Say "body modifications" and most people think of tattoos and piercings. They associate these mainly with the urban primitives of the 1980s to today and with primitive tribes. In fact, as this fascinating book shows, body mods have been on the scene since ancient times, traceable as far back as 1.5 million years, and they also encompass sacrification, branding, and implants. Professor John Rush outlines the processes and procedures of these radical physical alterations, showing their function as rites of passage, group identifiers, and mechanisms of social control. He explores the use of pain for spiritual purposes, such as purging sin and guilt, and examines the phenomenon of accidental cuts and punctures as individual events with sometimes profound implications for group survival. Spiritual Tattoo finds a remarkable consistency in body modifications from prehistory to the present, suggesting the importance of the body as a sacred geography from both social and psychological points of view.
The series provides quality, balanced, and accessible information on a very high interest topic. Each title discusses the topic from an historical and/or cultural context as well as discussing the practices from psychological and personal health points of view. The books include photos as well as many personal stories which personalize the factual information. The books are not didactic which students will appreciate, but provide pros and cons. The writing is conversational though the content and vocabulary makes it a high school selection. Titles include a further reading section, making them good for research as well as interest reading. For schools with ¿i-search¿ projects, this will be a great addition.
Piercing the body to wear jewelry is an ancient practice that has grown in popularity and acceptance in recent years. Today, people of all ages have embraced piercing, along with tattoos and other forms of body modification, as a way to express themselves. Piercing isn't just for ears anymore; noses, lips, eyebrows, navels, hands, tongues, and other body parts are all fair game. With captivating photographs, this dramatic book helps readers consider the cost and benefit of body piercing, as well as safety and health issues.
Discusses the history of various forms of body marking, current popularity of body piercing and tattoos, how and why these are done, and some things to think about before choosing to be pierced or tattooed.
A groundbreaking work that sees the contemporary cultural trends of tattooing, piercing, implanting, and branding as a quest for a transformative psychic experience. • Features unforgettable color photographs by Steve Haworth, the foremost body modification artist in the United States. • Introduces a subculture that has gone far beyond the realm of simple tattooing. Acts of body modification are deeply rooted in physical impulses that are obscured in our technological society. As we become more removed from the physicality of our existence, we lose touch with an essential part of our humanity. Body modification is a way of reconnecting to our bodies, to the earth, and to the divine. Pagan Fleshworks reveals that the prevalence of body modification--tattooing, piercings, brandings, and implants--is the postmodern way to heal the body and enliven the soul. These "fleshworks" are the result of people creating their own rituals and symbols of meaning in order to feel a sense of the divine within. Maureen Mercury relates the various stages of obtaining fleshworks to the stages of alchemy, showing how fleshworks lead to psychic transformation--soul-making. Using mythological imagery and the stories of those who have chosen to modify their bodies, she identifies the signposts of our journey toward self-expression, exploring the connection between our desires and our outward life. More than 30 riveting color photographs by leading body modification artist Steve Haworth provide the perfect visual complement to this examination of the soul as it rises toward freedom.
People everywhere have attempted to change their bodies in an effort to meet their cultural standards of beauty, as well as their religious and/or social obligations. Often times, this modification or adornment of their bodies is part of the complex process of creating and re-creating personal and social identities. Body painting has probably been practiced since the Paleolithic as archaeological evidence indicates, and the earliest human evidence of tattooing goes back to the Neolithic with mummies found in Europe, Central Asia, the Andes and the Middle East. Adornments such as jewelry have been found in the earliest human graves and bodies unearthed from five thousand years ago show signs of intentional head shaping. It is clear that adorning and modifying the body is a central human practice. Over 200 entries address the major adornments and modifications, their historical and cross-cultural locations, and the major cultural groups and places in which body modification has been central to social and cultural practices. This encyclopedia also includes background information on the some of the central figures involved in creating and popularizing tattooing, piercing, and other body modifications in the modern world. Finally, the book addresses some of the major theoretical issues surrounding the temporary and permanent modification of the body, the laws and customs regarding the marking of the body, and the social movements that have influenced or embraced body modification, and those which have been affected by it. All cultures everywhere have attempted to change their body in an attempt to meet their cultural standards of beauty, as well as their religious and or social obligations. In addition, people modify and adorn their bodies as part of the complex process of creating and re-creating their personal and social identities. Body painting has probably been practiced since the Paleolithic as archaeological evidence indicates, and the earliest human evidence of tattooing goes back to the Neolithic with mummies found in Europe, Central Asia, the Andes and the Middle East. Adornments such as jewelry have been found in the earliest human graves and bodies unearthed from five thousand years ago show signs of intentional head shaping. It is clear that adorning and modifying the body is a central human practice. Over 200 entries address the major adornments and modifications, their historical and cross-cultural locations, and the major cultural groups and places in which body modification has been central to social and cultural practices. This encyclopedia also includes background information on the some of the central figures involved in creating and popularizing tattooing, piercing, and other body modifications in the modern world. Finally, the book addresses some of the major theoretical issues surrounding the temporary and permanent modification of the body, the laws and customs regarding the marking of the body, and the social movements that have influenced or embraced body modification, and those which have been affected by it. Entries include, acupuncture, amputation, Auschwitz, P.T. Barnum, the Bible, body dysmorphic disorder, body piercing, branding, breast augmentation and reduction, Betty Broadbent, castration, Christianity, cross dressers, Dances Sacred and Profane, Egypt, female genital mutilation, foot binding, freak shows, genetic engineering, The Great Omi, Greco-Roman world, henna, infibulation, legislation & regulation, lip plates, medical tattooing, Meso-America, military tattoos, National Tattoo Association, nose piercing, obesity, permanent makeup, primitivism, prison tattooing, punk, rites of passage, scalpelling, silicone injections, Stalking Cat, suspensions, tanning, tattoo reality shows, tattooing, Thailand, transgender, tribalism.
Body piercing, scarification, tattooing - for thousands of years decorative alteration of the human body has been invested with profound cultural and social meaning. This collection of essays, photographs and drawings focuses on the many and diverse ways that human beings have permanently decorated their bodies.
A long-established cultural practice with roots in Aboriginal Australia, Africa, and Papua New Guinea, scarification is gaining new adherents, as body modifications such as piercing become widely accepted. Scarification is the practice of making precise cuts to the body to create scars in a desired pattern. This captivating book explores the cultural history of scarification, ranging from initiation rituals to commemoration of the dead, and introduces readers to today's scarification trends and techniques. Vivid photographs and engrossing sidebars offer an in-depth look at practitioners of this unusual art form.
Despite the social sciences' growing fascination with tattooing--and the immense popularity of tattoos themselves--the practice has not left much of a historical record. And, until very recently, there was no good context for writing a serious history of tattooing in the West. This collection exposes, for the first time, the richness of the tattoo's European and American history from antiquity to the present day. In the process, it rescues tattoos from their stereotypical and sensationalized association with criminality. The tattoo has long hovered in a space between the cosmetic and the punitive. Throughout its history, the status of the tattoo has been complicated by its dual association with slavery and penal practices on the one hand and exotic or forbidden sexuality on the other. The tattoo appears often as an involuntary stigma, sometimes as a self-imposed marker of identity, and occasionally as a beautiful corporal decoration. This volume analyzes the tattoo's fluctuating, often uncomfortable position from multiple angles. Individual chapters explore fascinating segments of its history--from the metaphorical meanings of tattooing in Celtic society to the class-related commodification of the body in Victorian Britain, from tattooed entertainers in Germany to tattooing and piercing as self-expression in the contemporary United States. But they also accumulate to form an expansive, textured view of permanent bodily modification in the West. By combining empirical history, powerful cultural analysis, and a highly readable style, this volume both draws on and propels the ongoing effort to write a meaningful cultural history of the body. The contributors, representing several disciplines, have all conducted extensive original research into the Western tattoo. Together, they have produced an unrivalled account of its history. They are, in addition to the editor, Clare Anderson, Susan Benson, James Bradley, Ian Duffield, Juliet Fleming, Alan Govenar, Harriet Guest, Mark Gustafson, C. P. Jones, Charles MacQuarrie, Hamish Maxwell-Stewart, Stephan Oettermann, Jennipher A. Rosecrans, and Abby Schrader.
