Historical Dictionary of Japanese Traditional Theatre
Historical Dictionary of Japanese Traditional Theatre

Author: Samuel L. Leiter

Publisher: Rowman & Littlefield

Published: 2014-10-30

Total Pages: 816

ISBN-13: 1442239115

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Historical Dictionary of Japanese Traditional Theatre is the only dictionary that offers detailed comprehensive coverage of the most important terms, people, and plays in the four principal traditional Japanese theatrical forms—nō, kyōgen, bunraku, and kabuki—supplemented with individual historical essays on each form. This updated edition adds well over 200 plot summaries representing each theatrical form in addition to: a chronology; introductory essay; appendixes; an extensive bibliography; over 1500 cross-referenced entries on important terms; brief biographies of the leading artists and writers; and plot summaries of significant plays. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Japanese theatre.

The Great Unknown
The Great Unknown

Author: Greg Robinson

Publisher: University Press of Colorado

Published: 2016-09-01

Total Pages: 346

ISBN-13: 1607324296

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In TheGreat Unknown, award-winning historian and journalist Greg Robinson offers a fascinating and compulsively readable collection of biographical portraits of extraordinary but unheralded figures in Japanese American history: men and women who made remarkable contributions in the arts, literature, law, sports, and other fields. Recovering and celebrating the stories of noteworthy Issei and Nisei and of their supporters, TheGreat Unknown provides powerful evidence of the diverse experiences and substantial cultural, political, and intellectual contributions of Nikkei throughout the country and over multiple decades. What is more, The Great Unknown reshapes our understanding of the Asian American experience. By focusing attention on exceptional figures who deviated from social norms, Robinson subverts stereotypes of ethnic Japanese and other Asians as conformist or colorless. The collection also highlights a set of recurring themes absent from conventional histories—including the lives of Japanese Americans outside the West Coast, the role of women in shaping community life, encounters between Japanese American and African American communities during the struggle for civil rights, and the evolving status of queer community members.

The Japanese Theatre
The Japanese Theatre

Author: Benito Ortolani

Publisher: Princeton University Press

Published: 1995-03-09

Total Pages: 432

ISBN-13: 9780691043333

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From ancient ritualistic practices to modern dance theatre, this study provides concise summaries of all major theatrical art forms in Japan. It situates each genre in its particular social and cultural contexts, describing in detail staging, costumes, repertory and noteworthy actors.

Identity and Theatre Translation in Hong Kong
Identity and Theatre Translation in Hong Kong

Author: Shelby Kar-yan Chan

Publisher: Springer

Published: 2015-04-14

Total Pages: 238

ISBN-13: 3662455412

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In this book, Shelby Chan examines the relationship between theatre translation and identity construction against the sociocultural background that has led to the popularity of translated theatre in Hong Kong. A statistical analysis of the development of translated theatre is presented, establishing a correlation between its popularity and major socio-political trends. When the idea of home, often assumed to be the basis for identity, becomes blurred for historical, political and sociocultural reasons, people may come to feel "homeless" and compelled to look for alternative means to develop the Self. In theatre translation, Hongkongers have found a source of inspiration to nurture their identity and expand their "home" territory. By exploring the translation strategies of various theatre practitioners in Hong Kong, the book also analyses a number of foreign plays and their stage renditions. The focus is not only on the textual and discursive transfers but also on the different ways in which the people of Hong Kong perceive their identity in the performances.