A Herzen Reader
A Herzen Reader

Author: Alexander Herzen

Publisher: Northwestern University Press

Published: 2012-11-30

Total Pages: 417

ISBN-13: 0810128470

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A Herzen Reader presents in English for the first time one hundred essays and editorials by the radical Russian thinker Alexander Herzen (1812–1870). Herzen wrote most of these pieces for The Bell, a revolutionary newspaper he launched with the poet Nikolai Ogaryov in London in 1857. Smugglers secretly carried copies of The Bell into Russia, where it influenced debates over the emancipation of the serfs and other reforms. With his characteristic irony, Herzen addressed such issues as freedom of speech, a nonviolent path to socialism, and corruption and paranoia at the highest levels of government. He discussed what he saw as the inability of even a liberator like Czar Alexander II to commit to change. A Herzen Reader stands on its own for its fascinating glimpse into Russian intellectual life of the 1850s and 1860s. It also provides invaluable context for understanding Herzen’s contemporaries, including Fyodor Dostoevsky and Ivan Turgenev.

The Discovery of Chance
The Discovery of Chance

Author: Aileen M. Kelly

Publisher: Harvard University Press

Published: 2016-05-09

Total Pages: 605

ISBN-13: 0674969413

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Alexander Herzen—philosopher, novelist, essayist, political agitator, and one of the leading Russian intellectuals of the nineteenth century—was as famous in his day as Tolstoy and Dostoevsky. While he is remembered for his masterpiece My Past and Thoughts and as the father of Russian socialism, his contributions to the history of ideas defy easy categorization because they are so numerous. Aileen Kelly presents the first fully rounded study of the farsighted genius whom Isaiah Berlin called “the forerunner of much twentieth-century thought.” In an era dominated by ideologies of human progress, Herzen resisted them because they conflicted with his sense of reality, a sense honed by his unusually comprehensive understanding of history, philosophy, and the natural sciences. Following his unconventional decision to study science at university, he came to recognize the implications of early evolutionary theory, not just for the natural world but for human history. In this respect, he was a Darwinian even before Darwin. Socialism for Russia, as Herzen conceived it, was not an ideology—least of all Marxian “scientific socialism”—but a concrete means of grappling with unique historical circumstances, a way for Russians to combine the best of Western achievements with the possibilities of their own cultural milieu in order to move forward. In the same year that Marx declared communism to be the “solution to the riddle of history,” Herzen denied that any such solution could exist. History, like nature, was contingent—an improvisation both constrained and encouraged by chance.

Who Is to Blame?
Who Is to Blame?

Author: Alexander Herzen

Publisher: Cornell University Press

Published: 1984

Total Pages: 304

ISBN-13: 9780801492860

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"Herzen's novel played a significant part in the intellectual ferment of the 1840s. It is an important book in social and moral terms, and wonderfully expressive of Herzen's personality."--Isaiah BerlinAlexander Herzen was one of the major figures in Russian intellectual life in the nineteenth century. Who Is to Blame? was his first novel. A revealing document and a noteworthy contribution to Russian literature in its own right, it establishes the origins of Herzen's spiritual quest and the outlines of his emerging social and political beliefs, and it foreshadows his mature philosophical views.

Toward Another Shore
Toward Another Shore

Author: Aileen Kelly

Publisher: Yale University Press

Published: 1998-01-01

Total Pages: 424

ISBN-13: 9780300070248

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In this thought-provoking book, an internationally acclaimed scholar writes about the passion for ideology among nineteenth- and twentieth-century Russian intellectuals and about the development of sophisticated critiques of ideology by a continuing minority of Russian thinkers inspired by libertarian humanism. Aileen Kelly sets the conflict between utopian and anti-utopian traditions in Russian thought within the context of the shift in European thought away from faith in universal systems and "grand narratives" of progress toward an acceptance of the role of chance and contingency in nature and history. In the current age, as we face the dilemma of how to prevent the erosion of faith in absolutes and final solutions from ending in moral nihilism, we have much to learn from the struggles, failures, and insights of Russian thinkers, Kelly says. Her essays--some of them tours de force that have appeared before as well as substantial new studies of Turgenev, Herzen, and the Signposts debate--illuminate the insights of Russian intellectuals into the social and political consequences of ideas of such seminal Western thinkers as Schopenhauer, Nietzsche, and Darwin. Russian Literature and Thought Series

Why I Read
Why I Read

Author: Wendy Lesser

Publisher: Macmillan + ORM

Published: 2014-01-07

Total Pages: 200

ISBN-13: 0374709815

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"Wendy Lesser's extraordinary alertness, intelligence, and curiosity have made her one of America's most significant cultural critics," writes Stephen Greenblatt. In Why I Read, Lesser draws on a lifetime of pleasure reading and decades of editing one of the most distinguished literary magazines in the country, The Threepenny Review, to describe her love of literature. As Lesser writes in her prologue, "Reading can result in boredom or transcendence, rage or enthusiasm, depression or hilarity, empathy or contempt, depending on who you are and what the book is and how your life is shaping up at the moment you encounter it." Here the reader will discover a definition of literature that is as broad as it is broad-minded. In addition to novels and stories, Lesser explores plays, poems, and essays along with mysteries, science fiction, and memoirs. As she examines these works from such perspectives as "Character and Plot," "Novelty," "Grandeur and Intimacy," and "Authority," Why I Read sparks an overwhelming desire to put aside quotidian tasks in favor of reading. Lesser's passion for this pursuit resonates on every page, whether she is discussing the book as a physical object or a particular work's influence. "Reading literature is a way of reaching back to something bigger and older and different," she writes. "It can give you the feeling that you belong to the past as well as the present, and it can help you realize that your present will someday be someone else's past. This may be disheartening, but it can also be strangely consoling at times." A book in the spirit of E. M. Forster's Aspects of the Novel and Elizabeth Hardwick's A View of My Own, Why I Read is iconoclastic, conversational, and full of insight. It will delight those who are already avid readers as well as neophytes in search of sheer literary fun.

The Portable Nineteenth-Century Russian Reader
The Portable Nineteenth-Century Russian Reader

Author: Various

Publisher: Penguin

Published: 1993-08-01

Total Pages: 673

ISBN-13: 0140151036

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The Portable Nineteenth-Century Russian Reader magnificently represents the great voices of this era. It includes such masterworks of world literature as Pushkin's poem "The Bronze Horseman"; Gogol's "The Overcoat"; Turgenev's novel First Love; Chekhov's Uncle Vanya; Tolstoy's The Death of Ivan Ilych; and "The Grand Inquisitor" episode from Dostoyevsky's The Brothers Karamazov; plus poetry, plays, short stories, novel excerpts, and essays by such writers as Griboyedov, Pavlova, Herzen, Goncharov, Saltykov-Shchedrin, and Maksim Gorky. Distinguished scholar George Gibian provides an introduction, chronology, biographical essays, and a bibliography.

Letters from Russia
Letters from Russia

Author: Marquis de Custine

Publisher: Penguin UK

Published: 2014-06-26

Total Pages: 369

ISBN-13: 0141394528

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The Marquis de Custine's unique perspective on a vast, fascinating country in the grip of oppressive tyranny In 1839, encouraged by his friend Balzac, Custine set out to explore Russia. His impressions turned into what is perhaps the greatest and most influential of all books about Russia under the Tsars. Rich in anecdotes as much about the court of Tsar Nicholas as the streets of St Petersburg, Custine is as brilliant writing about the Kremlin as he is about the great northern landscapes. An immediate bestseller on publication, Custine's book is also a central book for any discussion of 19th century history, as - like de Tocqueville's Democracy in America - it dramatizes far broader questions about the nature of government and society.

Leaving the Atocha Station
Leaving the Atocha Station

Author: Ben Lerner

Publisher: Coffee House Press

Published: 2011-08-23

Total Pages: 191

ISBN-13: 1566892929

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Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by? In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle. Born in Topeka, Kansas, in 1979, Ben Lerner is the author of three books of poetry The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He has been a finalist for the National Book Award and the Northern California Book Award, a Fulbright Scholar in Spain, and the recipient of a 2010-2011 Howard Foundation Fellowship. In 2011 he became the first American to win the Preis der Stadt Münster für Internationale Poesie. Leaving the Atocha Station is his first novel.