This little volume was first published in the Cambridge Manuals of Science and Literature in 1913. This 1953 reissue was lightly revised and put in a new format by Anthony Wagner. It begins with the definition and origin of heraldry, then explains the terms and devices and shows how individuals and families marshalled and differenced their arms.
Heraldry is a living survival of the great medieval world of European chivalry. First introduced as a means of identification in battle and in tournaments, it gradually spread to society as a whole. Today the knights-in-armour and many of the families who bore these coats of arms have disappeared, but the heraldic tradition survives in the royal arms, flags, emblems, road signs, sports badges and corporate logos of the modern world.
Through the ages, as warfare and competitive rituals became more elaborate, heraldry evolved into an exact art and science. Used to denote accomplishments as well as the genealogies of outstanding individuals and families, these symbols survived the way of life that created them. This remarkably rich sourcebook of royalty-free designs describes the origins and ancient forms of heraldic devices, shields, and trademarks. Over 500 black-and-white drawings trace the history and meaning of the coat, shield, crests, helmets, blazonry, and "attitudes and attributes" of symbols, with considerable attention given to devices such as beasts, monsters, and human and part-human figures. American, British, French, Russian, and other coats of arms are displayed, as are insignias of the Pope and clergy, state seals, and emblems of many modern institutions. In addition to personal, commercial, and family arms, chapters also provide information on the use of heraldry in advertising, brand-labeling, and related fields. A valuable visual reference for anyone interested in genealogy, these handsome images will add a touch of class to a variety of art and craft projects.
Classic work, enhanced with 165 illustrations, explains the origins of heraldry, defines its terms and apparatus, and demonstrates how individuals and families arranged and distinguished their coats of arms. Includes a useful section on heraldic nomenclature. An excellent reference and a rich source of inspiration for artists, designers, and craftspeople.
Voice is a fleeting physical phenomenon that leaves behind traces of its existence. Medieval literary voices offers a wide-reaching approach to the concept of literary voices, both the vanished authorial ones and the implicit textual ones. Its impressive lineup deepens our understanding of how literary voices evoke the elusive voices lurking beyond the text, capturing the absent authorial voice, the traces of scribal voices and the soundscape of the uttered text. It explores multiple dimensions of medieval voice and vocalisations, and the interactions between literary voices and their authorial, scribal and socio-political settings. It contends that through the theorizing of literary voices we can begin to understand the ways in which medieval voices mediate or proclaim an embodied selfhood or material presence, how they dictate or contest moral conventions, and how they create and sustain narrative soundscapes.
