Music Theory for the Bass Player

Music Theory for the Bass Player

Author: Ariane Cap

Publisher: CapCat Music Media

Published: 2018-12-22

Total Pages: 186

ISBN-13: 0996727639

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Music Theory for the Bass Player is a comprehensive and immediately applicable guide to making you a well-grounded groover, informed bandmate and all-around more creative musician. Included with this book are 89 videos that are incorporated in this ebook. This is a workbook, so have your bass and a pen ready to fill out the engaging Test Your Understanding questions! Have you always wanted to learn music theory but felt it was too overwhelming a task? Perhaps all the books seem to be geared toward pianists or classical players? Do you know lots of songs, but don't know how the chords are put together or how they work with the melody? If so, this is the book for you! • Starting with intervals as music's basic building blocks, you will explore scales and their modes, chords and the basics of harmony. • Packed with fretboard diagrams, musical examples and exercises, more than 180 pages of vital information are peppered with mind-bending quizzes, effective mnemonics, and compelling learning approaches. • Extensive and detailed photo demonstrations show why relaxed posture and optimized fingering are vital for good tone, timing and chops. • You can even work your way through the book without being able to read music (reading music is of course a vital skill, yet, the author believes it should not be tackled at the same time as the study of music theory, as they are different skills with a different practicing requirement. Reading becomes much easier once theory is mastered and learning theory on the fretboard using diagrams and patterns as illustrations, music theory is very accessible, immediately usable and fun. This is the definitive resource for the enthusiastic bassist! p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Helvetica} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Helvetica; min-height: 16.0px} This book and the 89 free videos stand on their own and form a thorough source for studying music theory for the bass player. If you'd like to take it a step further, the author also offers a corresponding 20 week course; this online course works with the materials in this book and practices music theory application in grooves, fills and solos. Information is on the author's blog.


Continuo Playing According to Handel

Continuo Playing According to Handel

Author: George Frideric Handel

Publisher: Clarendon Press

Published: 1990

Total Pages: 116

ISBN-13: 9780193184336

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This book is an edition, with commentary, of Handel's exercises for continuo playing, which he wrote for the daughters of George II. The exercises, which until now have not been readily available, are supplemented by clear and concise commentary. Remaining faithful to his source, Ledbetter, who lectures in keyboard studies, has prepared an edition that will prove invaluable to students and performers of the music of Handel and his contemporaries.


Rimsky-Korsakov's Harmonic Theory

Rimsky-Korsakov's Harmonic Theory

Author: Larisa P. Jackson

Publisher: University of North Texas Press

Published: 2022-10-15

Total Pages: 289

ISBN-13: 1574418718

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Nikolai Andreyevich Rimsky-Korsakov (1844-1908) was celebrated during his lifetime as a composer and instructor, and his musical works and publications on instrumentation remain prominent today. However, his innovations as a music theorist have gone largely unrecognized. Rimsky-Korsakov’s Harmonic Theory is the first comprehensive study of the composer’s unique concept of harmony. Larisa P. Jackson illuminates Rimsky-Korsakov’s harmonic theory and reveals the intellectual, social, and cultural facets of its historical contexts in both Western and Russian music. In this unprecedented contribution to musicology and music theory, Jackson examines and clarifies Rimsky-Korsakov’s thinking on modulation (key changes), which composers began using much more frequently during the nineteenth century. Based on his discovery of a previously unknown scale, Rimsky-Korsakov saw modulation as shaped by a web of deep relationships among major and minor keys. Jackson charts this tonal space, mapping its implications as well as its often-surprising relationships with the theories of Rimsky-Korsakov’s predecessors and contemporaries, including the famous German music theorists Hauptmann and Riemann.