Shakespeare and Renaissance Literary Theories

Shakespeare and Renaissance Literary Theories

Author: Michele Marrapodi

Publisher: Routledge

Published: 2016-04-01

Total Pages: 368

ISBN-13: 1317056582

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Throwing fresh light on a much discussed but still controversial field, this collection of essays places the presence of Italian literary theories against and alongside the background of English dramatic traditions, to assess this influence in the emergence of Elizabethan theatrical convention and the innovative dramatic practices under the early Stuarts. Contributors respond anew to the process of cultural exchange, cultural transaction, and generic intertextuality involved in the debate on dramatic theory and literary kinds in the Renaissance, exploring, with special emphasis on Shakespeare's works, the level of cultural appropriation, contamination, revision, and subversion characterizing early modern English drama. Shakespeare and Renaissance Literary Theories offers a wide range of approaches and critical viewpoints of leading international scholars concerning questions which are still open to debate and which may pave the way to further groundbreaking analyses on Shakespeare's art of dramatic construction and that of his contemporaries.


Pretty Creatures

Pretty Creatures

Author: Michael Witmore

Publisher: Cornell University Press

Published: 2018-07-05

Total Pages: 246

ISBN-13: 0801463556

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Children had surprisingly central roles in many of the public performances of the English Renaissance, whether in entertainments—civic pageants, children's theaters, Shakespearean drama—or in more grim religious and legal settings, as when children were "possessed by demons" or testified as witnesses in witchcraft trials. Taken together, such spectacles made repeated connections between child performers as children and the mimetic powers of fiction in general. In Pretty Creatures, Michael Witmore examines the ways in which children, with their proverbial capacity for spontaneous imitation and their imaginative absorption, came to exemplify the virtues and powers of fiction during this era. As much concerned with Renaissance poetics as with children's roles in public spectacles of the period, Pretty Creatures attempts to bring the antics of children—and the rich commentary these antics provoked—into the mainstream of Renaissance studies, performance studies, and studies of reformation culture in England. As such, it represents an alternative history of the concept of mimesis in the period, one that is built from the ground up through reflections on the actual performances of what was arguably nature's greatest mimic: the child.


English Renaissance Rhetoric and Poetics

English Renaissance Rhetoric and Poetics

Author: Heinrich F. Plett

Publisher: BRILL

Published: 1995

Total Pages: 546

ISBN-13: 9789004103436

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This comprehensive bibliography lists some 500 source texts published in the British Isles or abroad from 1479 to 1660 and more than 2,000 works of secondary literature from 1900 to the present.


Sources of Dramatic Theory: Volume 1, Plato to Congreve

Sources of Dramatic Theory: Volume 1, Plato to Congreve

Author: Michael J. Sidnell

Publisher: Cambridge University Press

Published: 1991-05-09

Total Pages: 332

ISBN-13: 9780521326940

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This book makes available major theoretical writings on drama from the Greeks to the late seventeenth century for students of dramatic theory who require more than representative snippets. All the texts included here have been newly annotated and many have been specially translated for this volume.


The Art of English Poesy

The Art of English Poesy

Author: George Puttenham

Publisher: Cornell University Press

Published: 2016-10-03

Total Pages: 513

ISBN-13: 1501707418

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George Puttenham's Art of English Poesy is a foundational work of English Renaissance criticism and literary theory. Rich in detail about the nature, purpose, and functions of poetry as well as the poet's character and goals, it is also a valuable historical document, offering generous insight into Elizabethan court culture, implicitly on display in the attitudes and values of the writer. His illustrative anecdotes enable us to watch European courtiers negotiating their social and political relationships with one another as well as with rulers and social inferiors. This new critical edition of The Art of English Poesy contains the first modernized and fully annotated edition of Puttenham's 1589 text; a substantial introductory essay by Frank Whigham and Wayne A. Rebhorn; a comprehensive bibliography; several glossaries and appendixes; and an index. The editors' masterly essay introduces Puttenham to modern readers and situates The Art of English Poesy in the context of the rhetorical theory, poetics, and courtly conduct of its time. The introduction also includes a concise biography of Puttenham based on a variety of new and unfamiliar data: he married an older and much richer woman whom he badly mistreated; indulged habitually in a life of sexual predation; was repeatedly sued, arrested, and imprisoned; survived several supposed attempts on his life; and died, nearly indigent, in 1591. For scholars and students of the English Renaissance, the Cornell edition of The Art of English Poesy should prove the definitive edition of Puttenham's major work.


Biographia Dramatica, Or, A Companion to the Playhouse: Containing Historical and Critical Memoirs, and Original Anecdotes, of British and Irish Dramatic Writers, from the Commencement of Our Theatrical Exhibitions; Among Whom are Some of the Most Celebrated Actors: ... Originally Compiled, to the Year 1764, by David Erskine Baker. Continued Thence to 1782, by Isaac Reed, F. A. S. and Brought Down to the End of November 1811, with Very Considerable Additions and Improvements Throughout, by Stephen Jones. In Three Volumes

Biographia Dramatica, Or, A Companion to the Playhouse: Containing Historical and Critical Memoirs, and Original Anecdotes, of British and Irish Dramatic Writers, from the Commencement of Our Theatrical Exhibitions; Among Whom are Some of the Most Celebrated Actors: ... Originally Compiled, to the Year 1764, by David Erskine Baker. Continued Thence to 1782, by Isaac Reed, F. A. S. and Brought Down to the End of November 1811, with Very Considerable Additions and Improvements Throughout, by Stephen Jones. In Three Volumes

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Published: 1812

Total Pages: 488

ISBN-13:

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