Theologian Harry Lee Poe and chemist Jimmy H. Davis argue that God's interaction with our world is a possibility affirmed equally by the Bible and the contemporary scientific record. Rather than confirming that the cosmos is closed to the actions of the divine, advancing scientific knowledge seems to indicate that the nature of the universe is actually open to the unique type of divine activity portrayed in the Bible.
A Christian view of time, space and the universe, emphasizing the superiority of Scripture to all other sources of knowledge and dealing helpfully with the Big Bang theory of origins, extraterrestrial intelligence, the spiritual realm, and much else.
An infinite quantity remains the same infinite quantity if a finite quantity, however large, is subtracted from it. On God, Space, and Time devotes itself to this proof.
This book contributes to the re-emerging field of theology through the arts by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of reverse perspective, which is especially characteristic of Byzantine and Byzantining art.Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 'supplementary planes' can be used productively within a new approach to the question. Antonova works up new criteria for the understanding of how space and time can be handled in a way that does not reverse standard linear perspective (as conventionally claimed) but acts in its own way to create eternalised images which are not involved with perspective at all. Arguing that the structure of the icon is determined by a conception of God who exits in past, present, and future, simultaneously, Antonova develops an iconography of images done in the Byzantine style both in the East and in the West which is truer to their own cultural context than is generally provided for by western interpretations. This book draws upon philosophy, theology and liturgy to see how relatively abstract notions of a deity beyond time and space enter images made by painters.
The Latest Scientific Discoveries Point to an Intentional Creator Most of us remember the basics from science classes about how Earth came to be the only known planet that sustains complex life. But what most people don't know is that the more thoroughly researchers investigate the history of our planet, the more astonishing the story of our existence becomes. The number and complexity of the astronomical, geological, chemical, and biological features recognized as essential to human existence have expanded explosively within the past decade. An understanding of what is required to make possible a large human population and advanced civilizations has raised profound questions about life, our purpose, and our destiny. Are we really just the result of innumerable coincidences? Or is there a more reasonable explanation? This fascinating book helps nonscientists understand the countless miracles that undergird the exquisitely fine-tuned planet we call home--as if Someone had us in mind all along.
Are there more than four dimensions to physical reality?Is it possible to traverse time as well as space?Is there a reality beyond our traditional concepts of time and space? The startling discovery of modern science is that our physical universe is actually finite. Scientists now acknowledge that the universe had a beginning. They call the singularity from which it all began the "Big Bang." While the detail among the many variants of these theories remain quite controversial, the fact that there was a definite beginning has gained widespread agreement. This is, of course, what the Bible has maintained throughout its 66 books.
Increasingly astronomers recognize that if the cosmos had not unfolded exactly as it did, humanity would not, could not, exist. Yet these researchers--along with countless ordinary folks--resist belief in the biblical Creator. Why? They say a loving God would have made a better home for us, one without trouble and tragedy. In Why the Universe Is the Way It Is, Hugh Ross draws from his depth of study in both science and Scripture to explain how the universe's design fulfills several distinct purposes. He also reveals God's surpassing love and ultimate purposes for each individual. Why the Universe Is the Way It Is will interest anyone who wonders where and how the universe came to be, what or who is responsible for it, why we are here, or how and when the universe ends. Far from leaving the reader at this philosophical jumping-off point, Ross builds toward answering the big question of human destiny and the specific question of each reader's personal destiny.
