Margaret Starbird’s theological beliefs were profoundly shaken when she read Holy Blood, Holy Grail, a book that dared to suggest that Jesus Christ was married to Mary Magdalen and that their descendants carried on his holy bloodline in Western Europe. Shocked by such heresy, this Roman Catholic scholar set out to refute it, but instead found new and compelling evidence for the existence of the bride of Jesus--the same enigmatic woman who anointed him with precious unguent from her “alabaster jar.” In this provocative book, Starbird draws her conclusions from an extensive study of history, heraldry, symbolism, medieval art, mythology, psychology, and the Bible itself. The Woman with the Alabaster Jar is a quest for the forgotten feminine--in the hope that its return will help restore a healthy balance to planet Earth.
The Alabaster Box is not a devotional book containing a series of entries designed to inspire the Christian reader with an uplift ing story or thought for the day. It is, as the subtitle suggests, a years worth of worship activities; the implementation of which will require some intensive mental exercise. It is not the book for those wanting a feel-good read. Nor is it for those unwilling or not yet ready to accept a challenge to their typical weekly worship experience. The Alabaster Box is a guidebook for the followers of Christ who long to take their worship of Him to a deeper place than they have ever gone. The objective is that at the end of the years adventures, the reader emerges forever changed. The aroma of the perfume could not be recaptured and returned to the alabaster box broken by the devotee of Jesus day once it had been released. In the same way, no disciple who worships Him today in an extraordinary manner should ever be content to offer anything less thereafter. Nor should he or she be able to view certain aspects of the Christian experience in a simplistic manner after having viewed them through the broken pieces of the alabaster box. All of the followers of Christ need help with their worship and daily walk with Him. Marla Cross provided a tool with this worship guide for each week of the year to assist us with this challenge. She is a creative person and writer who is using these God-given gifts for His glory. Dr. Paul Dixon Chancellor, Cedarville University
Beloved preacher and writer Anna Carter Florence brings winsome insight to an array of characters and stories in the Bible—some celebrated and some overlooked. From courageous Abigail to Zelophehad’s daughters, and from an alabaster jar of ointment to Zacchaeus in the sycamore tree, Florence takes readers on an enchanting tour of the Old and New Testaments with reflections that reveal ancient wisdom and spark imagination anew.
The Alabaster Jar is a collection of prose and poetry written over the last few years. It is meant to inspire all those interested in deepening their intimate relationship with God. This book is intended for prayer and meditation. It can be picked up at any time and prayed in any order. It is filled with insights and enlightenment that can be integrated into your personal prayer. The writings were not written to be published, but with encouragement it was clear they could provide means of traveling with others through their spiritual journeys, something that gives me great joy.
An Alabaster Box This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
