This stunning anthology gathers together the riches of poetry in Hebrew from 'The Song of Deborah' to contemporary Israeli writings. Verse written up to the tenth century show the development of piyut, or liturgical poetry, and retell episodes from the Bible and exalt the glory of God. Medieval works introduce secular ideas in love poems, wine songs and rhymed narratives, as well as devotional verse for specific religious rituals. Themes such as the longing for the homeland run through the ages, especially in verse written after the rise of the Zionist movement, while poems of the last century marry Biblical references with the horrors of the Holocaust. Together these works create a moving portrait of a rich and varied culture through the last 3,000 years.
The anthology is a ubiquitous presence in Jewish literature--arguably its oldest literary genre, going back to the Bible itself, and including nearly all the canonical texts of Judaism: the Mishnah, the Talmud, classical midrash, and the prayerbook. In the Middle Ages, the anthology became the primary medium in Jewish culture for recording stories, poems, and interpretations of classical texts. In modernity, the genre is transformed into a decisive instrument for cultural retrieval and re-creation, especially in works of the Zionist project and in modern Yiddish and Hebrew literature. No less importantly, the anthology has played an indispensable role in the creation of significant fields of research in Jewish studies, including Hebrew poetry, folklore, and popular culture. This volume is the first book to bring together scholarly and critical essays that investigate the anthological character of these works and what might be called the "anthological habit" in Jewish literary culture--the tendency and proclivity for gathering together discrete, sometimes conflicting traditions and stories, and preserving them side by side as though there were no difference, conflict, or ambiguity between them. Indeed, The Anthology in Jewish Literature is the first book to recognize this habit and genre as one of the formative categories in Jewish literature and to investigate its manifold roles. The seventeen essays, each of which focuses on a specific literary work, many of them the great classics of Jewish tradition, consider such questions as: What are the many types of anthologies? How have anthologists, editors, even printers of anthologies been creative shapers of Jewish tradition and culture? What can we learn from their editorial practices? How have politics, gender, and class figured into the making of anthologies? What determinative role has the anthology played in creating the Jewish canon? How has the anthology served, especially in the modern period, to create and recreate Jewish culture. This landmark volume will interest educated laypersons as well as scholars in all areas of Jewish literature and culture, as well as students of world literature and cultural studies.
Poets on the Edge introduces four decades of Israel's most vigorous poetic voices. Selected and translated by author Tsipi Keller, the collection showcases a generous sampling of work from twenty-seven established and emerging poets, bringing many to readers of English for the first time. Thematically and stylistically innovative, the poems chart the evolution of new currents in Hebrew poetry that emerged in the late 1950s and early 1960s and, in breaking from traditional structures of line, rhyme, and meter, have become as liberated as any contemporary American verse. Writing on politics, sexual identity, skepticism, intellectualism, community, country, love, fear, and death, these poets are daring, original, and direct, and their poems are matched by the freshness and precision of Keller's translations.
In richly diverse essays, stories, memoirs, poems, and interviews, the contributors to this collection affirm the depth of Jewish women's participation in Jewish life and give strength to feminist struggles in the Jewish community.
The Karaites, a small Jewish sect that arose twelve centuries ago and still exists today, was at one time the most outspoken and productive schismatic division in Judaism. The Karaites contributed much to the Jewish literature of the Middle Ages, for they developed their own corpus of theological dogmas, liturgy, juristic exegesis, metaphysical concepts, secular poetry, apologetics, and sermons. This anthology-the first of its kind in any language of the West-provides excerpts from the early Karaite literature (down to about the year 1500) representing the full range of their thought and belief. All extracts have been translated directly from Arabic, Aramaic, and Hebrew original sources. "This book marks the first attempt in any language to present a chronological exposition of seven centuries of evolution of this interesting Jewish sect through a selection of excerpts from the writings of its spokesmen. . . . [A] pioneering achievement."-Zvi Ankori, Jewish Social Studies "Will be of real interest. . . to historians of religion, sociologists of religion, students of Judaism, Talmudic scholars, students of comparative religious law, and scholars interested in the relation between Islam and Judaism in the Middle Ages."-Maurice S. Friedman, The Journal of Religion "The book is an important addition to Qaraite literature in English."-Isis "The texts are wisely chosen, carefully edited, and supplied with copious notes. An excellent introduction to each writer is given. The book is successful from every point of view."-Edward Robertson, The Royal Asiatic Society "The commentaries of [the] scholars. . . are important additions to Jewish scholarly research."-Jewish News
