A History of Russian Literature
Author: Dimitri-Petrovic Svyatopolk-Mirsky (prince)
Publisher: Taylor & Francis
Published: 1949
Total Pages: 518
ISBN-13:
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A History of Russian Literature from Its Beginnings to 1900
Author: Prince D. S. Mirsky
Publisher: Northwestern University Press
Published: 1999
Total Pages: 418
ISBN-13: 9780810116795
DOWNLOAD EBOOK"Russian literature has always been inseparably linked to Russian history. D. S. Mirsky, in dealing with this fact, constantly keeps in mind the ever-colorful and ever-changing aspects of the one in discussing the other. Mirsky's book is essential reading for anyone interested in Russian literature. A History of Russian Literature: From its Beginnings to 1900 contains all of the author's History of Russian Literature and the first two chapters of his Contemporary Russian Literature."--BOOK JACKET.
The Portable Nineteenth-Century Russian Reader
Author: Various
Publisher: Penguin
Published: 1993-08-01
Total Pages: 673
ISBN-13: 0140151036
DOWNLOAD EBOOKThe Portable Nineteenth-Century Russian Reader magnificently represents the great voices of this era. It includes such masterworks of world literature as Pushkin's poem "The Bronze Horseman"; Gogol's "The Overcoat"; Turgenev's novel First Love; Chekhov's Uncle Vanya; Tolstoy's The Death of Ivan Ilych; and "The Grand Inquisitor" episode from Dostoyevsky's The Brothers Karamazov; plus poetry, plays, short stories, novel excerpts, and essays by such writers as Griboyedov, Pavlova, Herzen, Goncharov, Saltykov-Shchedrin, and Maksim Gorky. Distinguished scholar George Gibian provides an introduction, chronology, biographical essays, and a bibliography.
The Cambridge Introduction to Russian Literature
Author: Caryl Emerson
Publisher: Cambridge University Press
Published: 2008-07-10
Total Pages: 308
ISBN-13: 1139471686
DOWNLOAD EBOOKRussian literature arrived late on the European scene. Within several generations, its great novelists had shocked - and then conquered - the world. In this introduction to the rich and vibrant Russian tradition, Caryl Emerson weaves a narrative of recurring themes and fascinations across several centuries. Beginning with traditional Russian narratives (saints' lives, folk tales, epic and rogue narratives), the book moves through literary history chronologically and thematically, juxtaposing literary texts from each major period. Detailed attention is given to canonical writers including Pushkin, Gogol, Dostoevsky, Tolstoy, Chekhov, Bulgakov and Solzhenitsyn, as well as to some current bestsellers from the post-Communist period. Fully accessible to students and readers with no knowledge of Russian, the volume includes a glossary and pronunciation guide of key Russian terms as well as a list of useful secondary works. The book will be of great interest to students of Russian as well as of comparative literature.
The Image of Christ in Russian Literature
Author: John Givens
Publisher: Northern Illinois University Press
Published: 2018-05-29
Total Pages: 289
ISBN-13: 1501757792
DOWNLOAD EBOOKVladimir Nabokov complained about the number of Dostoevsky's characters "sinning their way to Jesus." In truth, Christ is an elusive figure not only in Dostoevsky's novels, but in Russian literature as a whole. The rise of the historical critical method of biblical criticism in the nineteenth century and the growth of secularism it stimulated made an earnest affirmation of Jesus in literature highly problematic. If they affirmed Jesus too directly, writers paradoxically risked diminishing him, either by deploying faith explanations that no longer persuade in an age of skepticism or by reducing Christ to a mere argument in an ideological dispute. The writers at the heart of this study understood that to reimage Christ for their age, they had to make him known through indirect, even negative ways, lest what they say about him be mistaken for cliche, doctrine, or naïve apologetics. The Christology of Dostoevsky, Leo Tolstoy, Mikhail Bulgakov, and Boris Pasternak is thus apophatic because they deploy negative formulations (saying what God is not) in their writings about Jesus. Professions of atheism in Dostoevsky and Tolstoy's non-divine Jesus are but separate negative paths toward truer discernment of Christ. This first study in English of the image of Christ in Russian literature highlights the importance of apophaticism as a theological practice and a literary method in understanding the Russian Christ. It also emphasizes the importance of skepticism in Russian literary attitudes toward Jesus on the part of writers whose private crucibles of doubt produced some of the most provocative and enduring images of Christ in world literature. This important study will appeal to scholars and students of Orthodox Christianity and Russian literature, as well as educated general readers interested in religion and nineteenth-century Russian novels.
Russian Literature
Author: Kropotkin Peter Kropotkin
Publisher: Black Rose Books Ltd.
Published: 2021-02-15
Total Pages: 417
ISBN-13: 1551644215
DOWNLOAD EBOOKIntroduction by George WoodcockIn this work, Peter Kropotkin is propounding the thesis that, in Russia, literature occupies a inique position because it is the only way of reflecting the real currents of intellectual development and of underground political opinion. The consequence, he feels, has been that the best minds of the country have chosen the poem, the novel, the satire, or literary criticism as the medium for expressing their aspirations, their conceptions of national life, and their ideals.Concentrating on content rather than on form, on intention rather than achievement, Russian Literature provides a fair and comprehensive introduction to Russian writing up to the end of the nineteenth century. Almost every poet and prose-writer of any significance is discussed - Pushkin, Lermontoff, Gogol, Turgueneff, Tolstoy, Dostoyevsky - and every class of literature is included; criticism as well as novels, and political writings as well as poetry.Table of ContentsPrefaceThe Pronunciation of Russian NamesAn Introduction by George WoodcockChapter I: IntroductionChapter II: Pushkin and LermontoffChapter III: GogolChapter IV: Turgueneff - TolotsyChapter V: Gontcharoff - Dostoyevskiy - NekrasoffChapter VI: The DramaChapter VII: The Folk NovelistsChapter VIII: Political Literature - Satire - Art Criticism - Later Period NovelistsBibliographical NotesAppendicesIndex1991: 385 pages, index
A History Of Russia Volume 2
Author: Walter G. Moss
Publisher: Anthem Press
Published: 2004-10-01
Total Pages: 667
ISBN-13: 0857287397
DOWNLOAD EBOOKMoss has significantly revised his text and bibliography in this second edition to reflect new research findings and controversies on numerous subjects. He has also brought the history up to date by revising the post-Soviet material, which now covers events from the end of 1991 up to the present day. This new edition retains the features of the successful first edition that have made it a popular choice in universities and colleges throughout the US, Canada and around the world.
Hagiography and Modern Russian Literature
Author: Margaret Ziolkowski
Publisher: Princeton University Press
Published: 2014-07-14
Total Pages: 280
ISBN-13: 1400859409
DOWNLOAD EBOOKThe heritage of medieval hagiography, the diverse and voluminous literature devoted to saints, was much more important in nineteenth-century Russia than is often recognized. Although scholars have treated examples of the influence of hagiographic writing on a few prominent Russian writers, Margaret Ziolkowski is the first to describe the vast extent of its impact. Some of the authors she discusses are Kondratii Ryleev, Aleksandr Bestuzhev-Marlinskii, Fedor Dostoevsky, Leo Tolstoy, Nikolai Leskov, Gleb Uspenskii, Dmitrii Merezhkovskii, and Maksimilian Voloshin. Such writers were often exposed to saints' lives at an early age, and these stories left a deep impression to be dealt with later, whether favorably or otherwise. Professor Ziolkowski identifies and analyzes the most common usages of hagiographic material by Russian writers, as well as the variety of purposes that inspired this exploitation of their cultural past. Tolstoy, for instance, employed hagiographic sources to attack the organized church and the institution of monasticism. Individual chapters treat the influence of hagiography on the poetry of the Decembrists, reworkings of specific hagiographic legends or tales, and the application of hagiographic conventions and features to contemporary characters and situations. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Fallacy of the Silver Age in Twentieth-century Russian Literature
Author: Omry Ronen
Publisher: Taylor & Francis
Published: 1997
Total Pages: 174
ISBN-13: 9789057025495
DOWNLOAD EBOOKFirst Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
The House in Russian Literature
Author: J. J. van Baak
Publisher: Rodopi
Published: 2009
Total Pages: 526
ISBN-13: 9042025492
DOWNLOAD EBOOKThe domestic theme has a tremendous anthropological, literary and cultural significance. The purpose of this book is to analyse and interpret the most important realisations and tendencies of this thematic complex in the history of Russian literature. It is the first systematic book-length exploration of the meaning and development of the House theme in Russian literature of the past 200 years. It studies the ideological, psychological and moral meanings which Russian cultural and literary tradition have invested in the house or projected on it in literary texts. Central to this study's approach is the concept of the House Myth, consisting of a set of basic fabular elements and a set of general types of House images. This House Myth provides the general point of reference from which the literary works were analyzed and compared. With the help of this analytical procedure characteristics of individual authors could be described as well as recurrent patterns and features discerned in the way Russian literature dealt with the House and its thematics, thus reflecting characteristics of Russian literary world pictures, Russian mentalities and Russian attitudes towards life. This book is of interest for students of Russian literature as well as for those interested in the House as a cultural and literary topic, in the semiotics of literature, and in relations between culture, anthropology and literature.
