He left the West at the age of seventeen, leaving behind a rootless past and a bloody trail of violence. In the East he became one of the wealthiest financiers in America—and one of the most feared and hated. Now, suffering from incurable cancer, he has come back to New Mexico to die alone. But when an all-out range war erupts, Flint chooses to help Nancy Kerrigan, a local rancher. A cold-eyed speculator is setting up the land swindle of a lifetime, and Buckdun, a notorious assassin, is there to back his play. Flint alone can help Nancy save her ranch…with his cash, his connections—and his gun. He still has his legendary will to fight. All he needs is time, and that’s fast running out….
Walk with Halleigh and Malek as they introduce you to a new struggle in a new city . . . a place called Flint, Michigan, one of the roughest little cities in America. It's a place where the good die young, loyalty is a rarity, and everybody has a hustle. In Flint Book 1: Choosing Sides, Malek became affiliated with the North Side's biggest kingpin, and Halleigh was manipulated into the streets by his South Side adversary. North versus South, love versus loyalty, and lies versus truth. Now the saga continues in Flint Book 2: Working Girls, as we are introduced to the Manolo Mamis, the baddest chicks in the game. They're playin' for keeps, and their services come with a price, an expensive one. Halleigh is knee-deep in the game. She has become lost, turned out at the hands of her pimp, Manolo. Will she and Malek ever meet again? And if they do, will they share the same love that they once had, or is it too late? Welcome to Flint Book 2: Working Girls. The saga continues.
Goal-oriented Maya has two main concerns: getting support and permission for girls' soccer and keeping her unpredictable biracial family together. At the same time she's trying to fit in at school, figure out who her true friends are, and dodge the criticisms of her traditional East Indian grandmother and the other relatives who say girls should be quiet and obedient. Maya's witty, observant first-person narrative will make readers want her on their team, and they'll cheer her on as she discovers that winning is great—but losing doesn't mean defeat.
This book is an original and fascinating look at the topos of the woman reader and its functioning in cultural debate between the accession of Queen Victoria and the First World War. The issue of women and reading--what they should read; what they should be protected from; how, what, and when they should read--was the focus of lively discussion in the nineteenth century in a wide range of media. Flint uses recent feminist analyses of how women read as a context for her detailed and readable study of these debates, exploring in a variety of texts--from magazines like Woman's World and My Lady's Novelette to works of literature like Jane Eyre and The Portrait of a Lady--the range of stereotypes and directives addressed to women readers, and their influence on the writing of fiction. She also looks at how women readers of all classes understood their own reading experiences.
It's 1965 in a tight-knit working-class neighborhood in Queens, New York, and Ruth Malone -- a single mother who works long hours as a cocktail waitress -- wakes to discover her two small children, Frankie Jr. and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman -- and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance -- or is there something more sinister at play? Inspired by a true story, Little Deaths, like celebrated novels by Sarah Waters and Megan Abbott, is compelling literary crime fiction that explores the capacity for good and evil in us all.
Sam Flint, a courageous editor of a weekly newspaper, fights to defend the helpless, the persecuted, and the humble--no matter the consequences to himself. In Oro Blanco, site of the richest gold strike in the New Mexico Territory, there are secrets galore--and men who would kill to keep it that way.
Girl Reading Girl provides the first overview of the cultural significance of girls and reading in modern and contemporary Japan with emphasis on the processes involved when girls read about other girls. The collection examines the reading practices of real life girls from differing social backgrounds throughout the twentieth century while a number of chapters also consider how fictional girls read attention is given to the diverse cultural representations of the girl, or shôjo, who are the objects of the reading desires of Japan’s real life and fictional girls. These representations appear in various genres, including prose fiction, such as Yoshiya Nobuko’s Flower Stories and Takemoto Nobara’s Kamikaze Girls, and manga, such as Yoshida Akimi’s The Cherry Orchard. This volume presents the work of pioneering women scholars in the field of girl studies including translations of a ground-breaking essay by Honda Masuko on reading girls and Kawasaki Kenko’s response to prejudicial masculine critiques of best-selling novelist, Yoshimoto Banana. Other topics range from the reception of Anne of Green Gables in Japan to girls who write and read male homoerotic narratives.
