The early medieval crannog in Loch Glashan was excavated in 1960 by Jack Scott, in advance of dam construction. The crannog produced a rich organic assemblage of wood and leather objects, as well as exotic items such as continental imported pottery and a brooch studded with amber. This title examines all the evidence from the crannog.
King Arthur is probably the most famous and certainly the most legendary medieval king. From the early ninth century through the middle ages, to the Arthurian romances of Victorian times, the tales of this legendary figure have blossomed and multiplied. And in more recent times, there has been a continuous stream of books claiming to have discovered the 'facts' about, or to unlock the secret or truth behind, the 'once and future king'. Broadly speaking, there are two Arthurs. On the one hand is the traditional 'historical' Arthur, waging a doomed struggle to save Roman civilization against the relentless Anglo-Saxon tide during the darkest years of the Dark Ages. On the other is the Arthur of myth and legend - accompanied by a host of equally legendary people, places, and stories: Lancelot, Guinevere, Galahad and Gawain, Merlin, Excalibur, the Lady in the Lake, the Sword in the Stone, Camelot, the Round Table. The big problem with all this is that 'King Arthur' might well never have existed. And if he did exist, it is next to impossible to say anything at all about him. As this challenging new look at the Arthur legend makes clear, all books claiming to reveal 'the truth' behind King Arthur can safely be ignored. Not only the 'red herrings' in the abundant pseudo-historical accounts, even the 'historical' Arthur is largely a figment of the imagination: the evidence that we have - whether written or archaeological - is simply incapable of telling us anything detailed about the Britain in which he is supposed to have lived, fought, and died. The truth, as Guy Halsall reveals in this fascinating investigation, is both radically different - and also a good deal more intriguing.
This volume is a collection of 30 papers on the broad subject of the Scandinavian expansion westwards to Britain, Ireland and the North Atlantic, with a particular emphasis on settlement. The volume has been prepared in tribute to the work of Barbara E. Crawford on this subject, and to celebrate the twentieth anniversary of the publication of her seminal book, Scandinavian Scotland. Reflecting Dr Crawford's interests, the papers cover a range of disciplines, and are arranged into four main sections: History and Cultural Contacts; The Church and the Cult of Saints; Archaeology, Material Culture and Settlement; Place-Names and Language. The combination provides a variety of new perspectives both on the Viking expansion and on Scandinavia's continued contacts across the North Sea in the post-Viking period. Contributors include: Lesley Abrams, Haki Antonsson, Beverley Ballin Smith, James Barrett, Paul Bibire, Nicholas Brooks, Dauvit Broun, Margaret Cormac, Neil Curtis, Clare Downham, Gillian Fellows-Jensen, Ian Fisher, Katherine Forsyth, Peder Gammeltoft, Sarah Jane Gibbon, Mark Hall, Hans Emil Liden, Christopher Lowe, Joanne McKenzie, Christopher Morris, Elizabeth Okasha, Elizabeth Ridel, Liv Schei, Jón Viðar Sigurðsson, Brian Smith, Steffen Stumann Hansen, Frans Arne Stylegård, Simon Taylor, William Thomson, Gareth Williams, Doreen Waugh and Alex Woolf.
Conservation Skills for the 21st Century provides a much-needed update to the original Conservation Skills volume, presenting an overview of current issues facing conservators of historic and artistic works. Beginning with the basics – why the past is important, as well as an overview of the nature and history of conservation – the book allows the reader to develop a holistic appreciation of the subject. As with the first edition, this volume assists with the development of judgement in conservation students and young professionals. A selection of new case studies representing issues conservators are likely to face in the 21st century illustrates the crucial considerations that must be made when proposing and executing a conservation treatment. Incorporating recent developments and use of new technologies in conservation processes, the book also covers topics such as conservation ethics; recording and documentation; investigating and cleaning objects; stabilisation and restoration; values, decision-making, and responsibilities; preventive conservation; approaches to the treatment of working and socially active objects; sustainability in conservation; and the conservator’s role as advocate. With detailed case studies and written in a clear, accessible style, Conservation Skills for the 21st Century remains essential reading for student conservators and conservation professionals around the globe working across a wide range of conservation disciplines.
Perth and Kinross, at the geographical heart of Scotland, contains a wide diversity of buildings including the remains of a Roman line of forts and watch towers, carved stones erected by the warrior aristocracy of the sixth to ninth centuries, the inventive medieval Dunkeld Cathedral, and the island fortress of Lochleven Castle. Blair Castle's mid-eighteenth-century stucco work is unequalled in Scotland. A multitude of smaller country houses embrace a variety of styles, while Georgian and Victorian churches, many with superb stained glass, abound. Towns and villages range from Dunkeld, the epitome of a small Scottish burgh, to the Royal burgh of Perth. This is the tenth volume in the Buildings of Scotland series.
This is the first comprehensive, scholarly history of Trinity College Library Dublin. It covers the whole 400 years of the Library's development, from its foundation by James Ussher in the seventeenth century to the electronic revolution of the twenty-first century. Particular attention is given to the buildings and to the politics involved in obtaining funding for them, as well as to the acquisition of the great treasures, such as the Book of Kells and the libraries of Ussher, Claudius Gilbert and Hendrik Fagel. An important aspect is the comprehensive coverage of legal deposit from the beginning of the nineteenth century, viewed for the first time from the Irish perspective. The book also draws parallels with the development of other libraries in Dublin and with those of the universities of Oxford and Cambridge, and features throughout the individuals who influenced the Library's development - librarians, politicians, readers, book collectors and book thieves.
Trusty's Hill is an early medieval fort at Gatehouse of Fleet, Dumfries and Galloway. The hillfort comprises a fortified citadel defined by a vitrified rampart around its summit, with a number of enclosures looping out along lower-lying terraces and crags. The approach to its summit is flanked on one side by a circular rock-cut basin and on the other side by Pictish Symbols carved on to the face of a natural outcrop of bedrock. This Pictish inscribed stone is unique in Dumfries and Galloway, and southern Scotland, and has long puzzled scholars as to why the symbols were carved so far from Pictland and even if they are genuine. The Galloway Picts Project, launched in 2012, aimed to recover evidence for the archaeological context of the inscribed stone, but far from validating the existence of Picts in this southerly region of Scotland, the archaeological context instead suggests that the carvings relate to a royal stronghold and place of inauguration for the local Britons of Galloway around AD 600. Examined in the context of contemporary sites across southern Scotland and northern England, the archaeological evidence from Galloway suggests that this region may have been the heart of the lost Dark Age kingdom of Rheged, a kingdom that was in the late sixth century pre-eminent amongst the kingdoms of the north. The new archaeological evidence from Trusty's Hill enhances our perception of power, politics, economy and culture at a time when the foundations for the kingdoms of Scotland, England and Wales were being laid.
Until very recently Viking and Norse assembly sites were essentially unknown, apart from a few select sites, such as Thingvellir in Iceland. The Vikings are well-known for their violence and pillage, but they also had a well-organised system for political decision-making, legal cases and conflict resolution. Using archaeological evidence, written sources and place-names, this book provides a comprehensive analysis of their legal system and assembly sites, showing that this formed an integral part of Norse culture and identity, to the extent that the assembly institution was brought to all Norse settlements.Sites are analysed through surveys and case studies across Scandinavia, Scotland and the North Atlantic region. The author moves the view of assembly sites away from a functional one to an understanding of the symbolic meaning of these highly ritualised sites, and shows how they were constructed to signify power through monuments and natural features. This original and stimulating study is set not only in the context of the Viking and Norse periods, but also in the wider continental histories of place, assembly and the rhetoric of power.
A survey of how Highland society organised its farming communities, exploited its resource base and interacted with its environment from prehistory to 1914
As an archaeologist, Steven Mithen has worked on the Hebridean island of Islay over a period of many years. In this book he introduces the sites and monuments and tells the story of the island's people from the earliest stone age hunter-gatherers to those who lived in townships and in the grandeur of Islay House. He visits the tombs of Neolithic farmers, forts of Iron Age chiefs and castles of medieval warlords, discovers where Bronze Age gold was found, treacherous plots were made against the Scottish crown, and explores the island of today, which was forged more recently by those who mined for lead, grew flax, fished for herring and distilled whisky – the industry for which the island is best known today. Although an island history, this is far from an insular story: Islay has always been at a cultural crossroads, receiving a constant influx of new people and new ideas, making it a microcosm for the story of Scotland, Britain and beyond.
