A Descriptive Catalogue of the English Manuscripts of John Gower's Confessio Amantis

A Descriptive Catalogue of the English Manuscripts of John Gower's Confessio Amantis

Author: Derek Pearsall

Publisher: Boydell & Brewer

Published: 2021

Total Pages: 415

ISBN-13: 1843846136

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Winner of the 2022 John Hurt Fisher Award from the John Gower SocietyFirst comprehensive catalogue of the manuscripts of one of the most important medieval works, with full descriptions of their features.The Confessio Amantis is John Gower's major work in English, written around the time that his acquaintance Geoffrey Chaucer was writing the Canterbury Tales. Extant manuscripts are numerous. At the end of the nineteenth century G. C. Macaulay had described the forty manuscripts then known to survive in the introduction to his edition, but some of these descriptions were very brief, and of course the other nine of whose existence he was then unaware were not included. This descriptive catalogue of all of the surviving manuscripts containing the Confessio is the first work to bring together extensive detailed descriptions of its forty-nine complete manuscripts and numerous fragments and excerpts; it will enable scholars of Middle English literature and manuscript studies to compare features across the corpus of surviving manuscripts or read detailed descriptions of individual manuscripts. Each description in this catalogue covers the manuscript's contents, artwork, physical qualities such as size, material, collation, foliation, etc., as well as additions by later users and provenance. There is also a lengthy introduction giving an overview of the corpus, and appendices for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts. surviving manuscripts or read detailed descriptions of individual manuscripts. Each description in this catalogue covers the manuscript's contents, artwork, physical qualities such as size, material, collation, foliation, etc., as well as additions by later users and provenance. There is also a lengthy introduction giving an overview of the corpus, and appendices for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts. surviving manuscripts or read detailed descriptions of individual manuscripts. Each description in this catalogue covers the manuscript's contents, artwork, physical qualities such as size, material, collation, foliation, etc., as well as additions by later users and provenance. There is also a lengthy introduction giving an overview of the corpus, and appendices for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts. surviving manuscripts or read detailed descriptions of individual manuscripts. Each description in this catalogue covers the manuscript's contents, artwork, physical qualities such as size, material, collation, foliation, etc., as well as additions by later users and provenance. There is also a lengthy introduction giving an overview of the corpus, and appendices for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts. for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts.


John Gower in England and Iberia

John Gower in England and Iberia

Author: Ana Sáez-Hidalgo

Publisher: Boydell & Brewer Ltd

Published: 2014

Total Pages: 350

ISBN-13: 184384320X

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John Gower's great poem, the Confessio Amantis, was the first work of English literature translated into any European language. Occasioned by the existence in Spain of fifteenth-century Portuguese and Spanish manuscripts of the Confessio, the nineteen essays brought together here represent new and original approaches to Gower's role in Anglo-Iberian literary relations. They include major studies of the palaeography of the Iberian manuscripts; of the ownership history of the Portuguese Confessio manuscript; of the glosses of Gowerian manuscripts; and of the manuscript of the Yale Confessio Amantis. Other essays situate the translations amidst Anglo-Spanish relations generally in the fourteenth and fifteenth centuries; examine possible Spanish influences on Gower's writing; and speculate on possible providers of the Confessio to Philippa, daughter of John of Gaunt and queen of Portugal. Further chapters broaden the scope of the volume. Amongst other topics, they look at Gower's use of Virgilian/Dantean models; classical gestures in the Castilian translation; Gower's conscious contrasting of epic ideals and courtly romance; nuances of material goods and the idea of "the good" in the Confessio; Marxian aesthetics, Balzac, and Gowerian narrative in late medieval trading culture between England and Iberia; reading the Confessio through the lens of gift exchange; literary form in Gower's later Latin poems; Gower and Alain Chartier as international initiators of a new "public poetry"; and the modern sales history of manuscript and early printed copies of the Confessio, and what it reveals about literary trends. Ana S ez Hidalgo is Associate Professor at the University of Valladolid, Spain; R.F. Yeager is Professor of English and World Languages and chair of the department at the University of West Florida. Contributors: Mar a Bull n-Fern ndez, David R. Carlson, Si n Echard, A.S.G. Edwards, Robert R. Edwards, Tiago Vi la de Faria, Andrew Galloway, Fernando Galv n, Marta Mar a Guti rrez Rodr guez, Mauricio Herrero Jim nez, Ethan Knapp, Roger A. Ladd, Alberto L zaro, Mar a Luisa L pez-Vidriero Abell , Matthew McCabe, Alastair J. Minnis, Clara Pascual-Argente, Tamara Para A. Shailor, Winthrop Wetherbee


Mirour de L'Omme

Mirour de L'Omme

Author: John Gower

Publisher: Michigan State University Press

Published: 1992

Total Pages: 456

ISBN-13:

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The Mirour de l'Omme (The Mirror of Mankind) is an encyclopedia of moral topics, including a vivid allegory of the Seven Deadly Sins. Author John Gower (1330-1408) was a poet, personal friend of Chaucer, and the most prominent member of his literary circle.


The Monstrous New Art

The Monstrous New Art

Author: Anna Zayaruznaya

Publisher: Cambridge University Press

Published: 2015-04-02

Total Pages: 321

ISBN-13: 1316194655

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Late medieval motet texts are brimming with chimeras, centaurs and other strange creatures. In The Monstrous New Art, Anna Zayaruznaya explores the musical ramifications of this menagerie in the works of composers Guillaume de Machaut, Philippe de Vitry, and their contemporaries. Aligning the larger forms of motets with the broad sacred and secular themes of their texts, Zayaruznaya shows how monstrous or hybrid exempla are musically sculpted by rhythmic and textural means. These divisive musical procedures point to the contradictory aspects not only of explicitly monstrous bodies, but of such apparently unified entities as the body politic, the courtly lady, and the Holy Trinity. Zayaruznaya casts a new light on medieval modes of musical representation, with profound implications for broader disciplinary narratives about the history of text-music relations, the emergence of musical unity, and the ontology of the musical work.


Medieval Manuscripts, Readers and Texts

Medieval Manuscripts, Readers and Texts

Author: Misty Schieberle

Publisher: Boydell & Brewer

Published: 2024-10

Total Pages: 307

ISBN-13: 1914049284

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Examines manuscripts of Langland, Chaucer, Gower, Nicholas Love and Arthurian tales, alongside other devotional works and archival evidence. Professor Kathryn Kerby-Fulton's scholarship has transformed the study of medieval manuscripts and readers, particularly in the areas of devotional literature, professional scribal production and clerical writing. The essays collected here celebrate and reflect her influence and practice of giving careful attention to material contexts and archival sources when reading literature produced in late medieval England. They offer new interpretations of scribal practices, professional readers' activities, documentary evidence and challenging material and cultural contexts. They also reconsider scholarly practices and assumptions, while demonstrating how manuscript and archival studies can energize scholarship on such varied topics as authority, reader reception, modern editorial perspectives, gender and religious activities.


Middle English Poetry

Middle English Poetry

Author: Alastair J. Minnis

Publisher: Boydell & Brewer

Published: 2001

Total Pages: 322

ISBN-13: 1903153093

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Material on the production and transmission of medieval literature and the early formation of the canon of English poetry. A wide range of poets is covered - Chaucer, Gower, Hoccleve, the Gawain poet, Langland, and Lydgate, along with the translator of Claudian's De Consulatu Stilichonis. The Turnament of Totenham is read in termsof theory of the carnivalesque and popular culture, and major contributions are made to current linguistic, editorial and codicological controversies. Going beyond the Middle Ages, the book also considers the sixteenth-century reception of Chaucer's Legend of Good Women and Post-Reformation reading of Lydgate. It is essential reading for anyone interested in the production and transmission of medieval literature, and in the early formation of the canon of English poetry. Contributors: JULIA BOFFEY, J.A. BURROW, CHRISTOPHER CANNON, MARTHA DRIVER, SIAN ECHARD, A.S.G. EDWARDS, KATE D. HARRIS, S.S. HUSSEY, KATHRYN KERBY-FULTON, CAROL M. MEALE, LINNE R. MOONEY, CHARLOTTE C. MORSE, V.I.J. SCATTERGOOD, ELIZABETH SOLOPOVA, ESTELLE STUBBS, JOHN THOMPSON.