After years as the star of kids’ TV show Half Pint Detective, Sofia Salgado has had enough. Desperate to build a life outside showbiz, she quits acting to do something that everyone around her– including her family – thinks is plain nuts. Get a real job. They think she’s even crazier when she announces that she’s going to become a real detective, instead of playing one on TV. She’s convinced the technical consultant from her TV show, Brendan Maloney, to take her on in his detective agency, but can accident-prone Sofia hack it? What READERS say: "If you want to curl up with a book you can't put down and laugh this is the book for you." "Gives Janet Evanovich's Stephanie Plum a run for her money." "A fun read. I love the main character. She is smart, quirky and funny. I love women who can hold their own." "If you're looking for a lead character who is likable but also kicks some serious butt, you found her!" "I love FUN mysteries and "A" Is For Actress is just that!!! I could not put it down! Great read!!! :-)" " Fast and funny. Loved it."
"It's an incredible honor to be included in this amazing book of the greatest talent the Broadway stage has ever known!" —AUDRA McDONALD, six-time Tony Award-winning actress From Audra McDonald to Liza with a "Z," here is a showstopping alphabet book featuring your favorite leading ladies of the Broadway stage! Step into the spotlight and celebrate a cavalcade of Broadway's legendary ladies. Start with "A" for six-time Tony Award winner Audra McDonald, then sing and dance your way through the alphabet with beloved entertainers like Patti LuPone, Bernadette Peters, Chita Rivera, Lea Salonga, Kristin Chenoweth, Kelli O'Hara, and Liza Minnelli! Broadway fans and theater lovers everywhere will give a standing ovation to this one-of-a-kind tribute full of toe-tapping rhymes, with illustrations as bright and beautiful as the shining lights on any marquee. AND DON'T MISS THE SEQUEL COMING IN OCTOBER: B IS FOR BROADWAY: ONSTAGE AND BACKSTAGE FROM A TO Z! THE RAVE REVIEWS ARE IN FROM THE STARS THEMSELVES! A wonderful, enriching, enlightening book for theater lovers of all ages . . . and all that jazz!" —CHITA RIVERA, two-time Tony Award-winning actress (The Rink, Kiss of the Spider Woman) "A to Z—awesome to zany—I'm thrilled to be a part of such an illustrious group." —CHRISTINE EBERSOLE, two-time Tony Award-winning actress (42nd Street, Grey Gardens) "I'm so honored to be included among these fierce ladies—brought to life with such fun illustrations—in this wonderful book for little divas like my own!" —LEA SALONGA, Tony Award-winning actress (Miss Saigon) "A is for Audra turns the alphabet song into a show stopper! It is literally a love letter to Broadway's leading ladies, and I am so honored to be memorialized alongside all of my sisters!" —RENÉE ELISE GOLDSBERRY, Tony Award-winning actress (Hamilton) "I'm honored to be included in this illustrious group. A to Z, they are all incredible!" —KRISTIN CHENOWETH, Tony Award-winning actress (You're a Good Man, Charlie Brown) "What a fun and fabulous celebration of the females of Broadway! Imagine my joy just to be a part of it!" —KELLI O’HARA, Tony Award-winning actress (The King and I) “H is also for honored—because that’s what I am to be included in this beautiful book. I can’t wait to show my kids and tell them of all the brilliant leading ladies who have graced the Broadway stage.” —HEATHER HEADLEY, Tony Award–winning actress (Aida) AND CRITICS LOVE IT TOO! "Women of the Broadway theater take center stage in this loving homage. . . . A lively introduction to a whole new cast of heroines."—Kirkus "this is a book all kids (and many adults) will enjoy as they learn about and fall in love with the theatre."—Playbill.com "A true necessity for any kid’s bookshelf."—Entertainment Weekly “a thorough, eye-catching introduction to women of the theater. . . . budding theater lovers will get a thrill.”—Booklist "A sure hit for thespians of all ages."—School Library Journal "Emmerich’s flattering caricatures, paired with [Allman’s] verse, are colorful and slick, bringing Broadway’s drama to the page”—Publishers Weekly
Roll up your pant legs and bare your feet, there are barrels of grapes to crush in this hilarious fourth installment of the Malibu mystery series. Maloney Investigation's new client? An eccentric vineyard owner convinced his even more eccentric neighbor is siphoning off his precious water. But of course it's not as simple as that. Or as dignified. Sofia and Aidan soon find out these Merlot messiahs are turning water into wacky, plowing more than fields, and sowing more than grapes. But there's no putting the cork back in when the opposing vintner turns up naked and face down in a trough of sour grapes. Can Sofia and Aidan clear their client and unmask the killer? Or will they, too, perish in the Pinot Noir?
Former child star Sofia Salgado is finally finding her feet as a trainee investigator at Maloney Investigations when they are drafted in to help thirteen-year-old Daniel find his birth father. There’s only one snag. According to Daniel’s mom, former Hollywood party girl, Candy, there’s more than one candidate...a lot more! Readers say: "If you want to curl up with a book you can't put down and laugh this is the book for you." "Gives Janet Evanovich's Stephanie Plum a run for her money." "A fun read. I love the main character. She is smart, quirky and funny. I love women who can hold their own." "If you're looking for a lead character who is likable but also kicks some serious butt, you found her!"
From New York Times bestseller Rebecca Cantrell and Sean Black comes the sequel to "A" is for Actress and another fast-paced, funny novel that's perfect for fans of Janet Evanovich. Maloney Investigation's newest private detective, Sofia Salgado, is back on the case that turns into her mother's worst nightmare when she ends up undercover in one of Malibu's many rehab clinics—complete with pictures and an offer to star in a reality TV show. But the clinic isn’t a safe place. If Sofia doesn't solve the find out who killed an up an coming rock star soon, she and all the bad girls she meets inside, including rock star Brandi Basher and reality TV train wreck Monaco Jane, might just end up going to the big rehab center in the sky.
Gail Marshall argues that the professional and personal history of the Victorian actress was largely defined by her negotiation with the sculptural metaphor, and that this was authorized and determined by the Ovidian myth of Pygmalion and Galatea. Drawing on evidence of theatrical fictions, visual representations and popular culture's assimilation of the sculptural image, as well as theatrical productions, she examines some of the manifestations of the sculptural metaphor on the legitimate English stage, and its implications for the actress in the later nineteenth century. Within the legitimate theatre, the 'Galatea-aesthetic' positioned actresses as predominantly visual and sexual commodities whose opportunities for interpretative engagement with their plays were minimal. This dominant aesthetic was effectively challenged only at the end of the century, with the advent of the 'New' drama, and the emergence of a body of autobiographical writings by actresses.
A major renaissance in Japanese theater occurred in the 1960s. During this period, the implications of Japan's prewar actions as well as its postwar materialistic course were interrogated with fierce intensity. Nowhere was the depth and dynamism of this cultural questioning more clearly expressed than in theater. Fueling the explosion of seminal theater activity that took place was the generation of young artists who are the focus of Alternative Japanese Drama.Foreword by J. Thomas Rimer
This anthology is the first to survey the full range of modern Japanese drama and make available JapanÕs best and most representative twentieth- and early-twenty-first-century works in one volume. Divided into six chronological sections: ÒThe Age of Taisho DramaÓ; The Tsukiji Tsukiji Little Theater and Its AftermathÓ; ÒWartime and Postwar DramaÓ; ÒThe 1960s and Underground TheaterÓ; ÒThe 1980s and BeyondÓ; and ÒPopular Theater,Ó the collection opens with a comprehensive introduction to Meiji period drama and provides an informal yet complete history of twentieth-century Japanese theater for students, scholars, instructors, and dramatists. The collection features a mix of original and previously published translations of works, among them plays by such writers as Masamune Hakucho (The Couple Next Door), Enchi Fumiko (Restless Night in Late Spring), Abe Kobo (The Man Who Turned into a Stick), Morimoto Kaoru (A WomanÕs Life), Kara Juro (Two Women), Terayama Shuji (Poison Boy), Noda Hideki (Poems for Sale), and Mishima Yukio (The Sardine SellerÕs Net of Love). Leading translators include Donald Keene, J. Thomas Rimer, Mitsuyra Mori, M. Cody Poulton, John Gillespie, Mari Boyd, and Brian Powell. Each section features an introduction to the developments and character of the period, notes on the playsÕ productions, and photographs of their stage performances. The volume complements any course on modern Japanese literature and any study of modern drama in China, Korea, or other Asian or contemporary Western nation.
