Fans of Thomas & Friends will have a special reading experience when they open the pages of this sturdy board with glow-in-the-dark illustrations. Train-loving boys and girls ages 2 to 5 will be intrigued to see the moon, stars, Thomas' headlight, and more brighten the night with a soft glow in this sleepy Thomas the Tank Engine bedtime story.
Ye is a curious young man, named after the only sound he knows how to make. His voice must have been stolen by the Colorless King, the source of all the world's sorrows--terrifying, unrelenting, all-taking, and never-giving. Now, Ye has no choice but to embark on a long voyage over land and sea, past grizzled pirates, a drunken clown, and more, to find the famous witch who can help him defeat the Colorless King. What he discovers may be a lesson for us all.
The theme of Medea in Portuguese literature has mainly given rise to the writing of new plays on the subject. The central episode in the Portuguese rewritings in the last two centuries is the one that takes place in Corinth, i.e., the break between Medea and Jason, on the one hand, and Medea’s killing of their children in retaliation, on the other. Besides the complex play of feelings that provides this episode with very real human emotions, gender was a key issue in determining the interest that this story elicited in a society in search of social renovation, after profound political transformations – during the transition between dictatorship and democracy which happened in 1974 – that generated instability and established a requirement to find alternative rules of social intercourse in the path towards a new Portugal.
Designed Future is a journey through the modern era: our life in cities, the Americas, new territories and the old continent, of vision and design as essential tools for building the future. As the most complete collection of essays, interviews and lectures, this book is an in-depth view of the journey and particular thinking of one of the most relevant living architects, the Brazilian modern master, Paulo Mendes da Rocha (1928-2021). For the first time translated in English, it disclosures a must-read intense and provocative thinker in contemporary times.
“Consent” is a Molotov cocktail, flung at the face of the French establishment, a work of dazzling, highly controlled fury...By every conceivable metric, her book is a triumph.” -- The New York Times Already an international literary sensation, an intimate and powerful memoir of a young French teenage girl’s relationship with a famous, much older male writer—a universal #MeToo story of power, manipulation, trauma, recovery, and resiliency that exposes the hypocrisy of a culture that has allowed the sexual abuse of minors to occur unchecked. Sometimes, all it takes is a single voice to shatter the silence of complicity. Thirty years ago, Vanessa Springora was the teenage muse of one of the country’s most celebrated writers, a footnote in the narrative of a very influential man in the French literary world. At the end of 2019, as women around the world began to speak out, Vanessa, now in her forties and the director of one of France’s leading publishing houses, decided to reclaim her own story, offering her perspective of those events sharply known. Consent is the story of one precocious young girl’s stolen adolescence. Devastating in its honesty, Vanessa’s painstakingly memoir lays bare the cultural attitudes and circumstances that made it possible for a thirteen-year-old girl to become involved with a fifty-year-old man who happened to be a notable writer. As she recalls the events of her childhood and her seduction by one of her country’s most notable writers, Vanessa reflects on the ways in which this disturbing relationship changed and affected her as she grew older. Drawing parallels between children’s fairy tales and French history and her personal life, Vanessa offers an intimate and absorbing look at the meaning of love and consent and the toll of trauma and the power of healing in women’s lives. Ultimately, she offers a forceful indictment of a chauvinistic literary world that has for too long accepted and helped perpetuate gender inequality and the exploitation and sexual abuse of children. Translated from the French by Natasha Lehrer "...One of the belated truths that emerges from [Consent] is that Springora is a writer. [...]Her sentences gleam like metal; each chapter snaps shut with the clean brutality of a latch." -- The New Yorker "Consent [is] rapier-sharp, written with restraint, elegance and brevity." -- The Times (London) "[Consent] has something steely in its heart, and it departs from the typical American memoir of childhood abuse in exhilarating ways." -- Slate "Lucid and nuanced...[Consent] will speak to trauma survivors everywhere." -- Los Angeles Review of Books ”A piercing memoir about the sexually abusive relationship she endured at age 14 with a 50-year-old writer...This chilling account will linger with readers long after the last page is turned.” -- Publishers Weekly "Springora's lucid account is a commanding discussion of sexual abuse and victimization, and a powerful act of reclamation." -- Booklist "A chilling story of child abuse and the sophisticated Parisians who looked the other way...[Springora] is an elegant and perceptive writer." -- Kirkus
With his only friend a computer, Walden Yapp has lived a singular life. Professor of Demotic History at the University of Kloone, Yapp spends his days highlighting the corrupt capitalistic nature of the upper-classes, and his nights feeding Doris his computer the information he has gathered So when capitalist Lord Petrefact hires him to write a damaging family history, Yapp seizes the chance to chronicle the corrupt life of the Petrefact family. Spurred on by his expectations of dishonesty and depravity Yapp heads of the town of Buscott, where nobody is what they at first appear to be. Now a pawn in Lord Petrefact’s vindictive family game, Yapp’s presence is as welcome as the plague. From provoking dwarfish marital problems to uncovering an erotic toy factory Yapp’s presence sparks a chain of events that ends in death, destruction and a murder trial. Going through a car wash will never feel the same again.
Celebrated as a major work since its original publication, The Sanitation of Brazil traces how rural health and sanitation policies influenced the formation of Brazil's national public health system. Gilberto Hochman's pioneering study examines the ideological, social and political forces that approached questions of health and government action. The era from 1910 to 1930 offered unique opportunities for public health reform, and Hochman examines its successes and failures. He looks at how health became a state concern, tying the emergence of public health policies to a nationalistic movement and to a convergence of the elites' social consciousness with their political and material interests. Politicians weighed the costs and benefits of state-run public health versus the burdens imposed by disease. Physicians and intellectuals, meanwhile, swayed them with warnings that endemic disease and official neglect might affect everyone--rich and poor, rural and urban, interior and coastal--if left unchecked. The book shows how disease and health were and are associated with nation-state building in Brazil.
