift is, we have each other."
From Raina Telgemeier, the #1 New York Times bestselling, multiple Eisner Award-winning author of Smile and Sisters! Callie loves theater. And while she would totally try out for her middle school's production of Moon over Mississippi, she can't really sing. Instead she's the set designer for the drama department's stage crew, and this year she's determined to create a set worthy of Broadway on a middle-school budget. But how can she, when she doesn't know much about carpentry, ticket sales are down, and the crew members are having trouble working together? Not to mention the onstage AND offstage drama that occurs once the actors are chosen. And when two cute brothers enter the picture, things get even crazier!
Describes the character types of a number of men who compete for the love of one woman. One of her primary admirers is a scientist, and a major theme is the tension between the administration of reason-based science and human emotional life. Pidmohylny, a member of the literary group "The Link," wrote short stories and novels on existentialist themes. His last novel, A Little Touch of Drama, published in 1930, shows the influence of French writers such as Guy de Maupassant. In his earlier works he experimented with impressionistic psychological stories and with literary expressionism. Although he was not politically involved, he was arrested and eventually perished in a concentration camp.
In this riveting and surprising personal history, John Lithgow shares a backstage view of his own struggle, crisis, and discovery, revealing the early life and career that took place out of the public eye and before he became a nationally known star. Above all, Lithgow’s memoir is a tribute to his most important influence: his father, Arthur Lithgow, who, as an actor, director, producer, and great lover of Shakespeare, brought theater to John’s boyhood. From bedtime stories to Arthur’s illustrious productions, performance and storytelling were constant and cherished parts of family life. Drama tells of the Lithgows’ countless moves between Arthur’s gigs—John attended eight secondary schools before flourishing onstage at Harvard—and details with poignancy and sharp recollection the moments that introduced a budding young actor to the undeniable power of theater. Before Lithgow gained fame with the film The World According to Garp and the television show 3rd Rock from the Sun, his early years were full of scenes both hilarious and bittersweet. A shrewd acting performance saved him from duty in Vietnam. His involvement with a Broadway costar brought an end to his early first marriage. The theater worlds of New York and London come alive as Lithgow relives his collaborations with renowned performers and directors, including Mike Nichols, Bob Fosse, Liv Ullmann, and Meryl Streep. His ruminations on the nature of theater, film acting, and storytelling cut to the heart of why actors are driven to perform, and why people are driven to watch them do it. Lithgow’s memory is clear and his wit sharp, and much of the humor that runs throughout Drama comes at his own expense. But he also chronicles the harrowing moments of his past, reflecting with moving candor on friends made and lost, mistakes large and small, and the powerful love of a father who set him on the road to a life onstage. Illuminating, funny, affecting, and thoroughly engrossing, Drama raises the curtain on the making of one of our most beloved actors.
This “rare and compelling” (New York Magazine) bestseller examines childhood trauma and the enduring effects it has on an individual's management of repressed anger and pain. Why are many of the most successful people plagued by feelings of emptiness and alienation? This wise and profound book has provided millions of readers with an answer--and has helped them to apply it to their own lives. Far too many of us had to learn as children to hide our own feelings, needs, and memories skillfully in order to meet our parents' expectations and win their "love." Alice Miller writes, "When I used the word 'gifted' in the title, I had in mind neither children who receive high grades in school nor children talented in a special way. I simply meant all of us who have survived an abusive childhood thanks to an ability to adapt even to unspeakable cruelty by becoming numb.... Without this 'gift' offered us by nature, we would not have survived." But merely surviving is not enough. The Drama of the Gifted Child helps us to reclaim our life by discovering our own crucial needs and our own truth.
