A Bibliography of the Works of Samuel Johnson
A Bibliography of the Works of Samuel Johnson

Author:

Publisher: Clarendon Press

Published: 2000

Total Pages: 1044

ISBN-13:

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Samuel Johnson is not only famous for his English Dictionary, and as the subject of Boswell's great biography; he was also the author of many different kinds of books - biographies, essays, literary criticism, poetry - and a regular though anonymous contributor to newspapers, magazines and to books by others. There was a little of the business of authors that he did not know, or about which he did not express a judgement. This bibliography by the distinguished Johnson scholar, the late J.D. Fleeman, records Johnson's literary output in chronological order, illuminating not only his multifarious writings but also the development of his career and reputation as a professional writer. It reveals the range of his work and the variety of his anonymous contributions (some of them first identified by Fleeman). Detailed analysis of the works examined sheds light on the practices of the 18th century book trade, and indentified editions, early and late, many of which are valuable and unjustly neglected. The bibliography also lists new editions up to 1984, the bicentenary of Johnson's death, charting the course of his posthumous literary reputation.

1731-1759
1731-1759

Author: John David Fleeman

Publisher:

Published: 2000

Total Pages: 1056

ISBN-13: 9780198122692

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Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice

Author: Arie Wallert

Publisher: Getty Publications

Published: 1995-08-24

Total Pages: 241

ISBN-13: 0892363223

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Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.