A History of Visual Communication
Author: Josef Müller-Brockmann
Publisher:
Published: 1981-01
Total Pages: 334
ISBN-13: 9780803830592
DOWNLOAD EBOOKRead and Download eBook Full
Author: Josef Müller-Brockmann
Publisher:
Published: 1981-01
Total Pages: 334
ISBN-13: 9780803830592
DOWNLOAD EBOOKAuthor: Josef Müller-Brockmann
Publisher:
Published: 1971
Total Pages: 334
ISBN-13:
DOWNLOAD EBOOKAuthor: Josef Müller-Brockmann
Publisher:
Published: 1986
Total Pages: 176
ISBN-13:
DOWNLOAD EBOOKThis book is a sequence of images that refers to the richness of visual communication. The partly new designed and revised publication was supplemented by one additional chapter. The book establishes a reference to the past through contemporary works and the most recent technical means, too. The author consciously concentrates on his special subject and interest: straightforward, informative advertising, experimental works that influence our way of thinking, and large artistic works that influence the formation of style.
Author: David Craddock
Publisher: Seaforth Publishing
Published: 2021-01-30
Total Pages: 318
ISBN-13: 1526784831
DOWNLOAD EBOOKA colorful history of visual signalling methods used at sea, from AD 900 to today. What Ship, Where Bound? takes its title from the familiar opening exchange of signals between passing ships, and celebrates the long history of visual communications at sea. It traces the visual language of signalling from the earliest naval banners or streamers used by the Byzantines in AD 900 through to morse signalling still used at sea today. The three sections, Flag Signalling, Semaphore, and Light Signalling each trace the development of the respective methods in meeting the needs of commanders for secure and unambiguous communication with their fleets. Though inextricably linked to naval tactics and fleet manoeuvres, the history of signalling at sea also reflects the exponential growth in global maritime trade in the nineteenth century when dozens of competing systems vied for the attention of ship owners and led to a huge proliferation of codes. By setting each method in the context of its time, the book explores their practical use, successes and shortcomings and, particularly in the case of signal flags – though by no means exclusively so – their place in our visual, cultural and maritime heritage. Covering a wide spectrum of visual signalling methods from false fire, through shapes, furled sails and coloured flags to experiments in high speed text messaging by signal lamp, the book also examines the complex interrelation between all three methods under battle conditions. A detailed analysis of visual signal exchanges before and during the Battle of Jutland reveals both the success and ultimate limitations on flag signalling at the limits of visibility. Extensively and beautifully illustrated, the book will appeal to present and former mariners familiar with the signals, all those with an interest in naval and maritime history, with particular emphasis on late eighteenth-century signalling practice, artists and ship modellers, graphic designers and all those involved in visual communications today. “A brief but colorful history of the signaling at sea and ashore, with much emphasis on the use of flags, semaphore, and telegraph in the age of sail, and how these have evolved through the ages. . . . A fascinating addition to the literature of the sea.” —Warships: International Fleet Review
Author: William M. Ivins, Jr.
Publisher: MIT Press
Published: 1969-07-15
Total Pages: 300
ISBN-13: 9780262590020
DOWNLOAD EBOOKThe sophistication of the photographic process has had two dramatic results—freeing the artist from the confines of journalistic reproductions and freeing the scientist from the unavoidable imprecision of the artist's prints. So released, both have prospered and produced their impressive nineteenth- and twentieth-century outputs. It is this premise that William M. Ivins, Jr., elaborates in Prints and Visual Communication, a history of printmaking from the crudest wood block, through engraving and lithography, to Talbot's discovery of the negative-positive photographic process and its far reaching consequences.
Author: Josef Müller-Brockmann
Publisher:
Published: 1988
Total Pages: 168
ISBN-13:
DOWNLOAD EBOOKAuthor: Mark Edwards
Publisher: Lid Publishing
Published: 2015-06-24
Total Pages: 0
ISBN-13: 9781907794940
DOWNLOAD EBOOKA unique and practical guide to making high-impact presentations by using visual communications techniques.
Author: Michael Friendly
Publisher: Harvard University Press
Published: 2021-06-08
Total Pages: 337
ISBN-13: 0674259041
DOWNLOAD EBOOKA comprehensive history of data visualization—its origins, rise, and effects on the ways we think about and solve problems. With complex information everywhere, graphics have become indispensable to our daily lives. Navigation apps show real-time, interactive traffic data. A color-coded map of exit polls details election balloting down to the county level. Charts communicate stock market trends, government spending, and the dangers of epidemics. A History of Data Visualization and Graphic Communication tells the story of how graphics left the exclusive confines of scientific research and became ubiquitous. As data visualization spread, it changed the way we think. Michael Friendly and Howard Wainer take us back to the beginnings of graphic communication in the mid-seventeenth century, when the Dutch cartographer Michael Florent van Langren created the first chart of statistical data, which showed estimates of the distance from Rome to Toledo. By 1786 William Playfair had invented the line graph and bar chart to explain trade imports and exports. In the nineteenth century, the “golden age” of data display, graphics found new uses in tracking disease outbreaks and understanding social issues. Friendly and Wainer make the case that the explosion in graphical communication both reinforced and was advanced by a cognitive revolution: visual thinking. Across disciplines, people realized that information could be conveyed more effectively by visual displays than by words or tables of numbers. Through stories and illustrations, A History of Data Visualization and Graphic Communication details the 400-year evolution of an intellectual framework that has become essential to both science and society at large.
Author: James McElvenny
Publisher: Language Science Press
Published:
Total Pages:
ISBN-13: 3961103216
DOWNLOAD EBOOKA central pillar of contemporary communication research is the analysis of filmed interactions between people. The techniques employed in such analysis first took on a recognizably modern form in the 1970s, but their roots go back to the earliest days of motion picture technology in the late nineteenth century. This book presents original essays accompanied by written responses which together create a dialogue exploring early efforts at audio-visual sequence analysis and their common goal to capture the "whole" of the communicative situation. The first three chapters of this volume look at the film-based research of Gestalt psychologists in Berlin as well as psychologists in the orbit of Karl and Charlotte Bühler in Vienna in the first decades of the twentieth century. Most of these figures – along with many other Central European scholars of this era – were driven into exile in the United States after the rise of National Socialism in the 1930s. This scientific migration led to the cross-pollination of communication studies in America, an outcome visible in the leading project in interaction research of the mid-twentieth century, the Natural History of an Interview. The following two chapters examine this project in its historical context. The volume closes with a critical edition of a treasure from the archives: the transcript of a speech delivered by Ray Birdwhistell, a key participant in the Natural History of an Interview project and founder of kinesics.
Author: David Machin
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2014-04-30
Total Pages: 705
ISBN-13: 3110370522
DOWNLOAD EBOOKThe primary goal of the volume on "Visual Communication" is to provide a collection of high quality, accessible papers that offer an overview of the different academic approaches to Visual Communication, the different theoretical perspectives on which they are based, the methods of analysis used and the different media and genre that have come under analysis. There is no such existing volume that draws together this range of closely related material generally found in much less related areas of research, including semiotics, art history, design, and new media theory. The volume has a total of 34 individual chapters that are organized into two sections: theories and methods, and areas of visual analysis. The chapters are all written by quality theorists and researchers, with a view that the research should be accessible to non-specialists in their own field while at the same time maintaining a high quality of work. The volume contains an introduction, which plots and locates the different approaches contained in it within broader developments and history of approaches to visual communication across different disciplines as each has attempted to define its terrain sometimes through unique concepts and methods sometimes through those borrowed and modified from others.