This book is divided into two main parts: ‘The Tanbûr Tradition’ discusses the origin, history, construction and playing techniques of tanbûrs; ‘The Tanbûr Family’ focusses on long-necked lutes as a family of musical instruments. After a short introduction, the construction, playing technique, and musical traditions are discussed.
Tamburitza America is the story of an Old-World music tradition, the tamburitza of the South Slavs, which came to America with the immigrants in the late 1800s and early 1900s. It has flourished through several American-born generations.Milan Opacich documents the history of the instrument and features the fine musicians and orchestras and their major contributions both to tamburitza and to American music.Other traditional instrumentsthe flute or frula, the bagpipes or gajde, and the gusleare spotlighted along with the violin, a relative newcomer to tamburitza but an integral part of many popular orchestras.Tamburitza America is also a historic journey through America to the origins of the tamburitza tradition in the countrys in-dustrial towns where work once revolved around mines, mills, and factories. It recalls the vibrant communities where tambur-itza music was heard, first in the boarding houses, pool halls, and saloons and, later, in the taverns, church halls, night clubs, restaurants, and ballrooms.Today, musicians and fans gather throughout the country to hear the bright and happy sound of the tamburitza. Tamburitza America celebrates this rich musical heritage of the South Slavs in America.
The saz or bağlama, a generic name for long-necked lutes in Turkey, plays an important role in Turkish musical culture. This volume focusses on the instrument's cultural-historical background while briefly discussing various saz or bağlama types and their construction, tuning, and playing techniques.
The Tamburitza Tradition is a lively and well-illustrated comprehensive introduction to a Balkan folk music that now also thrives in communities throughout Europe, the Americas, and Australia. Tamburitza features acoustic stringed instruments, ranging in size from tamburas as small as a ukulele to ones as large as a bass viol. Folklorist Richard March documents the centuries-old origins and development of the tradition, including its intertwining with nationalist and ethnic symbolism. The music survived the complex politics of nineteenth-century Europe but remains a point of contention today. In Croatia, tamburitza is strongly associated with national identity and supported by an artistic and educational infrastructure. Serbia is proud of its outstanding performers and composers who have influenced tamburitza bands on four continents. In the United States, tamburitza was brought by Balkan immigrants in the nineteenth century and has become a flourishing American ethnic music with its own set of representational politics. Combining historical research with in-depth interviews and extensive participant-observer description, The Tamburitza Tradition reveals a dynamic and expressive music tradition on both sides of the Atlantic and beyond, illuminating the cultures and societies from which it has emerged.
Contains over 500 articles Ranging over foodways and folksongs, quiltmaking and computer lore, Pecos Bill, Butch Cassidy, and Elvis sightings, more than 500 articles spotlight folk literature, music, and crafts; sports and holidays; tall tales and legendary figures; genres and forms; scholarly approaches and theories; regions and ethnic groups; performers and collectors; writers and scholars; religious beliefs and practices. The alphabetically arranged entries vary from concise definitions to detailed surveys, each accompanied by a brief, up-to-date bibliography. Special features *More than 2000 contributors *Over 500 articles spotlight folk literature, music, crafts, and more *Alphabetically arranged *Entries accompanied by up-to-date bibliographies *Edited by America's best-known folklore authority
The Garland Encyclopedia of World Music is a ten-volume reference work, organized geographically by continent to represent the musics of the world in nine volumes. The tenth volume houses reference tools and descriptive information about the encyclopedia’s structure, criteria for inclusion and other information specific to the field of ethnomusicology. An award-winning reference, its contributions are from top researchers around the world who were active in fieldwork and from key institutions with programs in ethnomusicology. GEWM has become a familiar acronym, and it remains highly revered for its scholarship, uncontested in being the sole encompassing reference work with a broad survey of world music. More than 9,000 pages, with musical illustrations, photographs and drawings, it is accompanied by 300+ audio examples.
This useful bibliography includes books, dissertations, scholarly articles in journals and Festschrifts, and some encyclopedia articlesalmost all published in English since 1900, with emphasis on recently published items. Annotations are succinct and helpful. Short essays introduce each section of the book, allowing Miller to defend his inclusion of topics like "the singing school'' and "the folk revival.'' The listing includes works on numerous ethnic musics, in addition to the literature on Anglo, black, and Indian music. There are both subject and author indexes.
