This dictionary documents alchemical symbolism from the early centuries AD to the late-twentieth century, for use by historians of literary culture, philosophy, science and the visual arts, and readers interested in alchemy and hermeticism. Each entry includes a definition of the symbol, giving the literal (physical) and figurative (spiritual) meanings, an example of the symbol used in alchemical writing, and a quotation from a literary source. There are fifty visual images of graphic woodcuts, copperplate engravings and hand-painted emblems, some reproduced here for the first time.
For more than three hundred years the practice of Masonic rituals of initiation has been part of Western culture, spreading far beyond the boundaries of traditional Freemasonry. Henrik Bogdan explores the historical development of these rituals and their relationship with Western esotericism. Beginning with the Craft degrees of Freemasonry—the blueprints, as it were, of all later Masonic rituals of initiation—Bogdan examines the development of the Masonic High Degrees, the Hermetic Order of the Golden Dawn—the most influential of all nineteenth-century occultist initiatory societies—and Gerald Gardner's Witchcraft movement of the 1950s, one of the first large-scale Western esoteric New Religions Movements.
The Alchemical Actor – Performing the Great Work: Imagining Alchemical Theatre offers an imagination for an alchemical theatre inspired by the directives of Antonin Artaud.
"It was the genius of C.G. Jung to discover in the 'holy technique' of alchemy a parallel to the psychological individuation process. This book, by Jung's long-time friend and co-worker, completely demystifies the subject. Designed as an introduction to Jung's more detailed studies, and profusely illustrated, here is a lucid and practical account of what the alchemists were really looking for--emotional balance and wholeness"--back cover.
Katherine Eggert explores the crumbling state of humanistic learning in the sixteenth and seventeenth centuries and the benefits of relying on alchemy despite its recognized flaws.
Twisted Mirrors is a collection of papers which examine the monstrous in relation to humanity. Culled from an international conference, these essays were written by scholars from a variety of fields and represent a broad cross-section in the scholastic investigation of the monstrous.
Most professional historians see the relationship between pre-modern and modern alchemy as one of discontinuity and contrast. Mike A. Zuber challenges this dominant understanding and explores aspects of alchemy that have been neglected by recent work in the history of science. The predominant focus on the scientific aspect of alchemy, such as laboratory experiment, practical techniques, and material ingredients, argues Zuber, marginalizes the things that render alchemy so fascinating: its rich and vivid imagery, reliance on the medium of manuscript, and complicated relationship with religion. Spiritual Alchemy traces the early-modern antecedents of modern alchemy through generations of followers of Jacob Boehme, the cobbler and theosopher of Görlitz. As Boehme's disciples down the generations -- including the Silesian nobleman Abraham von Franckenberg and the London-based German immigrant Dionysius Andreas Freher, among others -- studied his writings, they drew on his spiritual alchemy, adapted it, and communicated it to their contemporaries. Spiritual alchemy combines traditional elements of alchemical literature with Christian mysticism. Defying the boundaries between science and religion, this combination was transmitted from Görlitz ultimately to England. In 1850, it inspired a young woman, later known as Mary Anne Atwood, to write her Suggestive Inquiry into the Hermetic Mystery, usually seen as the first modern interpretation of alchemy. Drawing extensively on manuscript or otherwise obscure sources, Zuber documents continuity between pre-modern and modern forms of alchemy while exploring this hybrid phenomenon.
This book helps the reader make sense of the most commonly studied writer in the world. It starts with a brief explanation of how Shakespeare's writings have come down to us as a series of scripts for actors in the early modern theatre industry of London. The main chapters of the book approach the texts through a series of questions: 'what's changed since Shakespeare's time?', 'to what uses has Shakespeare been put?', and 'what value is there in Shakespeare?' These questions go to the heart of why we study Shakespeare at all, which question the book encourages the readers to answer for themselves in relation to their own critical writing.
Androgyny in Modern Literature engages with the ways in which the trope of androgyny has shifted during the late nineteenth and twentieth-centuries. Alchemical, platonic, sexological, psychological and decadent representations of androgyny have provided writers with an icon which has been appropriated in diverse ways. This fascinating new study traces different revisions of the psycho-sexual, embodied, cultural and feminist fantasies and repudiations of this unstable but enduring trope across a broad range of writers from the fin de siècle to the present.
The Faust legend seen as a transmission of core Gnostic teachings disguised as a morality tale • Shows the 16th-century Faust text to be a coded, composite Gnostic creation myth • Identifies the many Hermetic, alchemical, and Tantric symbols found in Faust that signify worship of the divine feminine through sacramental sexual practices • Reveals a mystical process of spiritual salvation, as distilled from esoteric traditions In The Gnostic Faustus, Ramona Fradon shows the legend of Doctor Faustus to be a composite Gnostic creation myth that reveals the process of spiritual salvation. Nearly every element of the original 16th-century text is a metaphor containing profound spiritual messages based on passages of Coptic and Syrian Gnostic manuscripts, including the Pistis Sophia and The Hymn of the Pearl. Fradon identifies many Hermetic, alchemical, and Tantric symbols in the Faust Book that accompany the story of Sophia, the goddess of wisdom, whose troubled journey to salvation is a model for human spiritual development. Extensive line-by-line text comparisons with these Gnostic manuscripts show that Faustus’s corruption by the Devil and his despair parallel Sophia’s transgression and fall, and that his tragic death is a simple reversal of her joyful rebirth, so written in order to make an otherwise heretical story palatable to Church authorities at that time. Fradon demonstrates that the Faust legend is a vehicle for transmitting antiquity’s secret wisdom. It provides an account of spiritual initiation whose goal is ecstatic revelation and union with the divine. The elements of alchemy, sacramental sex, and worship of the divine feminine that are encoded in the Faust Book reveal the same hidden goddess-worshipping tradition whose practices are hinted at by the writings of Renaissance magi such as Cornelius Agrippa and Giordano Bruno.
