Chimneys and Towers focuses on Demuth's late paintings of industrial sites in Lancaster. Depicting the warehouses and factories of the city's tobacco and linoleum industries in sharp, geometric forms, these paintings bring to the depiction of his hometown the style of the American avant-garde that he helped create.
This exhibition sets the art of Edward Hopper in the context of the diverse and controversial movements dominating American art during the first half of the twentieth century.
Grapples with the problems of identifying homosexual content in a work of art, showing how artists often used sexual codes to communicate to their subculture. The major part of the book is a discussion of Demuth's and Hartley's lives and works.
The Museum of Modern Art is known for its prescient focus on the avant-garde art of Europe, but in the first half of the twentieth century it was also acquiring work by Stuart Davis, Georgia O’Keeffe, Charles Sheeler, Alfred Stieglitz, and other, less well-known American artists whose work sometimes fits awkwardly under the avant garde umbrella. American Modern presents a fresh look at MoMA’s holdings of American art from that period. The still lifes, portraits, and urban, rural, and industrial landscapes vary in style, approach, and medium: melancholy images by Edward Hopper and Andrew Wyeth bump against the eccentric landscapes of Charles Burchfield and the Jazz Age sculpture of Elie Nadelman. Yet a distinct sensibility emerges, revealing a side of the Museum that may surprise a good part of its audience and throwing light on the cultural preoccupations of the rapidly changing American society of the day.
"Here is a new, handsomely redesigned edition of a classic text. Charles Le Clair covers every aspect of painting in watercolor, giving advice on essential materials and providing sequential instruction in both traditional and special techniques." "But The Art of Watercolor is much more than a how-to-manual; it is completely unique among watercolor instruction books in that it is the only handbook offering a comprehensive course of study of the kind found in a university or professional art school; features the work of historical masters of the medium, including Winslow Homer, John Singer Sargent, and Paul Cezanne, along with work by such contemporary stars as Carolyn Brady, Joseph Raffael, and Andrew Wyeth; offers how-to techniques in the context of visual ideas, with technical explanations related to esthetic concepts; and combines studio information with art-historical comment as no other such book has done."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved