This acclaimed volume explores and unravels the contexts, readings, genres, intertextualities and debates within Anglo-Saxon studies. Brings together specially-commissioned contributions from a team of leading European and American scholars. Embraces both the literature and the cultural background of the period. Combines the discussion of primary material and manuscript sources with critical analysis and readings. Considers the past, present and future of Anglo-Saxon studies
Crossley-Holland--the widely acclaimed translator of Old English texts--introduces the Anglo-Saxons through their chronicles, laws, letters, charters, and poetry, with many of the greatest surviving poems printed in their entirety.
This collection provides a new, authoritative and challenging study of the life and works of Ælfric of Eynsham, the most important vernacular religious writer in the history of Anglo-Saxon England. The contributors include almost all of the key Ælfric scholars working today and some important newer voices. Each of the chapters is a cutting-edge piece of work which addresses one aspect of Ælfric’s works or career. The chapters are organised topically, rather than by chronology, genre or biography, and between them cover the entire Ælfrician corpus and the major contextual issues; consideration of Ælfric’s Latin writings is carefully integrated with that of his Old English works. Ælfric studies are currently a central element of Anglo-Saxon studies, but while to date there has been a great deal of detailed work on some aspects of Ælfric, this collection provides the first overview. Contributors: Hugh Magennis, Joyce Hill, Christopher A. Jones, Mechthild Gretsch, M. R. Godden, Catherine Cubitt, Thomas N. Hall, Robert K. Upchurch, Mary Swan, Clare A. Lees, Gabriella Corona, Kathleen Davis, Jonathan Wilcox, Aaron J Kleist and Elaine Treharne.
A Choice of Anglo-Saxon Verse contains the Old English texts of all the major short poems, such as 'The Battle of Maldon', 'The Dream of the Rood', 'The Wanderer' and 'The Seafarer', as well as a generous representation of the many important fragments, riddles and gnomic verses that survive from the seventh to the twelfth centuries, with facing-page verse translations. These poems are the well-spring of the English poetic tradition, and this anthology provides a unique window into the mind and culture of the Anglo-Saxons. The volume is an essential companion to Faber's edition of Beowulf, translated by Seamus Heaney.
The Anglo-Saxon Literature Handbook presents an accessible introduction to the surviving works of prose and poetry produced in Anglo-Saxon England, from AD 410-1066. Makes Anglo-Saxon literature accessible to modern readers Helps readers to overcome the linguistic, aesthetic and cultural barriers to understanding and appreciating Anglo-Saxon verse and prose Introduces readers to the language, politics, and religion of the Anglo-Saxon literary world Presents original readings of such works as Beowulf, The Battle of Maldon, The Wanderer, The Seafarer, and The Anglo-Saxon Chronicle
This is an introduction to the history of England and Normandy in the 11th and 12th centuries. Within the broad field of cultural history, there are discussions of language, literature, the writing of history and ecclesiastical architecture.
A Companion to Beowulf is a guide to the ancient epic poem for students and general readers. The reader learns about the famous manuscript and its language, the poem's plot, and the religious and cultural background of the story. The book serves as a bridge to more advanced scholarship. It was first published by Greenwood Press in 2005 as a hardcover volume.
A Companion to Medieval Poetry presents a series oforiginal essays from leading literary scholars that explore Englishpoetry from the Anglo-Saxon period up to the15th century. Organised into three parts to echo the chronological andstylistic divisions between the Anglo-Saxon, Middle English andPost-Chaucerian periods, each section is introduced with contextualessays, providing a valuable introduction to the society andculture of the time Combines a general discussion of genres of medieval poetry,with specific consideration of texts and authors, includingBeowulf, Sir Gawain and the Green Knight, Chaucer,Gower and Langland Features original essays by eminent scholars, including AndyOrchard, Carl Schmidt, Douglas Gray, and BarryWindeatt, who present a range of theoretical,historical, and cultural approaches to reading medieval poetry, aswell as offering close analysis of individual texts andtraditions
